Martha Kathleen HenryCCOOnt (née Buhs; February 17, 1938 – October 21, 2021) was an American-Canadian actress and director of stage and screen. During her lifetime, she was considered one of her country’s most acclaimed and accomplished thespians.[1][2] She was the first graduate of the National Theatre School of Canada in 1961, and was most noted for her theatre work at the Stratford Festival. She was the recipient of numerous accolades, including three Genie Awards for Best Actress, and the Governor General's Performing Arts Award for her contributions to Canadian theatre.
Early life and training
Martha Kathleen Buhs was born in Detroit, Michigan, on February 17, 1938.[3][4] Her parents, Kathleen (née Hatch) and Lloyd Howard Buhs, divorced when she was around five years old.[5] She grew up in the northern Detroit suburb of Bloomfield Hills, Michigan, attended the Kingswood School (today Cranbrook Kingswood School), and graduated from the drama department at Carnegie Institute of Technology before moving to Canada in 1959.[6] She later adopted the stage surname Henry, the legal surname of her first husband Donnelly Rhodes, whom she married in 1962.[5]
Henry performed at Toronto's Crest Theatre upon her arrival in Canada, and was soon after accepted into the first class at the National Theatre School in Montreal.[7] In 1961, the Theatre School took its students to Stratford to perform scene selections for the Festival company. Henry caught the attention of Artistic Director Michael Langham, who offered her a spot in the 1962 company based entirely on her performance that day. Accepting the offer would have required Henry to leave the Theatre School part way through the three-year program, however NTS Director Powys Thomas advised her to take the offer, saying she would learn more with the Stratford company than at the Theatre School. She took the offer and was awarded a diploma ahead of the inaugural class, making her the Theatre School's first graduate.[8][9][10]
Henry and three other directors (Urjo Kareda, Peter Moss and Pam Brighton) were appointed to lead Stratford's 1981 season after the resignation of Artistic Director Robin Phillips, but the group was dismissed a few months later when the Board of Directors had lined up English stage director John Dexter to replace them. A major uproar ensued across the Canadian arts community, and Immigration Minister Lloyd Axworthy denied Dexter a work permit.[20][21][22] A month later, Canadian director John Hirsch was appointed artistic director for the 1981 season.[23] The "Gang of Four" fallout caused Henry and other Stratford veterans to work away from the Festival for many years, but the enduring result was noted by actor R.H. Thomson as "Stratford turning (a corner) and becoming a deeply Canadian enterprise".[24][25][26]
Henry's return to the Stratford stage in 1994 as Mary Tyrone in Long Day's Journey Into Night was widely acclaimed, and the production was remounted for the 1995 season.[37] A filmed version of the production earned her a Genie Award for Best Actress at the 17th Genie Awards. The return also marked the start of a second lengthy run for Henry at Stratford, with her performing in leading and supporting roles, directing, and instructing. In 2007, she was appointed director of Stratford's Birmingham Conservatory for Classical Theatre Training, a program that has trained many promising new Canadian actors.[38] Her production of All My Sons by Arthur Miller was included in multiple theatre reviewers' lists of top theatre productions in 2016.[39][40][41] In 2017, she took over leadership of Stratford's Michael Langham Workshop for Classical Direction.[42]
In 2018, in her 44th season of performing, at age 80, Henry played Prospero in The Tempest, directed by Antoni Cimolino. Chris Jones, theater critic for the Chicago Tribune, wrote "in all my years watching shows at this theater, a miragelike fountain of excellence ... I have never seen anything quite like the experience of watching Henry".[43]
During the COVID-19 pandemic in 2021, Henry played the role of "A" in Three Tall Women by Edward Albee at Stratford's Studio Theatre. In his review of the production, J. Kelly Nestruck of the Globe and Mail said "Henry’s performance is a reminder of how much more daringly theatrical her generation of stage actors – she’s now in her 80s – can be".[44] A stage to screen adaptation of Henry's final performance in Three Tall Women was captured by director Barry Avrich months before Henry died;[45] following its television broadcast in 2022, it received several Canadian Screen Award nominations at the 11th Canadian Screen Awards in 2023, including a posthumous nod for Henry in the category Best Performance in a Television Film or Miniseries.
Henry's marriages to Rhodes and Douglas Rain ended in divorce.[51][52] She married Rod Beattie and, although they later separated, they remained married until her death.[53] She had one child (Emma) with Rain.[54]
Death
Henry died of cancer shortly after midnight on October 21, 2021, at her home in Stratford, Ontario, twelve days after her final stage appearance in Three Tall Women.[4][52][55]
^Charlebois, Gaetan (October 23, 2021). "Henry, Martha". Canadian Theatre Encyclopedia. Archived from the original on September 23, 2015. Retrieved October 24, 2021.
^Ouzounian, Richard (November 22, 2007). "Caution: under construction". Toronto Star. Archived from the original on June 22, 2013. Retrieved October 22, 2021.
^Richer, Shawna (January 27, 2003). "'Doing what I love to do'". The Globe and Mail. Toronto. Archived from the original on October 22, 2021. Retrieved October 22, 2021.
^Knelman, Martin (January 14, 1995). "OH, MARTHA!: Grand Theatre's outgoing artistic director Martha Henry hopes to leave her audiences feeling uncomfortable". Financial Post. p. 20. ProQuest441657452.
^"Martha Henry biography". Governor General's Performing Arts Awards Foundation. Archived from the original on February 18, 2019. Retrieved February 3, 2015.
Canadian Film Awards 1968–1978, Genie Awards 1980-2011, Canadian Screen Awards 2012–present. Separate awards were presented by gender prior to 2022; a single unified category for best performance regardless of gender has been presented since.
Canadian Film Awards 1968-1978, Genie Awards 1980-2011, Canadian Screen Awards 2012-present. Separate awards were presented by gender prior to 2022; ungendered awards for best performance regardless have been presented since.