Richard Hageman (9 July 1881 – 6 March 1966) was a Dutch-born American conductor, pianist, and composer.
Biography
Richard Hageman was born in Leeuwarden, Friesland, Netherlands. He was the son of Maurits Hageman of Zutphen, a violinist, pianist and conductor, and of Hester Westerhoven of Amsterdam, a singer who performed under the name Francisca Stoetz.[1] A child prodigy, he was a concert pianist by the age of six. He studied at the conservatories of Amsterdam and Brussels.[1] As a young man he was an accompanist for singers and with the Nederlandsche Opera, which he conducted for the first time in 1899. He became the artistic director briefly in 1903, the same year he married the soprano Rosina van Ophemert, who took the stage name Rosina van Dyke/van Dyck (Rosina van Dijk was the maiden name of her grandmother).[2][3] For a short time Hageman was accompanist to Mathilde Marchesi in Paris.[4] He travelled to the United States in 1906 to accompany Yvette Guilbert on a national tour. He stayed and eventually became an American citizen in 1925.[5] Rosina sang at the Metropolitan Opera, but the couple had an acrimonious divorce in 1916.[6] His second and third wives were also sopranos—Renee Thornton and Eleanore Rogers.[7]
He was a conductor and pianist for the Metropolitan Opera between 1908 and 1922, and 1935-1936, coach of the opera department at the Curtis Institute from 1925 to 1930, and music director of the Chicago Civic Opera and the Ravinia Park Opera for seven years. Hageman was a coach in voice and collaborative at the Chicago Musical College in the 1920s,[8] where one of his notable piano students was Ray Turner, who went on to play with the Paul Whiteman Orchestra, worked as the staff pianist at Paramount Studios for over 20 years, and was a popular recording and concert artist.
He is known to the film community for his work as an actor and film score composer, most notably for his work on several John Ford films in the late 1930s and after the war in the late 1940s. He shared an Academy Award for his score to Ford's 1939 western Stagecoach and was nominated for the score of This Woman Is Mine (1941).[10]
He played minor roles in eleven movies, for example as opera conductor Carlo Santi in The Great Caruso. He became a member of ASCAP in 1950.[9]
Hageman composed some larger concert works for voice. His 1931 operaCaponsacchi, first performed in Freiburg with the title Tragödie in Arezzo in 1932, was staged at the Metropolitan Opera in 1937[4] with Mario Chamlee in the title role.[11] His "concert drama" The Crucible was performed in Los Angeles in 1943.[12] While his large musical compositions are rarely heard today, a few of his art songs are well-known and highly regarded, especially "Do Not Go, My Love", a setting of a Rabindranath Tagore poem.
He was a National Patron of Delta Omicron, an international professional music fraternity.[13] He died, aged 84, in Beverly Hills.
How to go and Forget (Edwin Markham), G. Schirmer, 1956
Praise (Seumas O'Sullivan), G. Schirmer, 1956
Under the Willows: Shoshone love song (Mary Hunter Austin), G. Schirmer, 1957
When the Wind is Low (Cale Young Rice), Galaxy, 1957
Die Stadt/The Town (Theodor Storm, tr. Robert Nathan), G. Schirmer, 1958
Betterliebe/Beggar's Love (Theodor Storm, tr. Robert Nathan), G. Schirmer, 1958
Am Himmelstor/At Heaven's Door (Conrad F. Meyer, tr. Robert Nathan), G. Schirmer, 1958
Nocturne (Jean Moréas, tr. Robert Nathan), G. Schirmer, 1960
So love returns, (Robert Nathan), Ricordi, 1960
Film scores
Hageman is credited for the scores of about 20 films, and his compositions have been used in many additional films.[16]
Seven of the scores were for films directed by John Ford; Kathryn Marie Kalinak has written that Ford "got great work out of the people he worked with, and often those he was hardest on produced the best work of their careers. One of those was Richard Hageman, the Philadelphia Orchestra notwithstanding."[17]
^De Villiers, N. and Walthaus, A. (2015) Making the Tailcoats Fit: The life and music of Richard Hageman. Leeuwarden, The Netherlands: Uitgeverij Wijdemeer
de Villiers, Nico and Asing Walthaus (2015). Making the Tailcoats Fit: the life and music of Richard Hageman. Leeuwarden: Wijdemeer. ISBN978-9492052162.
de Villiers, Nico, Kathryn Kalinak, and Asing Walthaus (2020). Richard Hageman: From Holland to Hollywood (paperback ed.). New York: Peter Lang Publishing. ISBN978-1-4331-5581-9.{{cite book}}: CS1 maint: multiple names: authors list (link)
Miller, Philip Lieson (1992), "Hageman, Richard", in Sadie, Stanley (ed.), The New Grove Dictionary of Opera, vol. 2, London: Macmillan Press Ltd., p. 594
