The album was produced by Brian Cullman.[8] It was recorded in New York City. The songs began with a basic melody played by Kalhor and Khan, before turning to improvisation.[9]
The New York Times stated: "Each piece is a long three-way improvisation based on simple melodies that the players push back and forth, and the reedy scrape of Kayhan Kalhor's bowed fiddle creeps out stealthily like a human voice, a rough and ancient sound against the metallic ringing of the sitar."[12]Billboard deemed the album a "soulful, pioneering hybrid."[13]
The Oregonian praised the "slow, dreamlike improvisations marked by elegant thematic development and marvelous subtlety and detail."[14]Ethnomusicology concluded that "the melodic expression on this CD hovers somewhere between dastgah and rag, but Shujaat's forceful improvisations tend to pull the whole closer to Indian styles and structures."[15]
AllMusic called the album "a fascinating meeting of Persian and Indian musical and cultural influences."[10]
Track listing
No.
Title
Length
1.
"The Saga of the Rising Sun"
2.
"Come with Me"
3.
"You Are My Moon"
4.
"Safar/Journey"
References
^Schwartz, Mark (May 1998). "Ghazal: Lost Songs of the Silk Road". Audio. Vol. 82, no. 5. p. 77.
^Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 3. MUZE. pp. 733–734.
^Ratliff, Ben (11 Nov 1997). "Longer Songs to Fill Shorter Days". The New York Times. p. E3.
^Bambarger, Bradley (Dec 6, 1997). "Persian classical music finds U.S. ears". Billboard. Vol. 109, no. 49. pp. 13, 89.
^Hughley, Marty (October 9, 1998). "Trio Aims to Reunite Two Brothers: The Music of Iran, India". Arts and Entertainment. The Oregonian. p. 44.
^Henderson, David R. (Spring–Summer 2003). "'Lost Songs of the Silk Road: Persian and Indian Improvisations: Ghazal'". Ethnomusicology. 47 (2): 280–283.