Philip Jeck (15 November 1952 – 25 March 2022) was an English composer and multimedia artist. His compositions were noted for utilising antique turntables and vinyl records, along with looping devices and both analogue and digital effects.[3] Initially composing for installations and dance companies, beginning in 1995 he released music on the UK label Touch.
Jeck started exploring composition using record players and electronics in the early 1980s. In his early career, he composed and performed scores for dance and theatre companies, including a five-year collaboration with Laurie Booth.[3] He also composed scores for dance films Beyond Zero on Channel 4 and Pace on BBC 2.[10][11] Jeck was perhaps best known for his 1993 work Vinyl Requiem with Lol Sargent, a performance for 180 Dansette record players, 12 slide-projectors and two film-projectors.[3] Although he initially intended to perform it only once, he went on to organise further performances of the installation.[7] It won the Time Out Performance Award in 1993.[3][12]
Jeck signed with Touch in 1995 and proceeded to release his best-known works on the label, including Surf (1998), Stoke (2002), and 7 (2003). In 2004, he collaborated with Alter Ego on a 2005 rendition of composer Gavin Bryars's The Sinking of the Titanic.[3] His 2008 album, Sand, was named the second best album of that year by The Wire.[13] Many of his studio releases are pieced together from recordings of his own live performances and stitched together with a MiniDisc recorder.[3] His final music credit came in 2021 with Stardust, a collaboration with Faith Coloccia.[14]