Mitzi Pederson

Mitzi Pederson
Born1976
Stuart, Florida
NationalityAmerican
Alma materCalifornia College of the Arts
Occupation(s)Artist, sculptor

Mitzi Pederson (born 1976) is an American artist specializing in abstract sculptural work. Pederson is known for her use of ordinary household, construction, and building materials to explore sculptural concepts of weight, tension, balance, and permanence.[1][2] She is the recipient of a 2006 SECA Art Award. Pederson splits her time between San Francisco and Berlin.[3]

Early life and education

Pederson was born in 1976 in Stuart, Florida. She has an M.F.A. in painting and drawing from the California College of the Arts, a B.F.A. in printing, painting, and drawing, along with a minor in architecture, from Carnegie Mellon University, and studied at L'École nationale supérieure des Beaux-Arts in Paris, France.[4]

Work

Pederson uses everyday materials as the basis of her work, with an emphasis on the material of construction. She sources these materials from remnants of destruction, such as scrap heaps, as well as hardware stores and other retailers.[5] Her sculptures have included cinderblocks, plywood, cellophane, fabric, tulle, wire, sand, glitter, and paint. The materials are often presented in a nearly-raw state, with light embellishment using ephemera such as gilding, tulle, and glitter.[3][5][6]

Critical reception

Pederson began showing during her time at the California College of the Arts, appearing with regularity in gallery exhibitions at the institution and in galleries around the San Francisco Bay Area.[4] In 2006, two years after completing her M.F.A. program, Pederson was announced as one of four recipients of the SECA Art Award from the San Francisco Museum of Modern Art.[2]

In 2008, Pederson's work was included in the Whitney Biennial, at the Whitney Museum of American Art in New York City.[1] Both the SECA Award and the Whitney Biennial focus on emerging, lesser known contemporary artists; the Biennial has been described as "one of the most important surveys of the state of contemporary art in the United States."[7] In 2008, art critic Glen Helfand included Pederson's exhibition "Unlet Me Go" as a selection in his top ten "exhibitions, events, and films" from 2007 based on "joy, originality, and serious subtext."[8]

Her work has been described by curators as possessing a graceful use of balance, deliberation, and incongruity, while marrying elements in unexpected or impracticable ways. She is noted for "restrained gestures," "contemplative" investigations of energy and time.[5] Critics have described her work as "sparse [and] smart,"[3] having a "savvy humbleness," and "slight in a cerebral way,"[9] while citing her "aesthetic sensibility and formal courage"[3] and ability to produce a "radical evolution of simple things."[10]

Critics have suggested Pederson's work has antecedents in and influences from sculptors such Richard Serra, Richard Tuttle, and Anselm Reyle.[9][10] Her work has been compared favorably with work by Joëlle Tuerlinckx and James Turrell.[11]

Awards and honors

  • SECA Art Award 2006, San Francisco Museum of Modern Art[2]
  • Whitney Biennial 2008, Whitney Museum of American Art[1][12]

See also

References

  1. ^ a b c Goergen, Stacey (2008). "Whitney Biennal 2008". Whitney Museum of American Art. Archived from the original on February 11, 2015. Retrieved March 7, 2015.
  2. ^ a b c "SFMOMA Presents 2006 Seca Art Award Exhibition Sarah Cain, Kota Ezawa, Amy Franceschini, Mitzi Pederson, Leslie Shows". San Francisco Museum of Modern Art. November 29, 2006. Archived from the original on June 9, 2023. Retrieved May 8, 2022.
  3. ^ a b c d Tilghman, Parker (May 21, 2012). "A Gust of Glitter, a Resolute Fragility". ArtSlant. Archived from the original on September 23, 2015. Retrieved March 7, 2015.
  4. ^ a b "Mitzi Pederson Biography" (PDF). Ratio 3. Archived from the original (PDF) on September 24, 2015. Retrieved March 8, 2015.
  5. ^ a b c Krajewsk, Sara (April 2009). "Mitzi Pederson: I Think I Was Looking At That Before". World Class Boxing. Archived from the original on May 28, 2016. Retrieved March 7, 2015.
  6. ^ Smith Chavez, Matt (2014). "Material Concerns: Q&A with Mitzi Pederson". New American Paintings. Archived from the original on August 11, 2022. Retrieved March 7, 2015.
  7. ^ Tucker, Brenda (March 7, 2008). "2008 Whitney Biennial opens with four CCA Alumni and Faculty". California College of the Arts. Archived from the original on March 4, 2016. Retrieved March 7, 2015.
  8. ^ Helfand, Glen (January 2, 2008). "Staying power". 48 Hills. Vol. 42, no. 14. San Francisco Progressive Media Center. Archived from the original on November 7, 2023. Retrieved March 7, 2015.
  9. ^ a b Machida, Nico (March 13, 2008). "A Look at Mitzi Pederson". ArtSlant. Archived from the original on September 23, 2015. Retrieved March 7, 2015.
  10. ^ a b Berardini, Andrew (September 27, 2009). "Pederson in the Mission". ArtSlant. Archived from the original on September 23, 2015. Retrieved March 7, 2015.
  11. ^ Ratner, Megan (September 2007). "Mitzi Pederson". Frieze. No. 109. ISSN 0962-0672. Archived from the original on September 24, 2015. Retrieved March 8, 2015.
  12. ^ Thorne, Sam (December 3, 2007). "2008 Whitney Biennial: Artists announced". Frieze. Archived from the original on December 6, 2019. Retrieved November 6, 2023.