Nagraj Manjule created the film as part of his mass communication course at Pune University, aiming to capture the ethos of a marginalized community living as tramps and address social stigma while expressing a desire for reform. The film was shot over two days in Ahmednagar, with a production cost of ₹1.5 lakh funded by Manjule's friends and family.
Pistulya, an 8-year-old boy from the backward Waddar community, burdened by his father's demise and his mother's solitary struggle to provide, finds himself ensnared in the allure of quick cash, falling into the clutches of local thugs. However, amidst his illicit endeavors in the village, a chance encounter with a school assembly scene stirs something profound within him. Observing peers of his age, clad in school uniform, reciting prayers, he glimpses a world beyond his current existence. Through the wire-meshed compound, a vision of a brighter future dawns on Pistulya. Remarkably, it's the memory of his younger sister, Lali, that kindles his aspiration for education, sparking a newfound determination to break free from the cycle of vice and pave a path towards a better life for both of them.
Manjule created the film as part of his mass communication course at Pune University. He mentions the challenge of capturing the ethos of a community living the life of tramps and dealing with social stigma, while also expressing a desire for reform. Nagraj credits his own life experiences for helping him achieve this effect within a 15-minute timeframe.[6]
Filming and casting
The film was shot over a two-day period in Ahmednagar, with a production cost of ₹1.5 lakh, which was contributed by Manjule's friends and family.[2] The cast is drawn from Nagraj's own group of friends. He stated "It was perhaps easy for me to identify with the characters shown in the film, because I myself come from the Waddar community (those who hammer and break stone slabs) to which the protagonist, Pistulya, belongs."[7]Suraj Pawar was offered the role when the director visited his school in Karmala.[1] Nagraj intends to expand this 15-minute project into a full-length feature film to deliver a compelling social message that he believes will resonate with numerous marginalized and stigmatized communities across the country.[7]
Critical response
Aishwarya Raj of The Mooknayak wrote "Instead of a happy ending or a sad ending, the film ends with hope, a bitter truth and a question."[8] A reviewer from The Indian Wire is highlighting the impactful storytelling of the short film. He emphasize how the film sheds light on the struggles and challenges faced by the protagonist, Pistulya, and his widowed mother. He also commend the unexpected yet effective ending of the film.[9]