Rindon Johnson (born 1990, California) is an American artist and writer.[1] Johnson has based his work on language and its slippery nature. He uses animal hides, animation, virtual reality, wood and vaseline to consider capital accumulation and the systemic violences that maintain it.[2][3] Johnson has exhibited and performed internationally, and is a published author.[4] He lives and works in Brooklyn, New York and Berlin, Germany.[5]
Early life and education
Johnson was born in the unceded territory of the Ohlone peoples,[6] in San Francisco, CA in 1990.[7] He graduated from New York University and received his MFA from Bard College in 2018.[8]
Work
Johnson is the author of several books including The Law of Large Numbers, published by SculptureCenter, Chisenhale Gallery and Inpatient Press in 2021, the chapbook, No One Sleeps Better Than White People, published by Inpatient Press, and the virtual reality e-book, Meet Me in the Corner.[9] In 2017, Johnson collaborated with multidisciplinary artist Ser Serpas on Shade the King, a book of stream-of-consciousness-inspired poems by Johnson and abstract drawings by Serpas, published by Capricious.[10]
Rindon Johnson participated in the 60th International Art Exhibition of La Biennale di Venezia curated by Adriano Pedrosa. In September 2024, Johnson will present his largest solo exhibition to date at the Rockbund Art Museum in Shanghai, China.[11] His work has been shown internationally, including solo presentations at Albertinum, Dresden (2022), SculptureCenter in New York (2021), and the Julia Stoschek Collection in Düsseldorf (2019).[12][13]
Andromache Freya Rocket Suki Nomad Pete Kimmy Z River Chloe Ali Robert Maple Tigger Theodosia Martha Nate, COMA Gallery, Sydney, New South Wales, Australia, 2023[23]
The Bells Pursuing One Another, Albertinum, Dresden, Germany, 2022[24]
Cuvier, Francois Ghebaly, New York, New York, New York, USA, 2022[25]
Law of Large Numbers: Our Bodies, SculptureCenter, Long Island City, New York, USA, 2021[26]
Law of Large Numbers: Our Selves, Chisenhale Gallery, London, United Kingdom, 2021[27]
The Valley of the Moon, Francois Ghebaly, Los Angeles, California, USA, 2021[28]
Circumscribe, Julia Stoschek Collection, Düsseldorf, Germany, 2019[29]
Well, Covered, AALA Gallery, Los Angeles, California, USA, 2018[30]
A Din, A Hand, Beacon Sacramento, Sacramento, California, USA, 2017[31]
Existential Hangover, The Guest Room IRL at The Museum of Human Achievement, Austin, Texas, USA, 2017[32]
Selected Collaborative Exhibitions
Lifes, The Hammer Museum, Los Angeles, California, USA, 2022[33]
Unlock the Gates! Span the Mouth!, Sophie Tappenier, Vienna, Austria, 2022[34]
This End The Sun, New Museum, New York, New York, USA, 2021[35]
A Cultivated Life, King’s Leap, Brooklyn, New York, USA, 2018[36]
Or Else the Women Play the Game, Stellar Projects, New York, New York, USA, 2018[37]
Selected group exhibitions
Stranieri Ovunque / Foreigners Everywhere, La Biennale di Venezia, Venice, Italy, 2024[38]
Poetics of Encryption, KW Institute of Contemporary Art, Berlin, Germany, 2024[39]
Some of It Falls from the Belt and Lands on the Walkway Beside the Conveyor, Vleeshal, Middelburg, Netherlands, 2022[40]
Quiet as it's Kept, Whitney Biennial, Whitney Museum, New York, New York, USA, 2022[41]
Get Rid of Yourself, Sophie Tappeiner, Vienna, Austria, 2020[42]
Materia Medica, Francois Ghebaly Gallery, Los Angeles, USA, 2020[43]
Searching the Sky for Rain, SculptureCenter, New York, New York, USA, 2019[44]
Radical Reading Room, The Studio Museum in Harlem, New York, New York, USA, 2019[45]
Nobody Promised You Tomorrow, Brooklyn Museum, Brooklyn, New York, USA, 2019[46]
TOUCHING FROM A DISTANCE, Literaturhaus, Berlin, Germany, 2018[47]
States of Play: Roleplaying Reality, FACT, Liverpool, United Kingdom, 2018[48]
New Black Portraitures, curated by Aria Dean, Rhizome, Online, 2017[49]
NGV Triennial, National Gallery of Victoria, Melbourne, Australia, 2017[50]
The Unframed World, HeK (Haus der elektronischen Künste), Basel, Switzerland, 2017[51]