The sculpture is a New Deal artwork funded by the early Public Works of Art Project.[4] The California regional director who commissioned Saint Monica was Merle Armitage.[4] The city of Santa Monica paid for the materials; southern California under Armitage’s leadership was unusually successful compared to other regions in raising money for public artwork cooperatively funded with the PWAP.[6]
The work was dedicated on May 4, 1935.[7][8] The dedication ceremony was set for a “Pioneer Days” event and attended by government dignitaries and community leaders, with music provided by the Santa Monica Municipal Band.[7]Mount Rushmore sculptor Gutzon Borglum had even come to Santa Monica to help his friend Morahan finish the piece before the unveiling ceremony.[7]
The statue was used as the cover image of W. W. Robinson’s 1950 history of Santa Monica.[9]
He climbed into his Mustang and blasted down Wilshire, past the two- and three-story shops and bars and restaurants of Santa Monica, all the way to the end of the road, where Eugene Morahan’s white Art Deco statue of the city’s namesake saint stood, surrounded by gnarled trees and a patch of grass shaped like a heart.
^"Statue Will Honor Town’s Patron Saint." Los Angeles Times, Apr 04, 1934, pp. 4.
^ abcMillier, Arthur. "Art Withstands Scrutiny of Hard-Boiled Politicians: Planetarium Obelisk, Park Fountain, Other, Massive Works Continue Under F.E.R.A." Los Angeles Times, Jun 03, 1934, pp. 2.
^Millier, Arthur. "Art and Artists: Murals and Monuments Multiply with Federal Aid Schools, Libraries, Parks Gain Permanent Works; Washington Cites Southland's Co-Operation with Art Project." Los Angeles Times, Apr 01, 1934, pp. 1.