Pietro Torri

Pietro Torri (c. 1650 – 6 July 1737) was an Italian Baroque composer.[1]

Life

Torri was born in Peschiera del Garda.[2] From 1684 to 1688, he served as the organist and choirmaster of the Margrave of Bayreuth, and later entered into the service of the Elector of Bavaria Maximilian II Emanuel. In 1692 he followed the prince with some gentlemen of the court orchestra to the Spanish Netherlands and later settled with them in Brussels where Torri married the daughter of the ballet master François Rodier.[1][3][4][5]

Over the following years he lived in Mons, Namur, Lille, Compiègne, and Valenciennes; where his compositions were performed.[2][4]

In 1715 he returned to Munich, where he occasionally composed cantatas; and an opera annually. In 1726 Maximilian died, and his son Charles Albert succeeded him to the throne of Bavaria. For this occasion, Torri composed a musical tribute to the new ruler: the allegorical cantata Bavaria. This work alluded to an early Bavarian claim to the throne of the Holy Roman Empire. On the death of Giuseppe Antonio Bernabei in 1732, he was finally officially appointed as choirmaster at the court of Bavaria. Charles Albert was elected emperor in 1726 as Charles VII Albert and Torri became a musician at the imperial court.[1][4] He died in Munich.

Compositions

His most famous works for voices and orchestra include his Magnificat (for some time erroneously attributed to Johann Sebastian Bach and Antonio Lotti),[6][7] andLe Triomphe de la paix, a cantata celebrating the Treaty of Rastatt (1714).[2]

Dramatic works

Title page of the libretto of Lucio Vero (Munich 1720)[8]

Title page of the libretto of Torri's Catone in Utica (Munich 1736)[1]

Dramatic works by Pietro Torri

Title	Genre	Libretto	Date	Place	Occasion
L'innocente giustificato	dramma per musica	Pisani [it]	1688	Bayreuth	Birthday of Margravine [de].[9]
Fetonte	cantata		1689 Oct/Nov	Munich	Name day of Elector.[9][10][11]
Gli oracoli di Pallade e di Nemesi	serenata (tourney)		6 February 1690	Munich	Tournament.[4][9][12][13]
L'ambizione fulminata	opera buffa		1691	Munich	[1][14]
I Preggi della primavera	serenata	Luigi Orlandi	1691 May(c.)	Leuchtenberg	For Electress Palatine.[1][9][15][16][17]
Gli amori di Titone e d'Aurora	dramatic work		1691 Jul	Munich	[9][18]
Le Peripezze della Fortuna	opera		1695 Jan.?	Brussels?	Marriage of Elector & Electress?[9][19][20][21]
Il Giorno festivo (attr.)	cantata (tourney)		1695 Oct.	Brussels	Birthday of Electoral Prince.[9][22][23]
S. Vinceslao	oratorio teatrale		1692–1701	Brussels?	[24]
Santo Landelino	oratorio teatrale		1692–1701	Brussels?	[25][26][27]
Briseide (attr.)	dramma per musica	Francesco Palmieri	1696 Feb.?	Hanover	Carnival.[9][28][29][30]
Torneo ("Figli de' monti")	cantata (tourney)		30 January 1702	Munich	[9][31][32]
Le Martir des Maccabées	dramatic oratorio		1707–1714		[33][34][35]
L'Homme endormis	prologue		17 May 1712	Namur	[9][36]
L'innocenza difesa dai Numi	opera		1712	Valenciennes	[9][37]
Enone	pastorale		1713 Sep.?	Dinant?	For Elector of Cologne?[9][38][39][40]
Le Réciproque	divertissement		1714 May(c.)	Valenciennes	[9][41]
Le Triomphe de la Paix	dramatic cantata		1714(c.)		Celebrating Treaty of Rastatt.[2][9][42][43]
La reggia dell'armonia	pasticcio (+Steffani)	Luigi Orlandi	1715 Aug.	Munich	18th birthday of Electoral Prince.[9][44]
Ismène (=L'innocenza difesa dai Numi)	opera		1715 Oct.?	Munich	[9]
Introduzione a balli	cantata		1715–1716	Munich	[9][45]
La Baviera	serenata		29 August 1716	Munich	Return of Electoral Prince.[9][46][47][48][49]
Astianatte	dramma per musica	Antonio Salvi	12 October 1716	Munich	Name day of Elector.[9][50]
Andromaca (rev. of Astianatte)	dramma per musica	Antonio Salvi	1717 Feb.(c.)	Munich	[9][51][52]
Torneo ("Già dall'Iser ameno")	cantata (tourney)		6 May 1718	Leuchtenberg	[9][53][54]
Epitalamio	cantata (wedding)		17 February 1719	Munich	Marriage of Ferdinand Maria and Maria Anna.[9][55]
La Merope	dramma per musica	Apostolo Zeno	12 October 1719	Munich	Name day of Elector.[9][56][1][57][58]
Eumene (attr.)	dramma per musica	Apostolo Zeno/Antonio Salvi	11 July 1720	Munich	Birthday of Elector.[9][59][60]
Lucio Vero (attr.)	dramma per musica	Apostolo Zeno	12 October 1720	Munich	Name day of Elector.[8][9][61][62]
Per l'anniversario della nascità de S. A. E. Massimiliano Emanuele	cantata		17 July 1721	Munich	Birthday of Elector.[9][63][64]
Gli dei festeggianti	dramatic cantata		6 August 1721	Munich	Birthday of Electoral Prince.[9][65][66]
L'amor d'amico vince ogni altro amore	dramma per musica	Adriano Morselli	12 October 1721	Munich	Name day of Elector.[9][67][68]
Adelaide	dramma per musica	Antonio Salvi	18 October 1722	Munich	Marriage of Electoral Prince and Archduchess.[1][9][69][70]
La publica felicità	cantata (tourney)	Pietro Pariati	22 October 1722	Munich	Marriage of Electoral Prince and Archduchess.[1][9][71][72]
Lucio Vero (rev.)	dramma per musica	Apostolo Zeno	3 January 1723	Munich	[1][9]
Merope (=La Merope)	dramma per musica	Apostolo Zeno	24 January 1723	Munich	Carnival.[9][73]
Griselda (attr.)	dramma per musica	Apostolo Zeno	12 October 1723	Munich	Name day of Elector.[9][74][75]
Amadis di Grecia	dramma per musica	Perozzi [scores]	1724 Oct.	Munich	Birth of Princess.[1][9][76][77]
Venceslao (attr.)	dramma per musica	Apostolo Zeno	12 October 1725	Munich	Name day of Elector.[1][9][78][79]
Egloga pastorale	pastorale		6 September 1726		Name day of Electoral Prince.[80][49]
L'Epaminonda	dramma per musica	Domenico Lalli	11 May 1727	Munich	Birth of Prince.[1][9][81][82][83]
Nicomede	dramma per musica	Domenico Lalli	1728 Oct.	Munich	Visit of Count Palatine.[1][9][81][84][85]
Edippo	tragedia per musica	Domenico Lalli	22 October 1729	Munich	Birthday of Electress.[9][81][86][87][88]
L' Ippolito	tragedia per musica	Domenico Lalli	22 October 1731	Munich	Name day of Electress.[9][89][1][90][91]
Ciro (attr.)	dramma per musica	Villati [wikidata]	1733	Munich	Visit of Archbishop-Elector.[9][92][93]
Griselda (rev.)	dramma per musica	Apostolo Zeno	1735 Feb.(c.)	Munich	Carnival.[1][94]
Catone in Utica	tragedia per musica	Metastasio	1736	Munich	[9][95][1][96][97]

Sacred music

Magnificat

Main article: Magnificat (Torri)

Torri likely composed his Magnificat in C major for double choir and orchestra in the 1690s.[98] The work is scored for double SATB choir, two trumpets, bassoon, strings (two violin parts and two viola parts) and basso continuo/organ.[2][99][100]

The Magnificat in C major, BWV Anh. 30, is Johann Sebastian Bach's arrangement of Torri's Magnificat.[98][101] In Bach's version[102][103] of the work there are an additional trumpet and timpani.[104][105]

Masses

• Missa pro Defunctis: Requiem mass for the Elector (died in 1726). The composition is for SSATB singers and an orchestra consisting of oboes, strings and continuo (organ).[106][107]
• Missa solemnis in D major.[108]
• Mass in C major.[109]

Oratorios

Torri wrote more oratorios than any composer before George Frideric Handel (see also several dramatic oratorios mentioned above among Torri's dramatic works):[110]

• Abelle (Brussels 1692–1701; Munich 1734).[111]
• San Gaetano (Brussels 4 April 1705).[38]
• La vanità del mondo (Brussels 5, 12 and 19 March 1706), libretto by Carlo Francesco Melchiori.[38][110]
• Giacobbe, also known as Rebecca (Brussels, Mons or Namur 1705–1714).[112]
• Genesio (Brussels, Mons or Namur 1705–1714).[113]
• Elia (Munich, Spring 1730), libretto by Leopoldo di Villati [wikisource:it; scores].[114]
• Abramo (Munich, Spring 1731), libretto by Domenico Lalli.[115][116]
• Gionata (Munich c. 1733), libretto by Apostolo Zeno.[117]

Other

The Mus.ms. 30299 manuscript of the Berlin State Library not only contains a copy of Torri's Magnificat, but also following sacred music, from the same composer:[118][119]

• Confitebor.[120][121]
• Dominus illuminatio mea.[122][123]
• In caelo stellato.[124][125]
• In te Domine speravi, performed 31 October 1728 (23rd Sunday after Trinitas).[126][127]
• Laudate pueri.[128][129]
• Two different Lauda Jerusalems.[130][131]
• Laetatus sum.[132][133]
• Veniat dilectus meus.[2][134][135]

Chamber music

Trastulli

The Trastulli (trifles) is a collection of 60 short vocal works surviving in a four-volume autograph, written between 1692 and 1701. The first of these volumes contains 14 chamber cantatas, each consisting exclusively of a recitative and a da capo aria. The other volumes contain such arias without recitative. The Trastulli are, at least in part, extracted from larger vocal works:[136][137]

• The first volume contains 14 Recitative and Aria pairs:

1. Con insoliti fregi (aria: "Non si scorge più dipinto"; S, vdg)[138][139]
2. Dalle spine da i Numi (aria: "Le rose odorose"; S, b, fl)[140][141]
3. Non v'è nube importuna (aria: "Di Vulcan nelle prigioni"; B, b, 2fl/2vl)[142][143]
4. Volano d'ogni intorno (aria: "I molli zeffiretti con le fronde"; S, b, ob)[144][145]
5. Passan di ramo in ramo (aria: "Dal petto canoro"; S, b, fl/ob)[146][147]
6. Con dolci melodie (aria: "Ciò che vegeta"; S, b, vdg/ob)[148][149]
7. Le ninfe più vezzose (aria: "Con placido incanto"; B, b, fl, fld)[150][151]
8. Le Castalide suore (aria: "Qui soggiorna un vago nume"; S, b, vdg)[152][153]
9. Bella diva (aria: "Per te sola sorge l'alba"; S, b, vdg/fl)[154][155]
10. Seguono i tuoi vestigi (aria: "Quante pompe ha la bellezza"; B, b, fl)[156][157]
11. Del Latio antico e delle Greche scole (aria: "Ben traluce nell'aspetto"; S, b, vdg/ob)[158][159]
12. Or va con tanta luce (aria: "Due seni più felici"; S, b, vdg/ob)[160][161]
13. L'opre nostre e i pensieri (aria: "Voi sarete con"; S, b, fl)[162][163]
14. Vi piova il ciel benigno (aria: "L'aureo stame vital"; S, b, fl)[164][165]

• The second volume contains 17 arias, ten of which are excerpted from the Briseide dramma per musica:

1. From Briseide act 3 scene 8: "Godi giubila alma mia" (S, ob/vl, b)[166][167]
2. From Briseide act 1 scene 9: "Vieni o cara amata sposa al mio cor" (S, b, fl, ob)[168][169]
3. From Briseide act 1 scene 4: "Agitati miei pensieri" (S, b, ob)[170][171]
4. From Briseide act 2 scene 5: "Onde chiare imparate a non amare" (S, b, fl/vl, ob/vl)[172][173]
5. From Briseide act 2 scene 2: "Dolce auretta che sì grata" (S, b, fld)[174][175]
6. From Briseide act 2 scene 10: "Un core o pianti o sassi" (S, b, fld)[176][177]
7. "Luci serene se per voi moro" (S, b, fld)[178][179]
8. "Di pastorella oh quanto è bella" (S, b, fl)[180][181]
9. "Spero sì dagli aspri marmi" (S, b, fl)[182][183]
10. "Fra gli orrori di notte più ombrosa" (S, b, fl)[184][185]
11. "Se dar voglio al mio crudo tormento" (S, vl, b)[186][187]
12. "Vivo in pene e di consiglio non ho speme" (S, b, vdg)[188][189]
13. From Briseide act 1 scene 7: "Rendetemi al mio ben fati inclementi" (S, b, 2fl)[190][191]
14. "Cresce il foco a poco" (S, b, vdg)[192][193]
15. From Briseide act 3 scene 8: "Nel mio fiero penar" (S, b, vdg)[194][195]
16. From Briseide: "Quando venne nel mio core" (S, b, fl)[196][197]
17. From Briseide act 1 scene 11: "Hai finito a tanti guai" (S, b, vdg)[198][199]

• The third volume contains an aria for alto (No. 6), while all other Trastulli are either for soprano or bass:

1. "Son di foco e son di ghiaccio" (S, vl, b)[200][201]
2. "Il sospiro è una parola" (S, vl, b)[202][203]
3. "All'or che vezzosa sul prato" (S, b, ob)[204][205]
4. "Chi non gode di sua lode" (B, vl, b)[206][207]
5. "Sei menzognera sei lusinghiera" (S, vl, b)[208][209]
6. "Con tal voce il ciel richiama" (A, b, ob)[210][211]
7. "Quanto dura omai ti rendi" (B, b, 2vdg)[212][213]
8. "Il rispetto che mi rende" (S, b, ob)[214][215]
9. "Già langue il seno e già vien meno" (B, b, 2vdg)[216][217]
10. "Il pastorello s'en giace afflitto" (S, b, ob)[218][219]
11. "Lascivoli il mio desio" (B, b, 2vdg; music similar to IV/6)[220][221]
12. "Sorghin pur tempeste irate" (S, vl, b)[222][223]
13. "Orror profondo la terra ingombra" (S, 2vl, b)[224][225]
14. "Si vendicate o dei" (S, vl, b)[226][227]
15. "Sonno amico de' mortali" (S, 2vl, b)[228][229]

• The fourth volume contains one aria in French (No. 10), and one without text (No. 12) – all other Trastulli have an Italian text:

1. "Traffitto ho il seno da un guardo ameno" (B, b, 2vdg)[230][231]
2. "Aurette flebili che qui spirate" (S, b, 2vdg)[232][233]
3. "Se un guardo girate pupille vezzose" (B, b, 2vdg)[234][235]
4. "V'amo sì care luci adorate" (S, b, 2vdg)[236][237]
5. "Ombre amene della notte deh calmate" (A, b, 2vdg)[238][239]
6. "Deh volate o miei pensieri" (B, b, 2vdg; music similar to III/11)[240][241]
7. "Deh volgi sereno quel guardo che ameno" (S, b, 2vdg)[242][243]
8. From S Landelino: "Per dar sfogo al mio crudo" (B, b, 2vdg).[26][27]
9. "Sei pur cruda a miei tormenti" (B, b, 2vdg)[244][245]
10. "Triste remous funeste inquiétude" (B, b, 2vdg)[246][247]
11. "Vuo cercando il mio ristoro" (B, b, 2vdg)[248][249]
12. Aria without text (B, b, 2vdg)[250][251]
13. "Come ahi lasso ti perdei" (T, b, 2vdg)[252][253]
14. "Al languido seno" (S, b, 2vdg)[254][255]

Sonatas

• Sonata in C major for alto recorder and continuo.[256]
• Sonata in C major for two violins, viola, cello and continuo, in four movements:[257]
  1. Allegro (^3
     ₄)[257]
  2. Presto ()[257]
  3. Adagio (^3
     ₂)[257]
  4. Presto (^3
     ₄)[257]
• Sonata in F major for two violins, viola, cello and organ, in three movements:[258]
  1. Allegro ()[258]
  2. Adagio (^3
     ₂)[258]
  3. Presto (^6
     ₈)[258]

Discography

See also: Magnificat (Torri) § Recordings

• Musik am Hofe des Kurfürsten Max Emanuel von Bayern is a 1970s LP recording (Musica Bavarica MB 904) of the Münchener Kammerorchester conducted by Hans Stadlmair, containing extracts of these works by Torri:[259]
  • Introduzione a balli.[259]
  • Peripezze della Fortuna.[259]
  • Merope.[259]
• Echoes of Love: Eighteenth-Century Italian Cantatas is a 1993 CD containing Torri's V'amo si, care luci, a three-movement cantata, consisting of a recitative preceded and followed by an aria (soprano Lia Serafini and Ensemble Barocco Sans Souci; Dynamic CDS106):[260]
  • "V'amo, si, care luci adorate" (= Trastulli IV/4)[236][237][260]
  • "Escon da' vostri rai"[260]
  • "Se, allorche vi miro"[260]
• Six arias of the Trastulli, sung by soprano Tania d'Altann, are included on a CD that was recorded in 1884 and released in 1998 (Arts 47399-2):[261][262]
  • "Di Pastorella" (II/8; 3:01)[180][181][261][262]
  • "Fra Gli Orrori di Notte" (II/10; 4:27)[184][185][261][262]
  • "Dolce Auretta" (II/5; 4:35)[174][175][261][262]
  • Passan Di Ramo In Ramo (I/5; 5:15)[146][147][261][262]
  • "Un Core, O Piante, O Sassi" (II/6; 3:32)[176][177][261][262]
  • "Sorghin Pur Tempeste Irate" (III/12; 3:21)[222][223][261][262]

The recording combines these arias by Torri with canzonettas from Biagio Marini's Op. 5. The Accademia Claudio Monteverdi is the accompanying orchestra, and Hans Ludwig Hirsch is the conductor on this recording.[261][262][263]

• Torri's Missa pro Defunctis is included in Pro defunctis: Liturgy for the death of the baroque area, performed by Paul Dombrecht conducting Il Fondamento, Passacaille 933 (recorded 2000, released 2001).[107][263]
• La Baviera performed by Christoph Hammer conducting the Neue Hofkapelle München [de], Ars Produktion 38 001 (recorded 2002, released 2003).[263] Other compositions by Torri contained on this SACD recording:[49]
  • La publica felicità (extracts)[49]
  • Egloga pastorale (extracts)[49]
• Le Triomphe de la Paix performed by Christoph Hammer conducting the Neue Hofkapelle München, ORF CD 424 (2004 live recording, released 2005).[263] Other compositions by Torri contained on this SACD recording:[2]
  • Magnificat à 15 et più;[2][264]
  • Motet Veniat dilectus meus.[2][134][135]
• Le martyre des Maccabées, Musique en Wallonie (2007 live recording, released 2009).[33][263]
• Some recordings of "Son rosignolo" from L'innocenza difesa dai Numi, a.k.a. Ismène, were released in the 2010s:
  • 2011: performed by Collegium Flauto e Voce (Carus 83.344)[265]
  • 2014 (recorded 2013): sung by Friederike Holzhausen, accompanied by Susanne Ehrhardt (recorder) and Sabine Erdmann (Verlag Klaus-Jurgen Kamprad VKJK 1413)[266]
  • 2015: by Stefan Temmingh (recorder), Dorothee Mields (soprano) and the Gentleman's Band (Deutsche Harmonia Mundi 88875141202)[267]
• La prima diva: Arie per Faustina Bordoni is a 2014 CD (recorded 2013) on with arias composed for Faustina Bordoni, among which "Se amori ascolterò" from Torri's Griselda, sung by Agata Bienkowska accompanied by Barockwerk Hamburg and Ira Hochman (Tactus TC 670003).[268]
• Another aria from Griselda, "Vorresti col tuo pianto", is included in Xavier Sabata's Catharsis album (Armonia Atenea, George Petrou; recorded 2015, released 2017; Aparté Music AP 143).[269]
• Terry Wey's 2017 Pace e guerra: Arias for Bernacchi album (recorded 2016; with Rubén Dubrovsky and the Bach Consort Wien; Deutsche Harmonia Mundi 88985410502) contains a few arias which Torri composed for the castrato singer Antonio Bernacchi:[270]
  • "Pace e guerra" from Lucio Vero (3:19)[270]
  • "La cara tua favella" from Amadis di Grecia (7:04)[270]
  • "Parto, non ho costanza" from Venceslao (10:06)[270]
• La vanità del mondo performed by Reinhard Goebel conducting Barbara Schlick, Ingrid Schmithüsen, Derek Lee Ragin, Michael Schopper and Musica Antiqua Köln, Musique en Wallonie MEW 1890 (recorded 1988, released 2018).[110]
• "Amorosa rondinella" from Nicomede, sung by Nuria Rial, accompanied by Kammerorchester Basel (conductor: Stefano Barneschi) is included in Baroque Twitter, an album recorded in 2017 and released in 2018 (Deutsche Harmonia Mundi 88985497582)[271]
• Recitative ("La sua disperazione") and Aria ("Se a ammollire il crudo amante") from Amadis di Grecia, sung by soprano Mary Bevan accompanied by Bridget Cunningham conducting London Early Opera, is included in Handel’s Queens (Signum SIGCD579, 2019).[272]
• Erato's La vanità del mondo, recorded in June 2020 by Philippe Jaroussky and Ensemble Artaserse, was released in November 2020.[273][274] The album contains these arias by Torri:[275]
  • Isacco's "Perché più franco" from Abramo
  • Piacere's "Esiliatevi pene funeste" from La vanità del mondo

References

1. Champlin 1890, p. 489.
2. Le Triomphe de la Paix, Pietro Torri at Discogs, Neue Hofkapelle München, Christoph Hammer
3. Gerber 1812–1814, IV, cols. 375–376.
4. Sadie 1998, p. 245.
5. Thielemann 2012, p. 218.
6. Wolff 1968.
7. Dürr & Kobayashi 1998, p. 460.
8. BSB Mus.ms. 155 (Torri's manuscript of Lucio Vero), and libretto prints Bavar. 4015-20,1/4#Cah.2 and Slg.Her 2208 at Bavarian State Library website.
9. Torri, Pietro at www.operone.de.
10. RISM 456010800 and RISM 450022126.
11. BSB Mus.ms. 216 (composer's autograph of Fetonte) and BSB-Hss WINtj 52 (contemporary manuscript copy of Fetonte) at Bavarian State Library website.
12. RISM 456010804.
13. BSB Mus.ms. 221 (composer's autograph of Gli oracoli di Pallade e di Nemesi) and Gli Oracoli di Pallade e di Nemesi (libretto) at Bavarian State Library website.
14. Gerber 1812–1814, IV, col. 831.
15. RISM 450022127.
16. D-WINtj 53 (c.1700 manuscript copy of I Preggi della primavera) at Bavarian State Library website.
17. Austrian Academy 1899, p. 44.
18. Austrian Academy 1899, pp. 28–29.
19. Couvreur 2005, p. 17.
20. RISM 456010795.
21. BSB Mus.ms. 209 (composer's autograph of Le Peripezze della Fortuna) at Bavarian State Library website.
22. RISM 450022132.
23. D-WINtj 63 (contemporary manuscript copy of Il Giorno festivo) at Bavarian State Library website.
24. RISM 456010812.
25. RISM 456010816.
26. RISM 456010876.
27. Torri 1692–1701, IV:30r-32v.
28. RISM 806042605, RISM 800256524, RISM 800256525, RISM 469095100, RISM 456010788 and RISM 456010822.
29. BSB Mus.ms. 172 (manuscript copy of Briseide) at Bavarian State Library website.
30. Torri 1692–1701, II:1r-17v – 35r-36v – 39r-45v.
31. RISM 456010805.
32. BSB Mus.ms. 222 (composer's autograph of Torneo) at Bavarian State Library website.
33. Le martyre des Maccabées at www.pointculture.be.
34. RISM 456010808.
35. BSB Mus.ms. 229 (composer's autograph of Le Martir des Maccabées) at Bavarian State Library website.
36. RISM 456010818.
37. RISM 456010797.
38. Couvreur 2005, p. 28.
39. RISM 456010789.
40. BSB Mus.ms. 173 (composer's autograph of Enone) at Bavarian State Library website.
41. RISM 456010819.
42. RISM 456010807.
43. BSB Mus.ms. 226 (composer's autograph of Le Triomphe de la paix) at Bavarian State Library website.
44. RISM 456010801.
45. RISM 456010802.
46. Zedler 2016.
47. RISM 456010790.
48. BSB Mus.ms. 175 (composer's autograph of La Baviera) at Bavarian State Library website.
49. Pietro Torri: La Baviera at Muziekweb website.
50. Libretto: VD18 14794462 and Bavar. 4015-1,1/5#Cah.1 at Bavarian State Library website.
51. RISM 456010787.
52. BSB Mus.ms. 171 (composer's autograph of Andromaca) at Bavarian State Library website.
53. RISM 456010806.
54. Groote 2003, pp. 63–102.
55. RISM 456010820.
56. Champlin 1889, p. 563.
57. RISM 456010821.
58. BSB Mus.ms. 206 (composer's autograph of La Merope) at Bavarian State Library website.
59. RISM 456010775.
60. BSB Mus.ms. 147 (Torri's manuscript of Eumene) and Eumene (libretto) at Bavarian State Library website.
61. Champlin 1889, p. 491.
62. RISM 456010777.
63. RISM 456010791.
64. Mus.ms. 176 (composer's autograph of Per l'anniversario della nascità de S. A. E. Massimiliano Emanuele) at Bavarian State Library website.
65. RISM 456010792.
66. BSB Mus.ms. 177 (composer's autograph of Gli dei festeggianti) at Bavarian State Library website.
67. RISM 456010799.
68. BSB Mus.ms. 215 (composer's autograph of L'amor d'amico vince ogni altro amore) at Bavarian State Library website.
69. RISM 456010776.
70. BSB Mus.ms. 154 (composer's autograph of Adelaide), and libretto prints Bavar. 4015-1,1/5#Cah.3, Bavar. 4015-22,1/4#Cah.2 and VD18 14823764 at Bavarian State Library website.
71. RISM 456010803.
72. BSB Mus.ms. 220 (composer's autograph of La publica felicità) and La publica felicità (libretto) at Bavarian State Library website.
73. Libretto: VD18 15228304-003, Bavar. 4015-13,1/4#Cah.3 and L.eleg.m. 1170 m#Beibd.3 at Bavarian State Library website.
74. RISM 456010782.
75. BSB Mus.ms. 163 (Torri's manuscript of Griselda) at Bavarian State Library website.
76. RISM 456010783.
77. BSB Mus.ms. 164 (composer's autograph of Amadis di Grecia), and libretto (translated in German): 4 L.eleg.m. 8#Beibd.4, 4 Bavar. 2165,VII,19 and VD18 14786184-001, at Bavarian State Library website.
78. RISM 456010781.
79. BSB Mus.ms. 162 (Torri's manuscript of Venceslao) and 1731 version of the Venceslao libretto at Bavarian State Library website.
80. RISM 456011345.
81. Basso, Alberto (1996). Musica in scena, Vol. 3, p. 40. UTET
82. RISM 456010786.
83. BSB Mus.ms. 170 (composer's autograph of L'Epaminonda) and L'Epaminonda (libretto) at Bavarian State Library website.
84. RISM 456010798.
85. BSB Mus.ms. 214 (composer's autograph of Nicomede) at Bavarian State Library website.
86. Champlin 1890, pp. 35—36 & 489.
87. RISM 456010778.
88. BSB Mus.ms. 156 (composer's autograph of Edippo) and Edippo (libretto) at Bavarian State Library website.
89. Champlin 1889, p. 275.
90. RISM 456010784.
91. BSB Mus.ms. 165 (composer's autograph of L' Ippolito) at Bavarian State Library website.
92. RISM 456010785.
93. BSB Mus.ms. 166 (Torri's manuscript of Ciro), and libretto (translated in German): Bavar. 4015-9,1/4 and VD18 14568225-001, at Bavarian State Library website.
94. Griselda: dramma per musica (libretto) at Library of Congress website.
95. Champlin 1888, p. 284.
96. RISM 456010780.
97. BSB Mus.ms. 158 (composer's autograph of Catone in Utica) at Bavarian State Library website.
98. Thielemann 2012.
99. Magnificat; V (8), orch, org; C-Dur in Mus.ms. 30299 at Berlin State Library website.
100. RISM 455034485 and RISM 800252472.
101. Work 1338 at Bach Digital.
102. D-B Mus.ms. Bach P 195 at Bach Digital.
103. Mus.ms. Bach P 195 at Berlin State Library website.
104. Torri 2013, p. 4.
105. RISM 467019500.
106. RISM 703000570.
107. Pro defunctis: Liturgy for the death of the baroque area at Muziekweb website.
108. RISM 703000568.
109. RISM 450008341.
110. Pietro Torri: La vanità del mondo at Muziekweb website.
111. RISM 456010815.
112. RISM 456010809.
113. RISM 456010817.
114. RISM 456010814.
115. RISM 212006760.
116. Mus.2140-D-1 (composer's autograph of Abramo) at Saxon State and University Library Dresden website.
117. RISM 456010810.
118. Mus.ms. 30299 at Berlin State Library website.
119. RISM 455034484.
120. Confitebor from Mus.ms. 30299 at Berlin State Library website.
121. RISM 455034486.
122. Dominus illuminatio mea from Mus.ms. 30299 at Berlin State Library website.
123. RISM 455034487.
124. In caelo stellato from Mus.ms. 30299 at Berlin State Library website.
125. RISM 455034488.
126. In te Domine speravi from Mus.ms. 30299 at Berlin State Library website.
127. RISM 455034489.
128. Laudate pueri from Mus.ms. 30299 at Berlin State Library website.
129. RISM 455034490.
130. Lauda Jerusalem (1) and Lauda Jerusalem (2) from Mus.ms. 30299 at Berlin State Library website.
131. RISM 455034491 and RISM 455034492.
132. Laetatus sum from Mus.ms. 30299 at Berlin State Library website.
133. RISM 455034493.
134. Veniat dilectus meus from Mus.ms. 30299 at Berlin State Library website.
135. RISM 455034494.
136. RISM 456010822.
137. Torri 1692–1701.
138. RISM 456010823.
139. Torri 1692–1701, I:1r-4r.
140. RISM 456010824.
141. Torri 1692–1701, I:4v-7r.
142. RISM 456010825.
143. Torri 1692–1701, I:7v-11r.
144. RISM 456010826.
145. Torri 1692–1701, I:11v-15r.
146. RISM 456010827.
147. Torri 1692–1701, I:15v-19r.
148. RISM 456010828.
149. Torri 1692–1701, I:19v-22v.
150. RISM 456010829.
151. Torri 1692–1701, I:16r-18r.
152. RISM 456010830.
153. Torri 1692–1701, I:28r-31v.
154. RISM 456010831.
155. Torri 1692–1701, I:32r-36r.
156. RISM 456010832.
157. Torri 1692–1701, I:36v-38v.
158. RISM 456010833.
159. Torri 1692–1701, I:39r-42r.
160. RISM 456010834.
161. Torri 1692–1701, I:42v-46r.
162. RISM 456010835.
163. Torri 1692–1701, I:46v-50v.
164. RISM 456010836.
165. Torri 1692–1701, I:51r-54v.
166. RISM 456010837.
167. Torri 1692–1701, II:1r-3v.
168. RISM 456010838.
169. Torri 1692–1701, II:4r-5v.
170. RISM 456010839.
171. Torri 1692–1701, II:6r-9r.
172. RISM 456010840.
173. Torri 1692–1701, II:9v-11v.
174. RISM 456010841.
175. Torri 1692–1701, II:12r–15r.
176. RISM 456010842.
177. Torri 1692–1701, II:15v-17v.
178. RISM 456010843.
179. Torri 1692–1701, II:18r-20r.
180. RISM 456010844.
181. Torri 1692–1701, II:20v-23r.
182. RISM 456010845.
183. Torri 1692–1701, II:23v-25v.
184. RISM 456010846.
185. Torri 1692–1701, II:26r-27v.
186. RISM 456010847.
187. Torri 1692–1701, II:28r-32r.
188. RISM 456010848.
189. Torri 1692–1701, II:32v-34v.
190. RISM 456010849.
191. Torri 1692–1701, II:35r-36v.
192. RISM 456010850.
193. Torri 1692–1701, II:37r-38v.
194. RISM 456010851.
195. Torri 1692–1701, II:39r-40v.
196. RISM 456010852.
197. Torri 1692–1701, II:41r-43v.
198. RISM 456010853.
199. Torri 1692–1701, II:44r-45v.
200. RISM 456010854.
201. Torri 1692–1701, III:3r-6v.
202. RISM 456010855.
203. Torri 1692–1701, III:7r-9v.
204. RISM 456010856.
205. Torri 1692–1701, III:10r-13r.
206. RISM 456010857.
207. Torri 1692–1701, III:14v-17r.
208. RISM 456010858.
209. Torri 1692–1701, III:17v-20r.
210. RISM 456010859.
211. Torri 1692–1701, III:21r-23r.
212. RISM 456010860.
213. Torri 1692–1701, III:24r-25r.
214. RISM 456010861.
215. Torri 1692–1701, III:25v-27v.
216. RISM 456010862.
217. Torri 1692–1701, III:28r-29v.
218. RISM 456010863.
219. Torri 1692–1701, III:30r-32v.
220. RISM 456010864.
221. Torri 1692–1701, III:33r-35r.
222. RISM 456010865.
223. Torri 1692–1701, III:35v-38v.
224. RISM 456010866.
225. Torri 1692–1701, III:39r-42r.
226. RISM 456010867.
227. Torri 1692–1701, III:42v-44v.
228. RISM 456010868.
229. Torri 1692–1701, III:45r-47r.
230. RISM 456010869.
231. Torri 1692–1701, IV:5r-6v.
232. RISM 456010870.
233. Torri 1692–1701, IV:8r-10r.
234. RISM 456010871.
235. Torri 1692–1701, IV:12r-14v.
236. RISM 456010872.
237. Torri 1692–1701, IV:16r-18r.
238. RISM 456010873.
239. Torri 1692–1701, IV:19r-21r.
240. RISM 456010874.
241. Torri 1692–1701, IV:22r-24v.
242. RISM 456010875.
243. Torri 1692–1701, IV:26r-28v.
244. RISM 456010877.
245. Torri 1692–1701, IV:34r-36r.
246. RISM 456010878.
247. Torri 1692–1701, IV:37r-42r.
248. RISM 456010879.
249. Torri 1692–1701, IV:44r-47r.
250. RISM 456010880.
251. Torri 1692–1701, IV:49r-51r.
252. RISM 456010881.
253. Torri 1692–1701, IV:52r-54r.
254. RISM 456010882.
255. Torri 1692–1701, IV:56r-58r.
256. Torri, Pietro (~1650–1737): Sonata C-Major at www.edition-walhall.de.
257. RISM 703000480.
258. RISM 703000481.
259. Musik am Hofe des Kurfürsten Max Emanuel von Bayern. (1) at Stanford University website.
260. "Italian Cantatas (Baroque) – Caldara / Sarri, D. / Lotti, A. / Aldrovandini, G. V. A. / Mancini, F. / Torri, P. (Echoes of Love)", Naxos Records
261. [12094271 B. Marini, P. Torri, Tania D'Althann, Gian Paolo Fagotto, Accademia Claudio Monteverdi, Hans Ludwig Hirsch – Canzonette – Trastulli at Discogs
262. Canzonette Biagio Marini at Muziekweb website.
263. Wall 2015.
264. Thielemann 2012, pp. 217–218.
265. Du angenehme Nachtigall: Vogelarien und Liebeslieder des Barock at Muziekweb website.
266. Amor & rosignolo at Muziekweb website.
267. Birds at Muziekweb website.
268. La prima diva: Arie per Faustina Bordoni at Muziekweb website.
269. Catharsis at Muziekweb website.
270. Pace e guerra: Arias for Bernacchi at Muziekweb website.
271. Baroque Twitter at Muziekweb website.
272. Handel’s Queens at Signum Records website.
273. Philippe Jaroussky La Vanità del Mondo at Klara website.
274. La Vanità Del Mondo at Fnac website.
275. La Vanità del Mondo: Philippe Jaroussky at Warner Classics website.

Sources

• Tabulae codicum manu scriptorum ... in Bibliotheca Palatina Vindobonensi [Catalogue of manuscripts ... in the Bibliotheca Palatina Vindobonensis] (in Latin). Vol. X. Vienna: Geroldi / Austrian Academy of Sciences. 1899.
• "D-B Mus.ms. Bach P 195". Bach Digital. Leipzig: Bach Archive; et al. 9 January 2020.
• Champlin, John Denison Jr. (1888). Apthorp, William Foster (ed.). Cyclopedia of Music and Musicians. Vol. I. New York: Charles Scribner's Sons.
• Champlin, John Denison Jr. (1889). Apthorp, William Foster (ed.). Cyclopedia of Music and Musicians. Vol. II. New York: Charles Scribner's Sons.
• Champlin, John Denison Jr. (1890). Apthorp, William Foster (ed.). Cyclopedia of Music and Musicians. Vol. III. New York: Charles Scribner's Sons.
• Couvreur, Manuel (2005). "Henry Desmarest à Bruxelles: Aperçu sur la vie artistique dans la capitale des anciens Pays-Bas Méridionaux au tournant des XVIIe et XVIIIe siècles" [Henry Desmarest in Brussels: View on the artistic life in the capital of the old Southern Netherlands at the turn of the 17th and 18th centuries]. In Duron, Jean; Ferraton, Yves (eds.). Henry Desmarest (1661-1741) (in French). Mardaga [fr]. pp. 13–29. ISBN 9782870098868.
• Dürr, Alfred; Kobayashi, Yoshitake, eds. (1998). Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe [Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition] (in German). Kirsten Beißwenger (collaborator) (BWV^2a ed.). Wiesbaden: Breitkopf & Härtel. ISBN 9783765102493. Preface in English and German.
• Gerber, Ernst Ludwig (1812–1814). Neues historisch-biographisches Lexikon der Tonkünstler (in German). Leipzig: A. Kühnel. Volumes I – II – III – IV
• Groote, Inga Mai (2003). Pietro Torri, un musicista veronese alla corte di Baviera. Sette note (in Italian). Vol. I. Broz, Barbara (Appendix: "I musicisti veneti in Europa ai tempi del Torri"). Verona: Della Scala. ISBN 8885099734. OCLC 681975493.
• Sadie, Julie Anne (1998). "Munich". Companion to Baroque Music. Oxford University Press. pp. 242–245. ISBN 9780198167044.
• Thielemann, Arne (2012). "Zur Identifizierung des Magnificats BWV Anh. 30 aus Johann Sebastian Bachs Notenbibliothek" [On the identification of the Magnificat BWV Anh. 30 from Johann Sebastian Bach's music library]. In Wollny, Peter (ed.). Bach-Jahrbuch 2012 [Bach Yearbook 2012]. Bach-Jahrbuch (in German). Vol. 98. Neue Bachgesellschaft. Leipzig: Evangelische Verlagsanstalt. pp. 217–224. doi:10.13141/bjb.v2012. ISBN 978-3-374-02668-5. ISSN 0084-7682.
• Torri, Pietro (1692–1701). Trastulli [Trifles] (in Italian). Vol. I – II – III – IV. Munich Digitization Center. Munich: Bavarian State Library. BSB Mus.ms. 178 (composer's autograph)
• Torri, Pietro (2013). Thielemann, Arne (ed.). Magnificat in C: BWV Anh. 30. Stuttgarter Bach-Ausgaben. Vol. Full score. Bach, Johann Sebastian (arranger); Horn, Paul (basso continuo realization). Stuttgart: Carus. 35.012.
• Wall, John (2015). "Pietro Torri (1650-1737)". NewOlde.com.
• Wolff, Christoph (1968). Stile antico in der Musik Johann Sebastian Bachs: Studien zu Bachs Spätwerk [Stile antico in the music of Johann Sebastian Bach: Studies on Bach's late work]. Beihefte zum Archiv für Musikwissenschaft (in German). Vol. VI. Wiesbaden: Steiner. OCLC 651793960.
• "Work 1338". Bach Digital. Leipzig: Bach Archive; et al. 14 February 2019.
• Zedler, Andrea (2016). "Pietro Torris Serenata La Baviera für ein Fest am Münchner Hof". Frühneuzeit-Info (in German). 27. Vienna: Institut für die Erforschung der Frühen Neuzeit: 54–61.

Further reading

• Lazarevich, Gordana (2001). "Torri, Pietro". Grove Music Online (8th ed.). Oxford University Press. doi:10.1093/gmo/9781561592630.article.28187. ISBN 978-1-56159-263-0.
• Münster, Robert [in German] (1976). "Neu aufgefundene Opern, Oratorien und szenische Kantaten von Pietro Torri" [Newly discovered operas, oratorios and scenic cantatas by Pietro Torri]. Musik in Bayern (in German). 13. Munich: Gesellschaft für Bayerische Musikgeschichte: 49–58.

External links

• Media related to Pietro Torri at Wikimedia Commons
• Free scores by Pietro Torri at the International Music Score Library Project (IMSLP)