Nancy SheungNancy Sheung (Chinese: 常惠珍; 1914–1979) was a Hong Kong photographer known for her bold lines and frequent focus on female subjects. She was most active in the 1960s and 1970s. Early lifeNancy Sheung was born Sheung Wai-chun in Suzhou, China, in 1914. She told her husband and family that she paid for her education by working in an opium den, and she rode a horse to school with a shotgun for safety; her family has stated that these stories should be taken with a grain of salt.[1] Personal lifeSheung married merchant Pong Kuan-Wah in the mid-1930s. Together they moved to Hong Kong, where they had six children. Sheung founded and ran a construction company, sometimes acting as the family's primary breadwinner.[1] In the late 1950s, the construction industry slowed down due to a sluggish economy, giving Sheung more time to focus on her photography.[2] Photography careerAfter attending a European photography exhibit in the 1950s, Sheung became interested in photography in her 40s. She purchased her first camera, a Rolleiflex, and apprenticed to Michael Leung, a prominent local photographer.[2] She joined the Photographic Society of Hong Kong in 1965, becoming its vice-president in the 1970s.[3] Sheung is known as one of the few female photographers of Hong Kong in the 1960s and 1970s; most of her contemporaries were men.[3] She is also known for her use of dynamic, bold lines; portraits of women; architectural eye; and images of life in Hong Kong. Some of her most notable works include portraits of her daughter(s): The Pigtail,[i] The Long-Haired Girl[ii] and Staircase.[iii] Other interesting works include Zigzag,[iv] Under the Cross,[v] The Shadows,[vi] and Drum Yard.[vii] Exhibitions
DeathSheung died of a heart attack in her darkroom in 1979.[1] NotesReferences
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