Thomas "Sam" Doyle (1906–1985) was an African-American artist from Saint Helena Island, South Carolina.[1] His colorful paintings on sheet metal and wood recorded the history and people of St. Helena's Gullah community.
Early life
Sam Doyle was born in 1906 near Frogmore, on St. Helena Island.[2] He attended elementary school at the Penn School, a school for freed African-Americans founded by Unitarians and Quakers from Pennsylvania.[3] It was at the Penn School that Doyle's teachers first recognized his artistic talent and they encouraged him to pursue his practice.[3][4] Doyle dropped out of the Penn school in the ninth grade and found employment variously as a store clerk, porter, groundskeeper and finally as a laundry worker.[5][6][7]
Doyle continued his art practice in the 1940s, showing his paintings on sheet metal at first in his yard that he called his "Outdoor World-Wide-International Gallery".[9][10][11] Doyle would use discarded materials such as metal roofing, plywood, and house paint for his art, exhibiting a rudimentary, but unique art style.[12] After his retirement he took up his art practice more fully in 1968.[5][13]
Doyle was heavily influence by the Gullah culture of St. Helena Island, known for its high levels of African retention.[14] Doyle documented the strengths, weaknesses, trials, and blunders of his fellow St. Helena residents through painting their portraits. Doyle also documented popular figures of the African American community. Legends like Ray Charles, Martin Luther King Jr, and Jackie Robinson were portrayed in Doyle's collection.[15]
Doyle's work was included in the 1982 exhibition Black Folk Art in America at the Corcoran Gallery of Art.[16]
^ abCoker, Gylbert Garvin; Arnett, William (2001). "Souls Grown Deep: African American Vernacular Art of the South". African American Review. 35 (4): 660. doi:10.2307/2903291. ISSN1062-4783. JSTOR2903291.