Regina Schwartz is a scholar of English literature and elements of Jewish and Christian religion.[1][2] A Professor of English and Religion at Northwestern University,[1] she has been known historically for her research and teaching on 17th-century literature (e.g., John Milton[1][2] and William Shakespeare[3]), on the Hebrew Bible, and on the interface of literature with the subjects of philosophy, law, and religion.[1][2]
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Schwartz won the James Holly Hanford Award from the Milton Society of America for that year's "distinguished... critical monograph" for her 1988 work on Milton, Remembering and Repeating: Biblical Creation in Paradise Lost.[8][1] She followed this work by The Book and the Text: The Bible and Literary Theory in 1990, Desire in the Renaissance: Psychoanalysis and Literature in 1994, and The Postmodern Bible in 1995.[1] Her 1997 work, The Curse of Cain: The Violent Legacy of Monotheism, described by the Episcopal News service as "a study of monotheism, national identity, and violence in the Hebrew Bible",[2] was lauded as a "stunningly important book" by Walter Brueggemann in Theology Today[full citation needed][9] and was nominated for a Pulitzer Prize.[1][10]
Her 2007 book, Sacramental Poetics at the Dawn of Secularism: When God Left the World on "the Eucharist in Renaissance literature"[2] was published as a part of the Stanford University series, "Cultural Memory in the Present".[1][11] The monograph has been called a "tour de force",[12] and "one of the most important studies of our critical moment."[13]
Schwartz gave the paper, “Questioning Narratives of God”, at the second “Religion and Postmodernism” conference in October 1999 at Villanova University in northwest suburban Philadelphia, Pennsylvania, a conference that featured Jacques Derrida; her ideas, which appeared subsequently in the conference proceedings, "explore[d] her suspicion surrounding the adequacy of narratives about God... [where she] suggest[ed] that as important as narrative is, we must recognize that it, like visual representation, is a form of idolatry."[17]
the Adelaide Festival of Ideas in 2001, on issues related to sustainability and the environment, in the session,"The 21st Century: How much water, how many people?";[18]
Schwartz wrote the libretto for composer John Eaton's opera, Paradise Lost based on Milton, and the separate stage adaptation, "John Milton's Paradise Lost", performed in May, 2010 by the Chicago Shakespeare Project.[20][1]
^ abcdefghENS Staff (August 15, 2006). "Regina Schwarz to deliver Berkeley Divinity School's 2006 Cheney Lecture". EpiscopalChurch.org. Episcopal News Service. Retrieved September 29, 2019. Editor's note: Parts of this news service report appear to have been drawn, near to verbatim, from the title subject's self-published faculty biography, and so may not be a truly independent biographical source.
^Johnson, Chandra (April 14, 2016). "What Shakespeare is Still Teaching Us About Good and Evil 400 Years After His Death". Deseret News. Retrieved September 29, 2019. "Shakespeare's go-to place is the Bible. He inherited ideas of justice that are biblical and then dramatized them... Shakespeare continues to inform our ethical vision largely by creating characters who offend our ethical vision of what goodness is," Schwartz said.[dead link]
^Binda, Hilary (Spring–Summer 2010). "Sacramental Poetics at the Dawn of Secularism: When God Left the World (review)". South Central Review. 27 (1–2). Baltimore, MD: Johns Hopkins University Press: 192–194. doi:10.1353/scr.0.0086. S2CID170374814.
^https://academic.oup.com/edited-volume/34332 Oxford University Press website, The Oxford Handbook of Milton, Nicholas McDowell (ed.), Nigel Smith (ed.), Chapter 35 Samson Agonistes
^Johnson, Patricia Altenbernd (2004). "John D. Caputo, Mark Dooley, and Michael J. Scanlon (eds.), Questioning God [review]". International Journal for Philosophy of Religion. 55: 61–63. doi:10.1023/B:RELI.0000014989.92010.45. S2CID170340788.