Award
|
Winner
|
Award
|
Winner
|
Award
|
Winner
|
1988
|
Award Winner
|
Jennifer Flowers: performances Hedda Gabler, The Lady Aoi, Butts in the Borsht
|
Award Winner
|
Sue Rider: devising and directing The Matilda Women
|
Award Winner
|
Eugene Gilfedder: versatile contribution to theatre, musical composition and direction, performance Hamlet
|
Award Winner
|
Robert Arthur: directing Too Young For Ghosts, Hamlet
|
Award Winner
|
David Walters: lighting Les Liaisons Dangeureuses, The Sentimental Bloke, A Different Drummer
|
Commendation
|
Anna Pike: performance
|
Commendation
|
Sally McKenzie: performance
|
Commendation
|
Russell Kiefel: performance
|
Commendation
|
Bill Haycock: stage design
|
Commendation
|
Rick Billinghurst: directing
|
Commendation
|
Anthony Phelan: performance
|
|
|
1989
|
Award Winner
|
David Brown: acting Romeo and Juliet, The Perfectionist
|
Award Winner
|
Jim Vilè: vital contribution to the enrichment of pro-am theatre in Brisbane
|
Award Winner
|
Rod Wissler: performance Who's Afraid of Virginia Woolf?
|
Award Winner
|
Mark Radvan: directing Equus
|
Commendation
|
Veronica Neave: performance as Juliet
|
Commendation
|
Ian Leigh-Cooper: solid contribution to Brisbane theatre as director and actor
|
Commendation
|
David Clendinning: extraordinary versatility in performance
|
Commendation
|
Christen O'Leary: refreshing new talent in Brisbane theatre The Threepenny Opera, Tokyo Rose
|
Commendation
|
Errol O'Neill: interpretation of The Christian Brothers
|
Special Commendation
|
Queensland Performing Arts Trust: The Soldier's Tale
|
|
|
|
|
1990
|
Award Winner
|
David Clendinning: translating A Month In The Country, performances The Venetian Twins, Lost Weekend
|
Award Winner
|
Dale Ferguson: stage design Top Silk, A Month In The Country
|
Award Winner
|
Bill Haycock: stage design Legend, The Glass Menagerie, Brief Lives
|
Award Winner
|
Aubrey Mellor: contribution to the development of Queensland theatre
|
Award Winner
|
Anthony Phelan: performance A Month In The Country, Top Silk
|
Commendation
|
Beth Armstron : performance
|
Commendation
|
David Bell: directing
|
Commendation
|
Sally McKenzie: performance
|
Commendation
|
Veronica Neave: performance
|
Commendation
|
David Walter: lighting
|
Commendation
|
Rod Wissler: performance
|
Commendation
|
Joss McWilliam: - performance
|
Special Commendation
|
Queensland Performing Arts Trust: Legend
|
|
|
|
|
1991
|
Award Winner
|
David Bell: directing The Game of Love and Chance, Bouncers
|
Award Winner
|
Aubrey Mellor: directing Money and Friends
|
Award Winner
|
Bryan Nason: artistic direction (Grin 'n' Tonic), directing Gilgamesh
|
Award Winner
|
Anthony Phelan: performance Essington Lewis I Am Work, The Game of Love and Chance
|
Award Winner
|
Sue Rider: directing Mrs Klein, devising and directing Dancing on the Walls Of Paris
|
Commendation
|
Charles Barry: performance
|
Commendation
|
Jennifer Flowers:: performance
|
Commendation
|
Eugene Gilfedder: performance
|
Commendation
|
Bill Haycock: stage design
|
Commendation
|
Sally McKenzie: performance
|
Commendation
|
Veronica Neave: performance
|
Commendation
|
Christen O'Leary: performance
|
Commendation
|
Seymour Productions: body of work
|
Special Commendation
|
Babette Stephens: a lifetime of service to Queensland theatre
|
|
|
1992
|
Award Winner
|
Bille Brown: performance Twelfth Night
|
Award Winner
|
Jonathan Hardy: performance Twelfth Night
|
Award Winner
|
Jennifer Flowers: performance A Cheery Soul, Twelfth Night, Hotel Sorrento,
directing The Idiot
|
Award Winner
|
Veronica Neave: performance Twelfth Night, The Idiot
|
Award Winner
|
David Berthold: directing The Heidi Chronicles, co-directing Hotel Sorrento
|
Commendation
|
Andrew Buchanan: performance The Adman
|
Commendation
|
Anthony Phelan: performance
|
Commendation
|
Peter Lamb: performance The Idiot
|
Commendation
|
Jennifer Blocksidge: performance
|
Commendation
|
David Walters: lighting
|
Commendation
|
Dale Ferguson (designer): stage design
|
Commendation
|
Bill Haycock: stage design
|
Special Commendation
|
John Kotzas and Queensland Performing Arts Trust Out of the Box
|
Special Commendation
|
La Boite Theatre: The Idiot
|
|
|
1993
|
Award Winner
|
Brenna Lee-Cooney: establishment Fractal Theatre Company, directing The Orestaeia
|
Award Winner
|
Sue Rider: directing Vita!
|
Award Winner
|
Dale Ferguson: stage design Romeo & Juliet, The Shaughraun
|
Award Winner
|
Andrew Buchanan: performance Romeo & Juliet, Summer of the Aliens, The Waking Hour
|
Award Winner
|
Jonathan Hardy: performance Romeo & Juliet, The Shaughraun
|
Commendation
|
Angie Quick
|
Commendation
|
David Clendinning
|
Commendation
|
Eugene Gilfedder
|
Commendation
|
Caroline Kennison: performance Vita: A Fantasy
|
Commendation
|
Siobhan Lawless: performance Diving For Pearls
|
Special Commendation
|
David Bell, David Walters and Bill Haycock creating The Waking Hour for Queensland Performing Arts Trust
|
|
|
1994
|
Award Winner
|
Andrew Buchanan: performance The Taming of the Shrew, Cosi
|
Award Winner
|
Michael Futcher: performance Grendel
|
Award Winner
|
Kevin Hides: performance Cosi, Cyrano de Bergerac
|
Award Winner
|
Caroline Kennison: performance Dancing at Lughnasa
|
Award Winner
|
Peter Lamb: performance Coriolanus, Theo An Illumination of the Life of Van Gogh
|
Highly Commended
|
Hilary Beaton: script No Strings Attached
|
Highly Commended
|
Irena Haze: performances Coriolanus, The Fall of the House of Usher, The Romance of Orpheus
|
Highly Commended
|
Charles Barry: performance The Taming of the Shrew
|
Highly Commended
|
Karen Crone: performances Cosi, No Strings Attached
|
Highly Commended
|
Leah Purcell: performance Low
|
Highly Commended
|
Christopher Morris: performance Low
|
Outstanding Contribution to the Local Scene
|
John Kotzas: artistic director Out of the Box
|
Outstanding Contribution to the Local Scene
|
Sue Rider: consistent high standards for la Boite theatre
|
Special Award for Services to the Qld Theatre Industry
|
Alan Edwards
|
|
|
1995
|
Award Winner
|
Andrew Buchanan: performance Hamlet
|
Award Winner
|
John Batchelor: performance Christmas at Turkey Beach, Mill Fire
|
Award Winner
|
Elise Greig: performance Mill Fire, Honour
|
Award Winner
|
Philip Dean: script Long Gone Lonesome Cowgirls
|
Award Winner
|
Jacqui Carroll: leadership and direction Frank Theatre
|
Commendation
|
Gael Ballantyne: performance The Cavalcaders
|
Commendation
|
Deborah Mailman: performance The Seven Stages of Grieving
|
Commendation
|
Peter Lamb: performance
|
Commendation
|
Andrew McGahan: script Bait
|
Commendation
|
Liz Buchanan: performance Long Gone Lonesome Cowgirls
|
Commendation
|
Barbara Fordham: performance Long Gone Lonesome Cowgirls
|
Most Exciting Production
|
The Dark, Rock 'n' Roll Circus
|
Sustained Contribution to Queensland Theatre
|
Sean Mee: recognition 20 years in Queensland theatre
|
Special Commendation
|
Bryan Nason, Grin & Tonic Theatre Troupe and its repertory season of four Shakespeare plays
|
Special Commendation
|
Michael Futcher & Helen Howard Matrix Theatre
|
Special Commendation
|
Metro Arts, Experimetro programme
|
|
|
|
|
1996
|
Award Winner
|
Caroline Kennison: performance Skylight, Simpatico
|
Award Winner
|
Jennifer Flowers: performance Supermarket Pavane
|
Award Winner
|
Glenn Francis: design Skylight, Love Child, There Goes The Neighbourhood, Supermarket Pavane, The Dreamers, Romeo& Juliet
|
Award Winner
|
Lewis Jones: direction Someone To Watch Over Me, Bouncers
|
Award Winner
|
Danny Murphy: Olenna, Abigail's Party, There Goes The Neighbourhood
|
Commendation
|
Michael Futcher
|
Commendation
|
Charles Barry
|
Commendation
|
Bill Haycock
|
Commendation
|
Rachel Konyi
|
Commendation
|
Matt Scott
|
Best Production
|
Sweeney Todd Queensland Theatre Company
|
Commended
|
Brisbane Festival's community programme for supporting and promoting local theatre
|
1997
|
Award Winner
|
Elaine Acworth: playwright Solitary Animals
|
Award Winner
|
John Batchelor: performance Sweet Phoebe, Oz Shorts
|
'Award Winner
|
Greg Clarke: design Oz Shorts
|
Award Winner
|
Paul Denny: performance Scar
|
Award Winner
|
Robyn Nevin: performance Masterclass, directing Summer Rain, After The Ball
|
Commendation
|
Anna Yen: writing, directing, performance
|
Commendation
|
Deborah Mailman: performance
|
Commendation
|
Lorraine Dalu: performance
|
Commendation
|
Elise Greig: performance
|
Commendation
|
Stephen Davis: writing
|
Commendation
|
Anthony Weigh: performance
|
Special Commendation
|
Wesley Enoch, services to indigenous theatre
|
Special Commendation
|
John Kotzas, Stage X Festival
|
|
|
|
|
1998
|
Award Winner
|
Helen Howard & Michael Futcher: writing A Beautiful Life
|
Award Winner
|
Dale Ferguson (designer): design The Marriage of Figaro
|
Award Winner
|
David Brown: writing, directing Kill Everything You Love
|
Award Winner
|
Nicola Scott: performance Sweet Panic
|
Award Winner
|
Russell Dykstra: performance & writing Children of the Devil
|
Commendation
|
Margery Forde: writing X-Stacy
|
1999
|
Award Winner
|
Bille Brown: performance The Judas Kiss
|
Award Winner
|
Brenna Lee-Cooney: directing Decadence, Dracula
|
Award Winner
|
Wesley Enoch: books, lyrics, directing The Sunshine Club
|
Award Winner
|
Eugene Gilfedder: performance Decadence, The Tempest, Vertigo and The Virginia, Dracula
|
Award Winner
|
Kate Stewart: set design Hamlet, He Died With A Felafel In His Hand
|
Commendation
|
Angela Campbell: performance, directing, performance Vertigo and the Virginia
|
Commendation
|
Jennifer Flowers: performance Georgia
|
Commendation
|
Damien Garvey: performance The Big Picture
|
Commendation
|
Stephen Grives: performance Antigone
|
Commendation
|
Roxanne McDonald: performance Romeo and Juliet, Goin' To The Island, The Sunshine Club
|
Commendation
|
Jill Shearer: writing Georgia
|
Commendation
|
Kaye Stevenson: performance Hildegard
|
Special Award
|
Jim Vilè and Katie Williams, directing and producing Cathedrals Week
|
Special Award
|
Queensland Theatre Company, developing and producing The Sunshine Club by Wesley Enoch and John Rodgers
|
|
|
2000
|
Award Winner
|
Julie Eckersley: performance The Secret Death of Salvador Dali, As You Like It
|
Award Winner
|
Mark Bromilow: directing Clark In Sarajevo
|
Award Winner
|
Margery & Michael Forde: writing Milo's Wake
|
Award Winner
|
Yalin Ozucelik: performance After January
|
Award Winner
|
Sean Mee: directing Box The Pony, performance Milo's Wake
|
Commendation
|
Stacey Callaghan: writing & performance When I Was A Boy
|
Commendation
|
Sarah Kennedy: performance Sylvia
|
Commendation
|
Geoff Squires: lighting Closer, Clark In Sarajevo, Redemption
|
Commendation
|
Lisa O'Neill: performance Three Frank Women, Rashamon
|
Commendation
|
Elizabeth Navratil: performance Ca Ca Courage
|
Commendation
|
Alison Ross: stage design The Secret Death Salvador Dali
|
Trust Award for Excellence
|
Leah Purcell: Box The Pony
|
Special Commendation
|
Sue Rider, for her sustained contribution to Queensland theatre; her development and presentation of new local and Australian work; her encouragement of Queensland Artistes; and her development of La Boite into a professional centre of excellence
|
|
|
|
|
2001
|
Award Winner
|
Michael Dorman: performance 48 Shades of Brown
|
Award Winner
|
Elise Greig: performance Alive at Williamstown Pier, The Caucasian Chalk Circle, Secret Bridesmaids' Business
|
Award Winner
|
Helen Howard: performance Molly Sweeney
|
Award Winner
|
Matt Scott: lighting The Forest, Richard III, Love's Labour's Lost, Buried Child
|
Award Winner
|
Hayden Spencer: performance Small Mercies, Alive At Williamstown Pier, The Caucasian Circle, Buried Child
|
Commendation
|
Andrew Buchanan: directing Love's Labour's Lost, The Caucasian Chalk Circle, performance Love's Labour's Lost, Secret Bridesmaids' Business
|
Commendation
|
Damien Cassidy: performance The Pitchfork Disney
|
Commendation
|
Christine Johnston: devising, directing, performance Decent Spinster
|
Commendation
|
Jean-Marc Russ: directing 48 Shades of Brown, Rashamon, performance Fred
|
Commendation
|
Sven Swenson: writing In Lieu of Flowers
|
Commendation
|
David Walters: lighting Molly Sweeney
|
Special Commendation
|
Michael Gow and Queensland Theatre Company, promoting local writing in their groundbreaking production of Dirt
|
MEAA Best Emerging Artist
|
Michael Dorman
|
In Memory of Ashley Wilkie, A Special One-off Award for Outstanding Contribution to Theatre Public Relations
|
Rosemary Herbert (Walker), La Boite Theatre
|
Backstage Award for Ongoing Excellence in Backstage Work (chosen by Brisbane theatre directors)
|
Tiffany Noake
|
The Actors Benevolent Fund Award for Long-time Commitment to Queensland Theatre
|
Leo Wockner
|
QPAT Award
|
Stephen Page: Bangarra Dance Company
|
|
|
2002
|
Award Winner
|
Carol Burns: performance Bill and Mary, Bag O' Marbles, directing Road To Mecca
|
Award Winner
|
Greg Clarke: designs Dogs In The Roof productions Emma's Nose, Salt, Macbeth
|
Award Winner
|
Jon Halpin: directingThe Messiah, Bill and Mary, Bash
|
Award Winner
|
Bryan Nason: adaptation, directing, producing Monkey
|
Award Winner
|
David Walters: lighting Black Chicks Talking, Still Standing
|
Commendation
|
Eugene Gilfedder: performances My Love Had A Black Speed Stripe, Emma's Nose, Macbeth
|
Commendation
|
Alison Ross: designs Cooking With Elvis, Road To Mecca, Bash, Mad Hercules, The Holden Plays
|
Commendation
|
Jean-Marc Russ: performanceCooking With Elvis, The Messiah
|
Special Commendation
|
Sue Benner and Metro Arts, promoting local artists and producing consistently good work in the inaugural Metro Arts Year of Independents
|
Special Commendation
|
Queensland Theatre Company, supporting emerging artists through its inaugural repertory program, and for the excellent body of work by its ensemble of actors; Chris Beckey, Melinda Butel, Sarah Kennedy and Jason Klarwein
|
Special Commendation
|
Bryan Nason, his unparalleled contribution to Brisbane theatre - spanning five decades - through his company Grin 'n' Tonic Theatre Troupe
|
Trust Award for Excellence
|
Margery Forde, outstanding contribution to theatre in Queensland and Australia
|
Actors and Entertainers' Benevolent Fund (Qld) Inc. now the Alan Edwards Memorial Award for Lifetime Contribution to the Performing Art in Brisbane
|
Carol Burns
|
MEAA Awards Best Emerging Actor
|
Jason Klarwein
|
|
|
2003
|
Award Winner
|
Paul Denny: performance A Day In The Death of Joe Egg, The Removalists
|
Award Winner
|
Bill Haycock: set design Half and Half
|
Award Winner
|
Caroline Kennison: performance A Day In The Death of Joe Egg, Cosi
|
Award Winner
|
Hayden Spencer: performances Half and Half, The Lonesome West
|
Award Winner
|
Sven Swenson: writing Road To The She-Devil's Salon
|
Commendation
|
Karen Crone: performance Cosi
|
Commendation
|
Linda Hassell: writing Post Office Rose
|
Commendation
|
Jason Klarwein: performance Half and Half
|
Commendation
|
Bryan Probets: performances The Lonesome West, Road To The She-Devil's Salon
|
Commendation
|
Jean-Marc Russ: directing A Conversation performance We Were Dancing
|
Commendation
|
Scott Witt:directingRoad To The She-Devil's Salon excellence in fight choreography
|
Special Commendation
|
Dawn Albinger, Artistic Direction of the Magdalena Australia Festival and work with Sacred Cow
|
Special Commendation
|
Una Hollingworth, ongoing contribution to costume design at Brisbane Arts Theatre
|
The Actors Benevolent Fund Alan Edwards Lifetime Achievement Award
|
Errol O'Neill
|
La Boite Backstage Award
|
Tony Marr
|
MEAA Emerging Artist Award
|
Bryan Probets
|
QPAC Award for Excellence to an Individual or Ensemble
|
Bryan Nason
|
|
|
2004
|
Award Winner
|
Hayden Spencer
|
Award Winner
|
Melinda Butel
|
Award Winner
|
Caroline Kennison
|
Award Winner
|
Jean-Marc Russ
|
Award Winner
|
Bill Haycock
|
Best Male Actor in a Lead Role
|
Hayden Spencer: The Real Inspector Hound / Black Comedy, Eating Ice Cream With Your Eyes Closed
|
Best Female Actor in [Lead] Role
|
Melinda Butel: Proof
|
Best Female Actor in [Lead] Role
|
Caroline Kennison: Wit
|
Best Male Actor in a Supporting Role
|
Sandro Colarelli: The Odyssey, The Venetian Twins
|
Best Female Actor in a Supporting Role
|
Carita Farrer: Proof, The Venetian Twins
|
Best Director
|
Jean-Marc Russ: Eating Ice Cream With Your Eyes Closed
|
Best Design
|
Bill Haycock: The Odyssey
|
Best Sound Design
|
Brett Collery: God is a DJ
|
Best Lighting Design
|
David Walters: The Odyssey, Wicked Bodies
|
Best Production
|
Eating Ice Cream With Your Eyes Closed (QTC)
|
Alliance Award for Emerging Artist
|
Emily Tomlins
|
Backstage Award
|
Gayle MacGregor
|
Alan Edwards Lifetime Achievement Award
|
Kaye Stevenson
|
QPAC Award for Excellence in the Performing Arts
|
Bille Brown
|
|
|
|
|
2005
|
The Interactive Theatre of Australia Award for Best Performance by a Male Actor in a Lead Role
|
Steven Grives: The Drowning Bride
|
The Interactive Theatre of Australia Award for Best Performance by a Female Actor in a Lead Role
|
Sarah Kennedy: Hitchcock Blonde
|
The Ben Parkinson Award for Best Performance by a Male Actor in a Supporting Role
|
Daniel Murphy: The Dance of Jeremiah
|
The Actors'Workshop Award for Performance by a Female Actor in a Supporting Role
|
Helen Cassidy: The Drowning Bride
|
The QUT Precincts Award for Best Director
|
Michael Futcher: The Drowning Bride
|
The Toadshow Award for Best Designer
|
Jonathan Oxlade: A Christmas Carol, The Dance of Jeremiah, Bitin' Back, Creche and Burn
|
The Booknook Award for Best Playwright
|
Helen Howard and Michael Futcher: The Drowning Bride
|
Queensland Performing Arts Centre Award
|
Gayle MacGregor: for Outstanding Contribution to Theatre Costume Design and Wardrobe Management
|
The MEAA Backstage Award
|
Anika Vilée
|
2006
|
Gold Matilda Award Winner
|
Margi Brown-Ash: performance The Knowing of Mary Poppins
|
Gold Matilda Award Winner
|
Brett Collery: sound design Away, Constance Drinkwater and the Final Days of Somerset
|
Gold Matilda Award Winner
|
Michael Gow: direction Away, Private Lives, Absurd Person Singular
|
Gold Matilda Award Winner
|
Robert Kemp: set Away, Private Lives
|
Gold Matilda Award Winner
|
Steven Tandy: performance Last Drinks
|
Best New Australian Work
|
New Royal Marcel Dorney
|
Best Actress
|
Barbara Lowing: Away
|
Best Supporting Actress
|
Helen Howard: Last Drinks
|
Best Supporting Actor
|
Lucas Stibbard: New Royal
|
Emerging Artist
|
Ross Balbuziente
|
Emerging Artist
|
Michael Balk
|
Emerging Artist
|
Dirk Hoult: Assassins
|
Emerging Artist
|
Christopher Sommers
|
|
|
|
|
2007
|
Best New Australian Work
|
The Kursk Sasha Janowicz
|
Best Mainstage Production
|
The Narcissist (La Boite Theatre Company)
|
Best Mainstage Production
|
The Glass Menagerie (QTC)
|
Best Director
|
Michael Futcher: The Kursk
|
Best Actress
|
Helen Cassidy: The Glass Menagerie
|
Best Actor
|
Barry Otto: Heroes
|
Best Supporting Actress
|
Helen Cassidy: Post Office Rose
|
Best Supporting Actor
|
James Stewart: The Glass Menagerie
|
Best Newcomer
|
Jessica Veurman-Betts: Post Office Rose
|
Best Independent Production
|
The Kursk: (Metro Arts Independents)
|
Best Technical Design
|
David Walters: The Glass Menagerie
|
Best Musical Production
|
Tom Waits for No Man, Brisbane Cabaret Festival
|
Best Design
|
Greg Clarke: The Glass Menagerie
|
|
|
|
|
2008
|
Best Mainstage Production
|
Anatomy Titus Fall of Rome (QTC)
|
Best Independent Production
|
Hoods (Real TV)
|
Best Direction
|
Michael Futcher: Rabbit Hole (QTC)
|
Best Direction
|
Michael Futcher: The Wishing Well (La Boite)
|
Best Actress in a Lead Role
|
Helen Howard: Rabbit Hole (QTC)
|
Best Actor in a Lead Role
|
Jean-Marc Russ: I am my own wife (QTC)
|
Best Actress in a Supporting Role
|
Kaye Stevenson: Summer of the Seventeenth Doll (La Boite)
|
Best Actor in a Supporting Role
|
Andrew Buchanan: Female of the Species (QTC)
|
Best New Australian Work
|
Attack of the Attacking Attackers: Matthew Ryan
|
Best Emerging Artist
|
Kathryn Marquet: Jane Eyre, Bronte, Risk
|
Best Design
|
Jonathon Oxlade: Attack of the Attacking Attackers (La Boite)
|
Best Technical Design
|
David Walters: August Moon (QTC)
|
Best Musical Production
|
The 25th Annual Putnam County Spelling Bee (Oscar Theatre Co.)
|
|
|
|
|
2009
|
|
|
|
|
|
Matilda Awards Winner
|
Michael Gow; Richard Jordan; Metro Arts; Michelle Miall; Sven Swenson
|
Matilda Awards Winner
|
Richard Jordan
|
Matilda Awards Winner
|
Metro Arts
|
Matilda Awards Winner
|
Michelle Miall
|
Matilda Awards Winner
|
Sven Swenson
|
Best New Australian Play
|
25 Down: Richard Jordan (QTC)
|
Best Independent Production
|
The Tempest - in the raw (Zen Zen Zo Physical Theatre)
|
Best Mainstage Production
|
The Crucible (QTC)
|
Best Director
|
Michelle Miall: The Pillowman (QTC)
|
Best Actor in a Lead Role
|
Steven Rooke: The Pillowman (QTC)
|
Best Actress in a Main Role
|
Stace Callaghan: The White Earth
|
Best Actor in a Supporting Role
|
Chris Vernon: The Pillowman (QTC)
|
Best Actress in a Supporting Role
|
Andrea Moor: The Crucible
|
Best Designer
|
Jaxzyn (Jen Jackson): video design - The Pineapple Queen
|
Best Emerging Artist
|
Michelle Miall: The Pillowman (QTC)
|
2010
|
Matilda Award Winner
|
Leon Cain for his performance in I Love You, Bro
|
Matilda Award Winner
|
The Escapists for devising and producing boy girl wall
|
Matilda Award Winner
|
Eugene Gilfedder for his body of performance work in 2010 including Grimm Tales, Hamlet and The Chairs
|
Matilda Award Winner
|
Leah Purcell for her artistic direction of the Aboriginal Centre for the Performing Arts and directing and acting in The Story of the Miracles at Cookies Table
|
Matilda Award Winner
|
David Berthold for his repositioning of La Boite and directingHamlet and I Love You, Bro
|
Best Mainstage Production
|
Hamlet (La Boite)
|
Best Independent Production
|
boy girl wall (The Escapists at Metro)
|
Best Direction
|
Michael Futcher: Grimm Tales
|
Best Female Actor in a Lead Role
|
Leah Purcell: The Story of The Miracles at Cookie's Table
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Best Male Actor in a Lead Role
|
Leon Cain in I Love You, Bro
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Best Female Actor in a Supporting Role
|
Melanie Zanetti: The Little Dog Laughed
|
Best Male Actor in Supporting Role
|
Dan Crestani: Grimm Tales''
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Best New Australian Work
|
The Bitterling by Sven Swenson
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Best Emerging Artist
|
Amy Ingram: (acting) Fat Pig and Single Admissions
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Best Design (Set, lighting, sound or costume)
|
Greg Clarke (design) on Grimm Tales
|
2011
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Matilda Award Winner
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Simone de Haas for her artistic direction of Mixed Company and commitment to producing quality self-funded independent theatre across three decades, including directing, designing and acting in its body of work
|
Matilda Award Winner
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Steven Rooke for his outstanding body of performance work in 2011, including No Man's Land, Julius Caesar and The Removalists
|
Matilda Award Winner
|
Josh McIntosh for his prolific body of work for independent theatre companies in 2011, including shake & stir's Animal Farm and set and costume designs for Harvest Rain
|
Matilda Award Winner
|
Marcel Dorney for his accomplishment as a playwright in researching and rendering the script of Fractions
|
Matilda Award Winner
|
Melanie Zanetti for her radiant performance as Eliza Doolittle in Pygmalion
|
Best Mainstage Production
|
Pygmalion (QTC)
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Best Independent Production
|
Animal Farm (Shake & Stir)
|
Best Independent Production
|
Amadeus (4MBS Festival of Classics)
|
Best New Play
|
Fractions by Marcel Dorney
|
Best Musical
|
Cabaret (Zen Zen Zo Physical Theatre)
|
Best Director
|
Michael Futcher Animal Farm
|
Best Director
|
Michael Gow No Man's Land
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Best Male Actor in a Leading Role
|
Paul Bishop: Edward Gant's Amazing Feats of Loneliness
|
Best Male Actor in a Supporting Role
|
Steven Rooke: No Man's Land
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Best Female Actor in a Leading Role
|
Melanie Zanetti: Pygmalion
|
Best Female Actor in a Supporting Role
|
Carol Burns: Cat on a Hot Tin Roof
|
Best Emerging Artist
|
Anna McGahan: Julius Caesar
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Best Design (Set, lighting, sound or costume)
|
Renee Mulder: (set design) Edward Gant's Amazing Feats of Loneliness
|
2012
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Gold Matilda Award Winner
|
Bryan Probets
|
Gold Matilda Award Winner
|
Simone Romaniuk
|
Gold Matilda Award Winner
|
Helen Howard
|
Gold Matilda Award Winner
|
David Walters
|
Gold Matilda Award Winner
|
Margi Brown Ash
|
Silver Matilda Best Mainstage Production
|
Kelly (QTC)
|
Best New Australian Work
|
A Tribute of Sorts: Benjamin Schostakowski
|
Best Independent Production
|
A Tribute of Sorts (La Boite & Monsters Appear)
|
Best Male Actor in a Leading Role
|
Dash Kruck: A Tribute of Sorts
|
Best Female Actor in a Leading Role
|
Emily Curtin: A Tribute of Sorts
|
Best Male Actor in a Supporting Role
|
Bryan Probets: As You Like It
|
Best Female Actor in a Supporting Role
|
Louise Brehmer: Thérèse Raquin
|
Best Female Actor in a Supporting Role
|
Luisa Prosser: Thérèse Raquin
|
Best Director
|
Helen Howard: Thérèse Raquin
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Best Design
|
Simone Romaniuk: Kelly
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Best Emerging Artist
|
Lizzie Ballinger: Thérèse Raquin
|
|
|
|
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2013
|
Gold Matilda Award
|
Barbara Lowing for performances in The China Incident, Tequila Mockingbird, and Motherland
|
Gold Matilda Award
|
Jason Glenwright for lighting Rumour Has It, Sixty Minutes Inside Adele, Out Damn Snot, Blood Brothers, Oklahoma!, Next to Normal, and Tequila Mockingbird
|
Gold Matilda Award
|
Andrea Moor for directing Venus in Fur
|
Gold Matilda Award
|
shake & stir theatre co. for creating Tequila Mockingbird
|
Gold Matilda Award
|
Christen O’Leary for her performance in End of the Rainbow
|
Best Mainstage Production
|
Tequila Mockingbird (shake + stir and QPAC)
|
Best New Australian Work
|
1001 Nights Michael Futcher and Helen Howard (adapters)
|
Best Independent Production
|
Motherland Metro Arts and Ellen Belloo
|
Best Male Actor in a Leading Role
|
Dan Crestani: 1001 Nights
|
Best Female Actor in a Leading Role
|
Libby Munro: Venus in Fur
|
Best Male Actor in a Supporting Role
|
Hayden Spencer: End of the Rainbow
|
Best Female Actor in a Supporting Role
|
Louise Brehmer: A Midsummer Night's Dream
|
Best Director
|
Michael Futcher: 1001 Nights
|
Best Design (Set and Costumes)
|
Angel Kosch, costume design, A Midsummer Night's Dream
|
Silver Matilda Best Technical Design (Ligting, Multimedia, Sound Design)
|
Phil Slade, musical director, 1001 Nights
|
Bille Brown award for Best Emerging Artist
|
Sandra Carluccio, creator, This Is Capital City
|
Best Musical or Cabaret
|
Rumour Has It: 60 Minutes Inside Adele Judith Wright Centre and the little red company
|
|
|
2014
|
Gold Matilda Award
|
Steven Mitchell Wright for directing A Doll's House and directing/designing Caligula
|
Gold Matilda Award
|
Tim O'Connor for realising a new vision for Harvest Rain
|
Gold Matilda Award
|
optikal bloc for projection and video work on Pale Blue Dot, The Mountaintop, Wuthering Heights, Gasp! and 1984
|
Gold Matilda Award
|
Simone Romaniuk for designing Macbeth and Australia Day
|
Gold Matilda Award
|
Sven Swenson for co-producing, writing and acting in Angel Gear and Dangerfield Park
|
Best Mainstage Production
|
Gloria (QTC)
|
Best New Australian Work - Lord Mayors Award)
|
Richard Jordan: Machina
|
Best Independent Production
|
Angel Gear (La Boite Indie & Pentimento Productions with the support of QPAC)
|
Best Male Actor in a Leading Role
|
Sven Swenson: Angel Gear
|
Silver Matilda Best Female Actor in a Leading Role
|
Helen Christinson: A Doll's House
|
Best Male Actor in a Supporting Role
|
Damien Cassidy: A Doll's House
|
Best Female Actor in a Supporting Role
|
Cienda McNamara: A Doll's House
|
Best Director
|
Steven Mitchell Wright: A Doll's House
|
Best Design (Set and Costumes)
|
Simone Romaniuk: Macbeth
|
Best Technical Design (Lighting, Multimedia, Sound Design)
|
optikal bloc: Pale Blue Dot
|
Bille Brown award for Best Emerging Artist
|
Casey Woods: Angel Gear
|
Best Musical or Cabaret
|
Spamalot: (Harvest Rain Theatre Company)
|
|
|
2015
|
Gold Matilda Award
|
Carol Burns for an outstanding performance in Happy Days, and also to celebrate an exceptional body of work
|
Best Mainstage Production
|
Brisbane (QTC)
|
Best Independent Production
|
The Pillowman (Shock Therapy Productions in partnership with Brisbane Powerhouse)
|
Best Male Actor in a Leading Role
|
Dash Kruck: Brisbane
|
Best Female Actor in a Leading Role
|
Libby Munro: Grounded
|
Best Male Actor in a Supporting Role
|
Tama Matheson: The Pillowman
|
Best Female Actor in a Supporting Role
|
Naomi Price: Ladies in Black
|
Best Director
|
Sam Foster: The Pillowman
|
Silver Matilda Best Design (Set and Costumes)'
|
Josh McIntosh: set design - Dracula
|
Best Technical Design (Lighting, Multimedia, Sound Design)
|
Jason Glenwright: lighting design - Dracula
|
Best New Australian Work - Lord Mayors Award)
|
Brisbane: Matthew Ryan
|
Bille Brown award for Best Emerging Artist
|
Georgina Hopson: Pirates of Penzance & Into the Woods
|
Best Musical or Cabaret
|
I Might Take My Shirt Off (QPAC in association with QLD Cabaret Festival, Jai Higgs & Dash Kruck)
|
Hall of Fame
|
Sven Swenson
|
|
|
2016
|
Gold Matilda Award
|
Dead Puppet Society celebrating their exceptional body of work
|
Best Mainstage Production
|
Switzerland (QTC)
|
Best Independent Production
|
Viral (Shock Therapy Productions)
|
Best Male Actor
|
Matthew Backer: Switzerland
|
Best Female Actor
|
Andrea Moor: Switzerland
|
Best Male Actor in a Supporting Role
|
Julian Curtis: True West
|
Best Female Actor in a Supporting Role
|
Emily Weir: Tartuffe
|
Best Director
|
David Morton: The Wider Earth
|
Best Set Design
|
Leah Shelton:Terror Australis
|
Best Lighting Design
|
Jason Glenwright: Carrie: The Musical
|
Best Costume Design
|
David Morton & Aaron Barton:The Wider Earth
|
Best Sound Design / Composition
|
Tony Brumpton (Sound Design), Lior & Tony Buchen (Composition) The Wider Earth
|
Best Audio Visual Design
|
Justin Harrison (AV Design) & Anna Straker (Illustration):The Wider Earth
|
Best New Australian Work - Brisbane City Council)
|
Bastard Territory: Bastard Territory
|
Bille Brown award for Best Emerging Artist
|
Emily Weir:Tartuffe
|
Best Musical or Cabaret
|
Carrie: The Musical (Brisbane Powerhouse and Wax Lyrical Productions)
|
|
|
|
|
2017
|
Gold Matilda Award
|
Playlab
|
Best Mainstage Production
|
Blue Bones (Playlab in partnership with Brisbane Powerhouse)
|
Best Independent Production
|
The Forwards (Shock Therapy Productions, Zeal & Brisbane Powerhouse)
|
Best Male Actor
|
Colin Smith, An Octoroon (Queensland Theatre & Brisbane Festival)
|
Best Female Actor
|
Merlynn Tong, Blue Bones (Playlab in partnership with Brisbane Powerhouse)
|
Best Male Actor in a Supporting Role
|
Anthony Standish, An Octoroon (Queensland Theatre & Brisbane Festival)
|
Best Female Actor in a Supporting Role
|
Elise Greig, Swallow (EG & Metro Arts) and
Helen O'Leary, Swallow (EG & Metro Arts)
|
Best Director
|
Ian Lawson, Blue Bones (Playlab in partnership with Brisbane Powerhouse)
|
Best Set Design
|
Josh McIntosh, American Idiot (shake & stir theatre co & QPAC)
|
Best Lighting Design
|
David Walters, Blue Bones (Playlab in partnership with Brisbane Powerhouse)
|
Best Costume Design
|
GUSH: Bianca Mackail, Mayu Muto, Celia White & Anna Yen, Monsteria (GUSH, Vulcana Women's Circus & Brisbane Powerhouse)
|
Best Sound Design / Composition
|
Tony Brumpton & Sam Cromack (Ball Park Music), Laser Beak Man (Dead Puppet Society, Brisbane Festival & La Boite)
|
Best Audio Visual Design
|
Nathan Sibthorpe, Blue Bones (Playlab in partnership with Brisbane Powerhouse)
|
Best New Australian Work - Brisbane City Council)
|
Blue Bones, by Merlynn Tong
|
Bille Brown award for Best Emerging Artist
|
Meg Bowden, The Winter's Tale (Queensland Shakespeare Ensemble)
|
Best Musical or Cabaret
|
American Idiot (shake & stir theatre co and QPAC)
|
|
|
|
|
2018
|
Gold Matilda Award
|
Debase Productions
|
Best Mainstage Production
|
Prize Fighter (La Boite & Brisbane Festival) and The Longest Minute (Jute, Debase and Queensland Theatre)
|
Best Independent Production
|
The Sound of a Finished Kiss, Now Look Here and Electric Moon
|
Best Male Actor
|
Paul Bishop, Poison
|
Best Female Actor
|
Noni Hazlehurst, Mother
|
Best Male Actor in a Supporting Role
|
Jackson McGovern, The Owl and the Pussycat
|
Best Female Actor in a Supporting Role
|
Andrea Moor, Hedda
|
Best Director
|
Natano Fa’anana and Bridget Boyle, We Live Here
|
Best Set Design
|
Josh McIntosh, A Christmas Carol
|
Best Lighting Design
|
David Walters, Nearer the Gods
|
Best Costume Design
|
Penny Challen, The Owl and the Pussycat
|
Best Sound Design / Composition
|
Babushka, Happily Ever After
|
Best Audio Visual Design
|
No award
|
Best New Australian Work - Brisbane City Council)
|
Crunch Time, Counterpilot
|
Bille Brown award for Best Emerging Artist
|
Carly Skelton, The Hatpin
|
Best Musical or Cabaret
|
The Sound of a Finished Kiss, Now Look Here and Electric Moon in partnership with Brisbane Powerhouse
|
Lifetime Achievement
|
Rosemary Walker
|
|
|
2019
|
Gold Matilda Award
|
Shake & Stir
|
Best Mainstage Production
|
Death of a Salesman, Queensland Theatre
|
Best Independent Production
|
La Silhouette, Sui Ensemble
|
Best Male Actor
|
Richard Lund, Kelly
|
Best Female Actor
|
Amy Ingram, Cinderella
|
Best Male Actor in a Supporting Role
|
Thomas Larkin, Death of a Salesman
|
Best Female Actor in a Supporting Role
|
Susie French, Girl's Guide to World War
|
Best Director
|
Daniel Evans, Cinderella
|
Best Set Design
|
Josh McIntosh, Revolting Rhymes and Dirty Beasts
|
Best Lighting Design
|
Geoff Squires, Inside Out
|
Best Costume Design
|
Libby McDonnell, Orpheus and Eurydice
|
Best Sound Design / Composition
|
Luke Smiles and Anna Whitaker, Throttle
|
Best Video Design
|
Craig Wilkinson (video) and Jon Weber (illustrations), Fantastic Mr Fox
|
Best New Australian Work – Brisbane City Council)
|
Girl's Guide to World War, Katy Forde (book and lyrics) and Aleathea Monsour (composer)
|
Bille Brown award for the Best Emerging Artist
|
Gina Tay Limpus, The Tempest and La Silhouette
|
Best Musical or Cabaret
|
Fangirls, Queensland Theatre and Belvoir in association with ATYP
|
|
|
|
|