Paul P.
Paul P. (born 1977) is a Canadian artist known for his work as a painter, sculptor, collagist and graphic artist exploring identity, gender, art history and landscape. He lives and works in Toronto, Ontario. CareerPaul P. was born in Hamilton, Ontario and grew up in Toronto.[1] He graduated in 2000 with a BFA from York University in Toronto.[2] He began using only initial of his last name while still a student to single him out from other artists.[3] WorkPaul P's early work which he described as "melancholic"[3] was drawn from early 80's pre-AIDS era gay pornography,[4] using appropriated photographs from The ArQuives (formerly the Canadian Lesbian and Gay Archives) in Toronto. The New York Times described them as "oddly unsensual".[5] Later, he might use photographs taken during his travels, or drawings made by him in the out-of-doors which might become a source for paintings.[6] The nuances of light and atmosphere were primary concerns and his work sometimes has been influenced by figures in art history such as James McNeill Whistler and John Singer Sargent.[7] He also has made sculpture as in his installation "Writing Table for Nancy Mitford" at the 2014 Whitney Biennal.[8] Selected solo exhibitionsSelected solo exhibitions include: Dusks, Lamplights, The Power Plant, Toronto (2007); Slim Volume, Queer Thoughts, New York (2019); Gamboling Green, Cooper Cole, Toronto (2020); Vespertilians, Maureen Paley, London, England (2022); Friendly in the Knife-edged Moment, Oakville Galleries, Ontario (2022); Early Skirmishes, Hordaland Kunstsenter, Bergen, Norway (2022); and Paul P.: Amor et Mors, National Gallery of Canada (2023), curated by Sonia Del Re, senior curator of Prints and Drawings, of a group of 30 works acquired by the collection in 2020 created by Paul P. between 2003 and 2019, along with about 15 works from the collection.[9][8] Selected group exhibitions
PublicationsDoe Ye Nexte Thynge, 2013 Collections
References
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