1775 composition by W. A. Mozart
The Serenade No. 5 in D major , K. 204/213a was written on 5 August 1775 by Wolfgang Amadeus Mozart for ceremonies at the University of Salzburg .[ 1] The work is very similar to the serenade K. 203 , composed for Salzburg the previous summer.
Structure
The serenade is scored for two oboes (doubling flutes ), bassoon , two horns in D, A, and G, two trumpets in D, and strings . There are seven movements :
Allegro assai, 4/4
Andante moderato in A major , 3/4
Allegro in A major, 2/2
Menuetto & Trio, 3/4
[Andante] in G major , 2/4
Menuetto and Trio, 3/4
Andantino Grazioso, 2/4 – Allegro, 3/8
The March in D, K. 215/213b, was used as an introduction or exit for this work.[ 1]
The second, third and fourth movements all feature the solo violin prominently, forming a three-movement violin concerto within the serenade. This is similar to the K. 203 serenade from the previous year. Mozart probably played the solo violin part himself.[ 1]
Like most of his orchestral serenades, a symphony was arranged from a subset of the serenade's movements. The "Serenade Symphony" for this work consists of movements one, five, six and seven (the non-concerto movements).[ 2]
Notes
^ a b c Zaslaw, Neal , The Compleat Mozart: a Guide to the Musical Works , pp. 233–234 (New York, 1990) ISBN 0-393-02886-0
^ Brown, A. Peter, The Symphonic Repertoire , vol. 2. Indiana University Press (ISBN 025333487X ), pp. 340–341 (2002).
External links
No. 1 in D, K. 100
No. 4 in D, K. 203 ("Colloredo")
No. 5 in D, K. 204
No. 6 in D, K. 239 ("Serenata Notturna")
No. 7 in D, K. 250 ("Haffner")
No. 9 in D, K. 320 ("Posthorn")
No. 10 in B♭ , K. 361 ("Gran Partita")
No. 11 in E♭ , K. 375
(no number) in D, K. 385 (converted into "Haffner Symphony")
No. 12 in C minor, K. 388
No. 13 in G, K. 525 ("Eine kleine Nachtmusik")
List of compositions by Wolfgang Amadeus Mozart
Unnumbered Numbered Adapted from serenades Lost
a Symphonies of doubtful authenticity.
b No. 2 now attributed to Leopold Mozart .
c No. 3 now attributed to Carl Friedrich Abel (although Mozart changed the instrumentation).
d Symphonies generally agreed to be spurious today, but included in either the old or new complete editions.
e No. 37 now attributed to Michael Haydn , except for the slow introduction which Mozart added.
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