Raukura Maria Turei (born 1987) is a New Zealand artist, actor and architect. She works with Māoriiwi to design community-focused developments at the architectural practice Monk Mackenzie Architects. Her paintings have been exhibited throughout New Zealand, and she appeared in the New Zealand film The Dead Lands.
Early life and education
Turei was born in Auckland in 1987.[1] She is Māori and affiliates with the iwi (tribes) of Ngāi Tai ki Tāmaki and Ngā Rauru Kītahi.[2][3] Her father is Māori and her mother is Pākehā. Her mother supported Turei and her sister to learn the Māori language from a young age, and learnt alongside them.[4]
In an interview with Dale Husband in 2023, Turei stated that painting was her first love, but she listened to an influential teacher who steered her in the direction of architecture.[7]
Career
Art practice
Turei has an art practice creating paintings, often utilising natural materials including iron sand and pigments from different landscapes. Turei's painting has been described as a 'journey in reconnecting with her whakapapa'.[8] In New Zealand her work has been exhibited at the Dowse Art Museum (Wellington), Centre of Contemporary Art Toi Moroki (CoCA) (Christchurch), Objectspace (Auckland), Te Pātaka Toi - The Adam Art Gallery (Wellington), Bartley and Co (Wellington) and Sumer Contemporary, Tauranga.[8][9]
Internationally, Turei has had artwork exhibited at the Tokyo Art Fair (2019), the Sydney Contemporary Art Fair and Day01 Gallery (also in Sydney).[9]
In 2018 Turie created on site at the Adam Art Gallery in Wellington an artwork called Te poho o Hine-Ruhi, for the exhibition The earth looks upon us Ko Papatuanuku te matua o te tangata created with 'clay, acrylic, and water on digital print'.[11]
The Pacific Portraits is a series Turie created whilst on residency in Rarotonga.[12]
As an architect, Turei has worked for Stevens Lawson Architects[13] and Cheshire Architects.[14]
Turei worked on the redevelopment of Q Theatre early on in her architectural practice. Her tole was with Te Rōpū Reo Whakahaere, a Māori consultant group, working alongside architect Pip Cheshire. Turei observed there was "a level of engagement in te ao Māori that enriched the way the building is used".[14]
As of 2023, Turei was working as a principal at Monk Mackenzie Architects in Auckland.[6] Her work at Monk Mackenzie Architects involves leading papakāinga (Māori housing), marae planning (Māori communal places) and community-focused developments with iwi (Māori nation groups).[6] A building that she says is influential to her architectural practice is the Teshima Art Museum by Ryue Nishizawa in Japan,[15] and an architect she admires is Lina Bo Bardi.[12]
In 2020, Turei won the residential category at the Interior Awards, a New Zealand-based architecture award. In 2021, Turei was a judge for the awards, and in 2022 won the Emerging Design Professional Award.[15][17] The jury said: "Her cohesive, holistic projects demonstrate a pursuit of excellence at the highest level, within both te ao Māori and the built environment".[18]
Mark Work (2021) - group exhibition, featuring a multi-paneled artwork called Te Poho o Hine-Moana (2021), Centre of Contemporary Art Toi Moroki (CoCA) (Christchurch) and Objectspace (Auckland) (touring exhibition)[22][2]
Takoto ai te marino (16 September 2023 – 10 March 2024) (solo exhibition), The Dowse Art Museum, Wellington[8]
Artist residency, Rarotonga (date unspecified)[12]
^ abcFestival, Asia Pacific Architecture (31 January 2024). "Asia Pacific Architecture Festival". Asia Pacific Architecture Festival. Archived from the original on 31 January 2024. Retrieved 31 January 2024.
^"Raukura Turei". He Kapunga Oneone. Archived from the original on 31 January 2024. Retrieved 31 January 2024.
^ abcdZephyr Thomas, Rebecca (8 December 2017). "Inside story: Raukura Turei". Urbis Magazine. Archived from the original on 4 November 2023. Retrieved 31 January 2024.
^ ab"Raukura Turei". AWNZ. Archived from the original on 31 January 2024. Retrieved 31 January 2024.
^ abCox, Elizabeth (1 January 2022), "Epilogue: Multiple Worlds Coexisting", Making Space: A History of New Zealand Women in Architecture, pp. 418–421, retrieved 31 January 2024