Martha LangfordFRSC (born December 18, 1953)[1] is a Canadian art historian. She is a Distinguished University Research Professor of art history at Concordia University and the Research Chair and Director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art. She was the founding director of the Canadian Museum of Contemporary Photography and served as its director and chief curator from 1985 until 1994. She is an elected Fellow of the Royal Society of Canada.
Personal life
Langford was born in Ottawa. Her father Warren was a civil servant and amateur photographer during the Cold War era.[2] In 2011, Langford and her brother John published A Cold War Tourist and His Camera, which examined their father's photographs.[3] Besides John, Langford also has two other siblings, Stuart Langford and Suzanne Morrison.[4][5]
Education
Langford was educated at the Nova Scotia College of Art and Design before obtaining her MA and PhD from McGill University.[6] She published her thesis under the title "Suspended conversations, private photographic albums in the public collection of the McCord Museum of Canadian History."[7] In 2001, she republished her thesis as Suspended Conversations: The Afterlife of Memory in Photographic Albums.[5]
In 2007, Langford published Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic Art with McGill-Queen's University Press. The book is a study of the role of memory in contemporary photographic art.[6] Two years later, Langford worked as a curatorial consultant for the Musée du Quai Branly photographic biennale PhotoQuai 2009 and was the commissioning curator for Preoccupations: Photographic Explorations of the Grey Nuns Mother House for Concordia University.[9]
In 2011, Langford was appointed research chair and director of Concordia University's Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art, succeeding François-Marc Gagnon. Before obtaining this position, Langford served as editor-in-chief of the Journal of Canadian Art History and an advisory board member for Ciel variable magazine.[11]
In 2017, Langford published an edited collection, Narratives Unfolding: National Art Histories in an Unfinished World, which discussed contemporary art historical approaches and their relationship to the notion of national art.[12]
In June 2018, Langford was selected as a research fellow at the Canadian Photography Institute.[13] A few months later, in September, she was elected a Fellow of the Royal Society of Canada.[14]
Inspiration
While at the Nova Scotia College of Art and Design, Langford cited Michael Snow as an inspiration. As a result, she has published multiple papers on his work.[15] In 2014, she published Michael Snow: Life & Work through the Art Canada Institute which presented an overview of his life and work.[16]
Selected publications
Langford, Martha, ed. (1984). Contemporary Canadian Photography from the Collection of the National Film Board = Photographie canadienne contemporaine de la collection de l'Office national du film (in English and French). Edmonton, AB: Hurtig. ISBN0888302649.
Power plays: contemporary photography from Canada. Edinburgh: Stills. 1989. ISBN0906458048.
Langford, Martha (1992). Beau : A Reflection on the Nature of Beauty in Photography = Une réflexion sur la nature de la beauté en photographie (in English and French). Ottawa: Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine. ISBN0888845626.
George Steeves: 1979-1993 (in English and French). Ottawa: Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine. 1993. ISBN0888845669.
Langford, Martha (2021) [2001]. Suspended Conversations: The Afterlife of Memory in Photographic Albums (2nd ed.). Montréal and Kingston: McGill-Queen's University Press. ISBN9780228001386.
Langford, Martha, ed. (2005). Image & Imagination. Montréal and Kingston: McGill-Queen's University Press. ISBN9780773529694.
Langford, Martha (2012). Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic Art. Montréal and Kingston: McGill-Queen's University Press. ISBN9780773540781.
Langford, Martha (2017). Narratives Unfolding: National Art Histories in an Unfinished World. Montréal and Kingston: McGill-Queen's University Press. ISBN9780773549791.
^ abLangford, Martha (2001). Suspended Conversations: The Afterlife of Memory in Photographic Albums (1st ed.). Montréal and Kingston: McGill-Queen's University Press. ISBN978-0-7735-3392-9.
^Langford, Martha (Summer 1996). "The Canadian Museum of Contemporary Photography". History of Photography. 20 (2): 174–179. doi:10.1080/03087298.1996.10443646.