Nicola López (1975) is an American contemporary artist known for her drawings, prints, installations and collages.[1]
López has exhibited both nationally and internationally including at the MoMA, Metropolitan Museum of Art, the Guggenheim, LACMA, Museo Rufino Tamayo in Mexico City, and the Beijing Inside-Out Museum (北京中间美术馆).[2][3][4][5][6] She has been the recipient of numerous grants and residencies such as the Joan Mitchell Foundation MFA Grant in 2004, the 2005 NYFA Fellowship in Drawing/Printmaking/Book Arts, and Sovern/Columbia Affiliated Fellowship at the American Academy in Rome in 2020.[7][8][9] López received a 2024 Guggenheim Fellowship in Fine Art.[10]
Early life
López was born in Santa Fe, New Mexico, in 1975.[3] She studied at the Escola de Artes Visuais (School of Visual Arts) in Rio de Janeiro, Brazil in 1996.[11] She earned a BA in 1998 and an MFA in visual arts from Columbia University in 2004.[12][13] In 2002 López also attended Skowhegan School of Painting and Sculpture.[14]
López lives in Brooklyn, New York, and she teaches at Columbia University.[15][9]
Exhibitions
Solo exhibitions
2022 "Nicola López and Paula Wilson: Becoming Land," Albuquerque Museum, Albuquerque, New Mexico[16][17]
2022 "Neither There nor Here," Elizabeth Leach Gallery, Portland Oregan[18]
2022 "Visions, Phantoms, and Apparitions," Center for Maine Contemporary Art, Rockland, Maine[19]
2020 "Haunted," Albuquerque Museum, Albuquerque, New Mexico[20]
2019 "Apariciones," Arróniz Arte Contemporáneo," Mexico City, Mexico[21]
2019 “Nicola López: Parasites, Prosthetics, Parallels and Partners,” Tamarind Institute, Albuquerque, New Mexico[22]
López has worked extensively with various fine art print publishers, collaborating to produce editions in silkscreen, lithography, intaglio, relief as well as on books and installation based objects. At the LeRoy Neiman Center for Print Studies, where López became first associated as an MFA fellow at Columbia University, she worked on three editions in 2018, 2019 and 2023.[40][41] She has been an artist in residence at the Tamarind Institute at the University of New Mexico four times, collaborating with the workshop on both traditional lithographs and on large scale, hand-cut pieces with the 2017 series Parasites, Prosthetics, Parallels, Partners.[42] At Tandem Press in Madison, Wisconsin, López has published numerous editions and at Pace Prints, NY, she has worked on various series since 2008.[43][44] Other smaller, independent workshops she has worked with include Gráfica Zanate in Oaxaca, Taller Pablo Torrealba in Mexico City, Interbang Press in Santa Fe, and Ten Grand Press in Brooklyn. In 2019, López' screenprint BK was published by Print Center New York as part of the portfolio Pulled in Brooklyn for their 2019 benefit auction, accompanied by a seminal, homonymous group exhibition featuring over 100 artists in celebration of Brooklyn's print culture and community.[45][46] Her self published series Ideal Structures for a Dubious Future is held at the Metropolitan Museum as part of the permanent collection.[47]
References
^Paglen, Trevor (1 July 2007). "Nicola López". BOMB Magazine. Archived from the original on 9 December 2021. Retrieved 2 November 2022.
^ abcdefBreen, Amanda (20 January 2021). "This Is Who We Are: Nicola López". School of the Arts - Columbia University. Archived from the original on 22 January 2022. Retrieved 2 November 2022.
^Porter, Clayton (1 July 2017). Tresp, Lauren (ed.). "Nicola López". Southwest Contemporary. Archived from the original on 4 December 2021. Retrieved 2 November 2022.
^"Nicola López". The Museum of Modern Art. Archived from the original on 9 June 2022. Retrieved 2 November 2022.
^"Nicola López". Madison Museum of Contemporary Art. Retrieved 2024-04-11.
^"Nicola López on works on paper". The Artist Project Season 1. The Metropolitan Museum of Art. 2013. Archived from the original on 3 November 2022. Retrieved 2 November 2022.