Music critic Robert Christgau called the album "an ad hoc collaboration that sounds as good as it reads".[5] Mark Deming at AllMusic described it as "[an] oddball delight from four truly gifted musicians", adding that while Kaiser, Frith and French's "avant-leaning art rock" is toned down by the presence of Thompson's folk-rock guitar, it does not detract from the album's appeal.[3]
In a review in the Santa Ana Orange County Register, Jim Washburn wrote that the album is "a fresh surprise even after repeated listenings", and called it "one of the year's best".[8] He said "the four [musicians] take some amazing turns", from a "lunatic" cover of The Beach Boys' Surfin' U.S.A. to the "apocalyptic" "Drowned Dog Black Night".[8]
^ abRamond, Michel; Roussel, Patrice; Vuilleumier, Stephane. "Discography of Fred Frith". New York Downtown Scene and Other Miscellaneous Discographies. Archived from the original on June 19, 2019. Retrieved September 8, 2017.