Mariam Budia

Mariam Budia

Mariam Budia (born 14 March 1970 in Logroño (La Rioja), Spain) Spanish writer,[1] researcher, and playwright.

Biography

Mariam Budia has a doctorate in Spanish Studies in the "Theory, History and Practice of Drama" from the University of Alcalá. She graduated in Drama at the Royal Superior Drama School, RESAD, and has diplomas of honor in Music from the La Rioja Professional Music Conservatory.[2][3]

She has worked as a professor at Korea University[4] teaching Spanish Literature, where she got Excellent Teaching Awards, as well as a professor at Kobe City University of Foreign Studies, Japan.[2]

In her role as a writer, she stands out in the search for new languages to free her characters from their natural environment.[2] Some of her works have been translated into English [5] and Korean.[6]

She also makes collaborations in national magazines and newspapers and radio stations as well.[3][7]

Literary works

Among her published work we can list:[1]

  • Historias del comediante fiel ISBN 978-84-946246-0-5
  • Teatro del desarraigo (1) ISBN 978-84-245-1038-1
  • Teatro del desarraigo (2) ISBN 978-84-245-1065-7
  • Teatro del desarraigo (3) ISBN 978-1-59754-382-8
  • Antología de comedia y humor, (Budia, et al.) Ediciones Irreverentes, Madrid. ISBN 978-84-16107-32-2 [8]
  • El tamaño no importa V, (Budia, et al.) Ediciones Antígona - AAT, Madrid. ISBN 978-84-96837-25-6 [9]
  • Al Soslayo[10]
  • Cancán del Moulin[10]
  • La mujer Sakura written in Japan.[10]
  • Prohibido autolesionarse[10]
  • Carlaño[10][5]

Dramatizations of her works

Among others:

  • ¿Dentro del matrimonio?, in Fernando de Rojas Theatre, Madrid. Director: Julián Quintanilla, Actress: Loles León.[11]
  • La indignación de Sinforoso, in XV Salón Internacional del Libro Teatral, Madrid. Director: Quino Falero, Actors: Manuel Galiana and Sofía Valero.[12]
  • La chocolatina, in XXII Salón Internacional del Libro Teatral, Madrid. Director: Fernando Sansegundo, Actress: Huichi Chiu.[13]
  • Cerrad las ventanas, in Fernando de Rojas Theatre, Madrid. Director: Pedro Víllora, Actress: María Luisa Merlo.[14][15]

Research

As a researcher, among others:

  • "Aproximación a los elementos formales y filosóficos de Dragón, obra inconclusa de García Lorca" in Estudios Hispánicos, No. 60, Seoul: Korean Association of Hispanists. ISSN 1738-2130:[16]
  • "Comedia sin título de García Lorca: ensayo dramatizado para una didáctica inconclusa" in The Korean Journal of Hispanic Studies, Seoul: Korea University. ISSN 2092-4984[17]
  • "Aproximación a las estrategias creativas en Así que pasen cinco años: tiempo absoluto y subconsciente" in Teatro (Revista de Estudios Escénicos), No. 21, Madrid: Atheneum of Madrid- University of Alcalá. ISSN 1132-2233[18]

Studies of her plays

  • Prof. Pérez Jiménez, Manuel (UAH), Concepto de desarraigo y polimorfismo estético, in Digital Library University of Alcalá.[19]
  • Prof. Alba Peinado, Alba (UNED), Prohibido autolesionarse: poéticas del desarraigo, in Leer Teatro No. 5.[20]
  • Prof. Pérez Jiménez, Manuel (UAH), Del desarraigo a la esperanza, un teatro de nuestro tiempo, in Digital Library University of Alcalá.[21]

References

  1. ^ a b "Budia, Mariam – National Library of Spain" (in Spanish). Retrieved 2018-03-22.
  2. ^ a b c "Author in Playwrights' Association of Spain" (in Spanish and English). Retrieved 2018-03-21.
  3. ^ a b "Mariam Budia estrena monólogo en Madrid - Diario La Rioja" (in Spanish). Retrieved 2018-03-21.
  4. ^ "Mariam Budia Professor Korea University" (in Korean). Retrieved 2018-03-21.
  5. ^ a b "Columbia University Libraries – English translation of Carlaño". Retrieved 2018-03-21.
  6. ^ "Translatin – Seoul National University" (PDF) (in Korean). Retrieved 2018-03-21.
  7. ^ "Estrella Digital – Mariam Budia" (in Spanish). Retrieved 2018-03-22.
  8. ^ "Ediciones Irreverentes - Antología de comedia y humor" (in Spanish). Retrieved 2018-03-29.
  9. ^ "El kiosco teatral - El tamaño no importa V" (in Spanish). Retrieved 2018-03-29.
  10. ^ a b c d e "Plays by Budia, Mariam - Miguel de Cervantes Digital Library" (in Spanish). Retrieved 2018-03-22.
  11. ^ "El aquí y ahora sobre las tablas- El País/" (in Spanish). Retrieved 2018-03-22.
  12. ^ "XV Salón Internacional del Libro Teatral" (in Spanish). Retrieved 2018-03-22.
  13. ^ "XXII Maratón de Monólogos - Sala Berlanga" (in Spanish). Retrieved 2018-03-22.
  14. ^ "Un maratón para un cuarto de siglo, in El mundo" (in Spanish). Retrieved 2018-03-22.
  15. ^ "XX Maratón de Monólogos" (in Spanish). Retrieved 2018-03-21.
  16. ^ "Korean Studies Information Service System/" (in Korean). Retrieved 2018-03-21.
  17. ^ "Korean Studies Information Service System/" (in Korean). Retrieved 2018-03-21.
  18. ^ "Digital Library University of Alcalá" (in Spanish). Retrieved 2018-03-21.
  19. ^ "Concepto de desarraigo y polimorfismo estético" (PDF) (in Spanish). Retrieved 2018-03-22.
  20. ^ "Prohibido autolesionarse: poéticas del desarraigo" (in Spanish). Retrieved 2018-03-22.
  21. ^ "Del desarraigo a la esperanza, un teatro de nuestro tiempo" (PDF) (in Spanish). Retrieved 2018-03-21.