In 1958, the superintendent of St Mary's Hostel, Captain Colin Steep, was driving back to the hostel when he passed Czakó painting the local scenery, including Pitchi Richi Sanctuary, and was very impressed with him as a painter and also for his likeable demeanour. Steep invited him home for tea and, ultimately, asked him to stay and allowed him to set up a studio in one of the sheds.[2]
The children at St. Mary's found his name difficult to pronounce and the nicknamed him "Mr Charcoal".[2]
Following prayers in the chapel one evening Czakó was very excited and said that he had visualised a large mural for the space and said that he would paint in, free of charge, if his supplies were provided. After the wall was prepared Czakó spent a few weeks panning and then only six weeks to paint the mural in full.[2]
St. Francis of Assisi; founder of the Franciscan order
St. Patrick; the patron saint of Ireland
St. Peter
The Church
The large group of people ; this scene is used by Czakó to relate to the picture of the Pentecost where the Holy Spirit, in the form of a dove, came to the Virgin Mary and the 11 apostles and they began to speak in different tongues and it shows people from around the world as well as more people from the hostel including:
Captain Colin Steep; the superintendent who was depicted wearing an ordained ministers cassock (which he was not) and Czakó, correctly, said he would be one day.
Norah Thompson; the cook at the hostel was depicted in a wheelchair with a guard dog in reference to her hating dogs. Again, strangely, Thompson would one day require a wheelchair.
Ruth Richardson; Norah's sister who also worked at the hostel was depicted dressed as a barrister, which she had practised as earlier in her life (the sisters were both in their 70s and while on a holiday from England decided they would take jobs at the hostel).
Robert Czakó; Czakó depicted himself as an elderly blind man with a white beard. When asked why he painted himself this way he said that "he was unable to see the true value of things".[2]
In July 2021 restoractions took place at the mural, led by Petrick, and supported by a NT Heritage Grant. Conservators and volunteers worked on the mural colour by colour.[5]
^ abcdPetrick, José (23 July 2016). The Robert Czakó Mural, St Mary's family services & beyond. Jeffries, Brian, Canon,, Anglican Church of the Ascension (Alice Springs, N.T.) (3rd revised ed.). Alice Springs, NT. ISBN9780646959191. OCLC957733928.{{cite book}}: CS1 maint: location missing publisher (link)
^Chandler, Peter Glen (8 January 2014). "Heritage Act PERMANENT DECLARATION OF HERITAGE OBJECT"(PDF). Northern Territory of Australia Government Gazette. Northern Territory Government. Retrieved 29 January 2020. permanently declare the mural painted by Robert Czáko on the wall of St Mary's Chapel, Alice Springs, to be a heritage object.