Sharon Church was born in 1948 in Richland, Washington[1] to Gilbert Patterson Church [4] and Winona Skinner.[5] Church grew up in Wilmington, Delaware, graduating from the Tower Hill School, Class of 1966.[6] Her father was a construction engineer for DuPont Co,[7] and she recalls growing up watching her mother doing craft work and wearing jewelry.[8]
“I really believe craft has within it the key to valuing a human life,” she says. “To make something with your hands, to know that you exist, to see that that existence has value – even for someone who just likes doing it, it has enormous value.” Sharon Church[15]
Making
Sharon Church is known for carving materials like wood, horn, and bone and sometimes incorporating them into works with precious metals and stones.[1][16] She often uses Castello boxwood or ebony.[11] Church often begins with a drawing, but does not plan out the entire piece. She slowly develops her pieces through trial and error, experimenting with processes, techniques and materials until she feels a piece is complete. If she cannot resolve a piece, she may put it away, discard it or reclaim the materials.[11][12]
She draws heavily on nature both as a model and for materials.[11] Following the death of her first husband in 1993, Church began to make carved wood a key element of her jewelry and sculptures. Her first piece in this style, It was the Most Beautiful Day of the Summer (1995), resembles both a fox's head and a cloven heart, in gold and ebony.[14][17][18][19]
Professional Activities
Church has served on the board of directors of the Society of North American Goldsmiths (1983-1987). She has been the production coordinator for Metalsmith magazine (1986-1987) and served on its editorial advisory committee. She has written for Metalsmith and other magazines. She is a member of the American Craft Council and of Art Jewelry Forum.[3]
^Church, Sharon. "Collections". Philamuseum.org. Retrieved 16 February 2022.
^Church, Sharon. "Hand Whip, 1976". emuseum.delart.org. Delaware Art Museum. Retrieved 16 February 2022.
^Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Better World. Washington, DC: Smithsonian American Art Museum. pp. 228–238. ISBN9781913875268.
^Biddle, Livingston L. Jr., ed. (1978). Annual Report 1977(PDF). Washington, D.C.: National Endowment for the Arts. p. 129. Retrieved 30 December 2021.