Regina Zuckerberg (Yiddish: רעגינע צוקערבערג or רעגינא, c. 1888–1964) was an Austrian-born Yiddish theatre actor and Prima donna who had a career both in Europe and the United States.[1][2][3]
Biography
Regina Zuckerberg was born Rifke Kobak on 19 March 1887 or 1888 in Lemberg, Galicia, Austria-Hungary (today Lviv, Ukraine).[4][5] Her parents were Leiser and Gittel (née Zuker) Kobak.[4] She was involved in singing and performance from a young age; as a youth she sang in a temple choir in Lemberg under Cantor Halperin.[1][6] She met her first husband, Sigmund (Zaynvil) Zuckerberg, also an actor, and they were married in Lemberg in 1904.[4] At around that time they joined a troupe led by Sholem Perlmutter which toured successfully around Galicia, as well as the famous Gimpel Theatre troupe based in Lemberg.[7][1][8] Due to her striking appearance and strong voice she was highly in demand as a leading actress.[1]
She had a daughter, Pauline, who was born in Chernivtsi in 1907. She emigrated to the United States in March 1908, sailing from England to New York City.[5] She made some appearances on the London Yiddish theatre stage during her journey.[9] Her mother, Gittel, also followed her to the United States a few months later.[10] The month Regina arrived she joined Boris Thomashefsky's People's Theater in the Bowery, where she was billed as the "Austrian Tetrazzini."[11][12] That marked the beginning of several decades of collaboration with Thomashefsky; Jacob P. Adler was also involved in bringing her to the New York theatre world.[13] Regina seems to have gone back to Europe and returned with Sigmund in the following years, apparently settling permanently in the United States in 1911.[14]
In New York, as in Galicia, Regina was highly in demand as an actress.[15][16][13] She also recorded a handful of 78-rpm discs at Victor records in 1916 during the wartime boom in local Yiddish recording.[17] Those ten sides, which were recorded over a two-day period, were mainly Yiddish theatre songs of the day by such contemporary composers as Arnold Perlmutter, Herman Wohl, and Louis Friedsell.[17]
She divorced her first husband Sigmund in Chicago in 1920.[5] She had become romantically involved with Boris Thomashefsky, who had given her the leading role in his production over his own wife Bessie, and who eventually left him.[1][18] Sigmund sued Thomashefsky for $100,000 for "loss of marital affection."[18] Regina and Boris were then married to one another.
In the 1920s and 1930s Regina continued to tour successfully with Thomashefsky's productions.[19][20] In 1935 she costarred in her only film role, the Yiddish talkieBar Mitzvah, written and directed by Henry Lynn, based on a Thomashefsky play and produced by Lynn and Jack Stillman.[21][22][23][24] When Thomashefsky died in 1939 Regina was at his bedside.[25]
Her Yiddish theatre career seems to have declined after Thomashefsky's death. In 1943 she remarried in New Jersey to an insurance salesman named Robert Kessler.[26][3]
^"Thomashefsky's Stock Having a Good Season". Billboard. New York. 16 October 1926. p. 6.
^"Thomashefsky Returns". The Brooklyn Daily Eagle. New York. 16 March 1932. p. 22.
^"Bar Mitzvah". The National Center for Jewish Film. Retrieved 15 May 2022.
^Goldman, Eric A. (1983). Visions, images, and dreams : Yiddish film past and present. Ann Arbor, Michigan: UMI Research Press. p. 72. ISBN9780835715157.
^Goldman, Eric A. (1983). Visions, images, and dreams : Yiddish film past and present. Ann Arbor, Michigan: UMI Research Press. p. 190. ISBN9780835715157.
^"FOREIGN DIALOGUE". The Film Daily. Wid's Films and Film Folk, inc. 20 March 1935. p. 11.
^"THOMASHEFSKY, 71, YIDDISH ACTOR, DIES". The New York Times. New York. 10 July 1939. p. 23.