Margaret Cool Root was educated at Bryn Mawr College, where she gained both her BA and PhD.[1] She joined the faculty at the University of Michigan's Department of the History of Art in 1978, where she is also a curator at the Kelsey Museum of Archaeology.[1]
Her first major publication on the Achaemenid empire was the 1979 volume The King and Kingship in Achaemenid Art: Essays on the Creation of an Iconography of Empire (Acta Iranica 9);[2] this was a revised and expanded version of her doctoral thesis.[3]
She was part of the editorial committee for the Ars Orientalis Volume 42.[5]
Selected publications
1979. The King and Kingship in Achaemenid Art: Essays on the Creation of an Iconography of Empire.Acta Iranica 9. Leiden: Brill.
1994 (ed., with Amelie Kuhrt and Heleen Sancisi-Weerdenburg).The Persian Empire: Continuity and Change (Achaemenid History 8). Leiden: Instituut voor het Nabije Oosten.
2001 (ed., with M. B. Garrison). Seals on the Persepolis Fortification Tablets.Volume I: Images of Heroic Encounter. Chicago: Oriental Institute Publications 117.
2002 (ed.). Medes and Persians. Reflections on Elusive Empires. Ars Orientalis 32.
2005. This Fertile Land: Signs and Symbols in the Early Arts of Iran and Iraq. Ann Arbor: Kelsey Museum of Archaeology.
References
^ abCohen, Getzel M.; Joukowsky, Martha Sharp (2004). Breaking Ground: Pioneering Women Archaeologists. Ann Arbor: University of Michigan Press. p. 567. ISBN0472031740.
^ abMartin, S. Rebecca; Langin-Hooper, Stephanie M. (2018). The Tiny and the Fragmented: Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World. Oxford: Oxford University Press. pp. xi. ISBN9780190614812.
^University of Michigan. Center for Chinese Studies; Freer Gallery of Art; University of Michigan. Department of the History of Art (1954). Ars orientalis; the arts of Islam and the East. Smithsonian Libraries. [Washington, etc.], Freer Gallery of Art [etc.]