Genre |
Opus |
Date
|
Title |
Scoring |
Notes
|
Piano |
1 |
1885 |
Ländliche Skizzen - Am Bache
- Waldvöglein
- Ländler
- Ringellied
- Legende
- Die Sägemühle
|
piano |
Published Leipzig: Breitkopf & Härtel, plate no. 17120 (without opus number). Dedication: "Seinem Freund und Lehrer Herrn Professor Percy Goetschius gewidmet".
|
Piano |
2 |
1886 |
Ein Spinnerliedchen |
piano |
Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 564.
|
Vocal |
3 |
1886 |
Vier Lieder - Leise zieht durch mein Gemüth
- Die blauen Frühlingsaugen
- Mädchen mit dem rothen Mündchen
- Zum Schluss: „Sag, wo ist dein schönes Liebchen“
|
voice and piano |
Words by Heinrich Heine. Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 562. Dedication: "Fräulein Lucy Roper gewidmet".
|
Piano |
4 |
1890 |
Two Studies: Staccato and Legato |
piano |
Published London: Augener & Co., revised edition, 1902. No. 2 also published New York: G. Schirmer (1890), plate no. 7241; also in The Monthly Musical Record vol. 22 no. 253 (January 1892), pp. 11–14.
|
Vocal |
5 |
1887 |
The Blackbird Has a Golden Bill |
mezzo-soprano and piano |
Words by the composer; designated as "Op. 5 No. 1", but no other numbers are extant. Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 587. Dedication: "To Miss I. C. Ross".
|
Piano |
6 |
1886, 1887 |
Carneval-Studien |
piano |
Vol. 1 published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 591 (1886); vol. 2 ibid., plate no. G.A.Z. 617 (1887). Dedication: "Seinem Freunde Herrn Ernest Longley gewidmet".
|
Piano |
7 |
1887 |
Im Gebirg (In the Mountains), 4 Klavierstücke - Mittagsstille (Noon)
- Zwiegespräch (Canon)
- Abendnähe (Twilight)
- Träumerei (Dreaming)
|
piano |
Published London: Augener & Co., plate no. 7671. Dedication: "An Herrn Theodor Kirchner".
|
Piano |
8 |
1887 |
Albumblätter (Album Leaves) |
piano |
Published London: Augener & Co., plate no. 7672. Dedication: "To Frau Clara Schumann".
|
Piano |
9 |
1888 |
Étude-Fantaisie |
piano |
Published London: Augener & Co., plate no. 7902.
|
Chamber |
10 |
1888 |
Lieder an den Mond, Romantische Stücke - Um Mitternacht
- In der Frühe
- Am Abend
|
violin, cello and piano |
Published London: Augener & Co., plate no. 7942.
|
Piano |
11 |
1889 |
Miniatures, Cinq petites pièces |
piano |
Published Paris: Durand & Schoenewerk, plate no. D.S. 4043. Dedications: 1. "à Lucie"; 2. "à Lambert Zegers Veeckens"; 3. "à Miss Katie Lewis"; 4. à Gretchen Goetschius"; 5. "à William T. Scott Barber".
|
Piano |
12 |
1902 |
Variations sur un thème original dans le style irlandais (Variations on an Original Theme in the Irish Style) |
piano |
Published London: Augener & Co., plate no. 1287; revised edition, ibid. (1903), plate no. 1287α. Dedication: "To Miss Carrie Townshend".
|
Chamber |
13 |
1901 |
Berceuse |
violin and piano |
Published Paris: Enoch & Cie., plate no. E. & C. 4658. Dedication: "à Madame Béatrice Langley".
|
Chamber |
14 |
1904 |
Sonate en fa (style irlandais) |
violin and piano |
Published London: Schott & Co., plate no. 27497; second edition: Mainz: B. Schott's Söhne, n. d. [1905], same plate no. Dedication: "à son ami A. Simonetti".
|
Piano |
15 |
1906 |
Deux Études pour la main gauche seul |
piano |
Published Paris: J. Hamelle, plate no. J. 5405 H.
|
Piano |
16 |
1906 |
Praeludium & Fuga |
piano |
Published Paris: J. Hamelle, plate no. J. 5340 H.
|
Piano |
17 |
1906 |
Mazurka et Polonaise |
piano |
Published London: Augener & Co., plate no. 1360α. Dedication: "à Mlle. Claire Przybyszewska".
|
Piano |
18 |
1907 |
Petit album - En route (On the Road)
- L'Auberge (The Inn)
- Enfants qui passent (Passing Children)
- Aux temps passés (From Old Times)
- Danseuse sur la scène (Ballet Girl on the Stage)
- Sonatine
- Scherzetto
|
piano |
Published London: Schott & Co., plate no. 27919.
|
Piano |
19 |
1905 |
Aus dem Kinderleben, 6 kleine Tonbilder (Scenes from Child Life) - Puppenwiegenlied (The Doll's Cradle Song)
- Puppentanz (The Doll's Dance)
- Im Wald (In the Wood)
- Erster Walzer (The First Waltz)
- Schläfriges Kind (The Sleepy Child)
- Auf Wiedersehen (Goodbye)
|
piano |
Published Leipzig: Breitkopf & Härtel, plate no. 24931.
|
Chamber |
20 |
(c. 1905) |
Tarantelle |
violin and piano |
Unpublished.
|
Piano |
21 |
1907 |
Au bord de la forêt |
piano |
Published Paris: E. Demets, plate no. E. 1267 D. Dedication: "à Mademoiselle Claire Przybyszewska".
|
Piano |
22 |
1907 |
Au village, Petite suite charactéristique - Noce campagnarde
- Fillettes
- Basse-cour
- Sur l'herbe
- Au bord du Ruisseau
|
piano |
Published (without opus number) Paris: E. Demets, plate nos E. 1293 D. to E. 1297 D. Dedication: "à Max Reger".
|
Vocal |
23 |
1906 |
Lydia |
high voice and string quartet (w/ version for piano) |
Words by Leconte de Lisle. String quartet original unpublished. Piano version published Paris: J. Hamelle, plate no. J. 5489 H.; second edition as no. 1 of Quatre Mélodies (1908), same plate no., see below; third edition Paris: E. Demets (1913), plate no. E. 1244 D. Dedication: "à mon ami Hugo Rasch".
|
Piano |
24 |
1908 |
Eaux fortes - Sérénade espagnole
- Bergérie
- Petite mazurka
|
piano |
Published Paris: E. Demets, plate no. E. 1387 D.
|
Piano |
25 |
1907 |
Étude |
piano |
Published Paris: E. Demets, plate no. E. 1271 D. Dedication: "A Monsieur E. Demets".
|
Vocal |
26 |
1907 |
Épiphanie |
high voice and piano or organ |
Words by José-Maria de Heredia. Published Paris: J. Hamelle, plate no. J. 5501 H.; second edition as no. 2 of Quatre Mélodies (1908), same plate no., see below; third edition Paris: E. Demets (1913), plate no. E. 1245 D. Dedication: "à Mademoiselle Marie Stark".
|
Vocal |
|
1907 |
Annie, Chanson écossaise |
high voice and piano |
Words by Leconte de Lisle. Published Paris: J. Hamelle, plate no. J. 5505 H.; second edition Paris: E. Demets, plate no. E. 1286 D. (1907); also as music supplement to La Revue musicale no. 52 (1911); later listed as no. 1 of Trois Chansons écossaises, Op. 31 (no collective print). Dedication: "à son ami Hugo Rasch" (Demets edition only).
|
Piano |
27 |
1908 |
Nouvelles feuilles d'album - Madrigal
- Canon
- Style irlandais
- Petites scènes parisiennes: A. Montrouge le matin, B. Sortie de midinettes
|
piano |
Published Paris: E. Demets, plate no. E. 1346 D. Dedication: "À mon ami Auguste Delacroix".
|
Piano |
28 |
1908 |
Variations sur un air irlandais ancien |
piano |
Published Mainz: B. Schott's Söhne, plate no. 28388.
|
Piano |
29 |
1909 |
Petite suite irlandaise d'après des airs anciens de la collection Petrie (Bláithfhleasg bheag d'fhonnaibh Arsa Gaedhealacha as leabhar Petrie) - Ancient Clan March
- Cork Reel
- Sagairt tar teorach
- Cork Reel
|
piano 4-hands |
Published (without opus number) Paris: E. Demets, plate no. E. 1409 D.; material taken from the Petrie Collection of Irish Music, compiled by George Petrie and edited by Charles V. Stanford
|
Vocal |
30 |
1907 |
Deux Mélodies |
voice and piano |
1. Words by Joséphin Soulary 2. words by Charles Baudelaire Published (without opus number) Paris: E. Demets, plate nos E. 1246 D. and E. 1247 D.; second editions as nos 3 and 4 of Quatre Mélodies (1908), see below. Dedications: 1. "à mon Ami Gino Sartoni", 2. [no dedication].
|
Vocal |
23, 26, 30 |
1908 |
Quatre Mélodies - Lydia
- Épiphanie
- Là-bas!
- Le Revenant
|
voice and piano |
1. words by Leconte de Lisle 2. words by José-Maria de Heredia 3. words by Joséphin Soulary 4. words by Charles Baudelaire Published Paris: J. Hamelle, plate nos J. 5489 H.; J. 5501 H.; J. 5506 H.; J. 5656 H.
|
Vocal |
31 |
1907 |
Trois Chansons écossaises - Annie
- La Fille aux cheveux de lin
- Nell
|
high voice and piano |
Words by Leconte de Lisle. No collective print; no. 1 (Annie), see above; no. 2 published Paris: E. Demets (1920), plate no. E. 2006 D.; no. 3 published Paris: E. Demets (1922), plate no. E. 2037 D. Dedications: 1. "à son ami Hugo Rasch"; 2. "à Madame Delorme Jules Simon"; 3. "à Charles Hubbard".
|
Piano |
32 |
1909 |
Valses - [no descriptive title]
- Espagne
- Suisse
- [no descriptive title]
|
piano |
Published Paris: E. Demets, plate no. E. 1448 D. Dedication: "à Mlle. Claire Przybyszewska".
|
Piano |
33 |
1911 |
Croquis de femmes - Au couvent
- Bavardes
- La Vieille tante
- Mondaine
- Jeunes anglaises
- Charmeuse de serpents
- Dans les jardins du sérail
|
piano |
Published Paris: F. Durdilly, Ch. Hayet, successeur, plate no. C. 6254 H. Dedication: "à Monsieur Jules Combarieu, Hommage sympathique et reconnaissant".
|
Piano |
34 |
1911 |
Petite suite sur les notes Mi Do Mi Fa Si Mi |
piano |
Published Mainz: B. Schott's Söhne, plate no. 29378. Dedication: "à mon cher ami E. Demets".
|
Piano |
35 |
1910 |
Kinder-Album, 24 kleine Präludien in verschiedenen Ton- und Taktarten |
piano |
Published Mainz: B. Schott's Söhne, plate no. 28824. Dedication: "Meinem lieben Vater gewidmet".
|
Piano |
36 |
1911 |
Fêtes, 2 Morceaux descriptifs - Fête de village au XVIIIme siècle
- Fête populaire dans la banlieue de Paris au XXme siècle
|
piano |
Published Mainz: B. Schott's Söhne, plate no. 29379. Dedication: "à Madame Betty Heffner, Hommage sympathique".
|
Piano |
37 |
1913 |
Les Noces du soldat de bois, Ballet en un acte |
piano |
Unpublished.
|
Piano |
38 |
1910 |
Introduction, XII variations et fugue |
piano |
collaborative publication with works on the same theme by Hugo Rasch, Georges Loth, Auguste Delacroix, and Herbert Fryer, Paris: E. Demets, plate no. E. 1487 D. Dedication: "à mon ami Hugo Rasch".
|
Piano |
39 |
1912 |
Incunabula - Berceuse
- Bébé dort
- Croquemitaine
|
piano |
Published Paris: E. Demets, plate no. E. 1614 D. Dedication: "à Tupac".
|
Piano |
40 |
1912 |
En passant ... Études d'après nature - Petit pâtre sur les hauts pâturages
- Champs de blé au clair de lune
- Dans une petite ville flamande le dimanche
- Cîmes neigeuses
- Sieste en chemin de fer
|
piano |
Published Paris: E. Demets, plate no. E. 1615 D.
|
Piano |
41 |
1912 |
Valses caprices - Valse rustique
- Valse canaille
- Valse distraite
- Valse boîteuse
- Valse érotique
- À la Reger
- Encore une valse
|
piano |
Published Paris: E. Demets, plate no. E. 1664 D.
|
Piano |
42 |
1912 |
Gitaneries - Carmen
- Mercédès
- Jacinta
- Manuelita
|
piano |
Published Paris: E. Demets, plate no. E. 1678 D. Dedication: "à la mémoire de Bizet".
|
Vocal |
42bis |
1921 |
Trois Chansons espagnoles
- 1. Fluthenreicher Ebro (Sur les rives fleuries)
- 2. Auf den Wällen Salamankas (Sur les murs de Salamanque)
- 3. Neben mir wohnt Don Henriquez (Mon voisin est Don Henriquez)
|
voice and string quartet (w/ version for piano) |
French words by the composer after Emanuel von Geibel and Heinrich Heine 2.~3. words by Heinrich Heine. Published Paris: E. Demets, plate no. E. 2083 D. Dedication: "à Mademoiselle Radiana Pazmor"
|
Piano |
43 |
1912 |
Sonatine |
piano |
Published Paris: E. Demets, plate no. E. 1674 D. Dedication: "à mon ami Heinrich Möller".
|
Piano |
44 |
1912 |
Sentes et chemins, Nouvelles études d'après nature - Ouvriers allant à l'usine
- Promenade du philosophe
- À travers bois
- Cornemuse en tête
- Sur la route d'Amalfi
- Sentier de Meudon au printemps
- Par la pluie
|
piano |
Published Paris: E. Demets, plate no. E. 1726 D. Dedication: "À mon Père".
|
Piano |
45 |
1912 |
Pièces celtiques |
piano |
Published Paris: E. Demets, plate no. E. 1727 D.
|
Chamber |
46 |
1913 |
Suite [String Quartet No. 1] |
2 violins, viola and cello |
Published Paris: E. Demets, plate no. E. 1784 D. Dedication: "à Monsieur le Professeur Carl Heffner".
|
Piano |
46bis |
1912 |
Adagio et allegretto du quatuor à cordes |
piano |
Transcription by the composer from the Suite, Op. 46 Published Paris: E. Demets, plate no. E. 1732 D.
|
Piano |
47 |
1913 |
Croquis parisiens - Promenade matinale au jardin du Luxembourg
- L'Américain qui a bien diné
- Dans un atelier de couturières
|
piano |
Published Paris: E. Demets, plate no. E. 1747 D. Dedication: "à Louis Vuillemin".
|
Piano |
48 |
1913 |
Impressions humoristiques - Dédicace: Aux amis de Russie
- Tupac–Polka
- Das Fräulein stand am Meere und seufzte lang und bang
- Napolitains
- En regardant une ronde de jeunes filles
- Chanteuse de Beuglant
- Bébé prend sa médecine
|
piano |
Published Paris: E. Demets, plate no. E. 1794 D.
|
Chamber |
49 |
1920 |
Deuxième quatuor [String Quartet No. 2] |
2 violins, viola and cello |
Published Paris: E. Demets, plate no. E. 1994 D. Dedication: "à la Mémoire de Terence McSwiney, Lord Mayor de Cork".
|
Chamber |
50 |
1915 |
Rhapsodie celtique |
violin and piano |
Published Paris: E. Demets, plate no. E. 1825 D.
|
Piano |
51 |
1924 |
Eight Celtic Pieces / Huit Pièces celtiques |
piano |
Published (with English title) London: Evans & Co., plate no. S. & Co. 31; second edition (with French title) as part of the Album celtique Paris: Max Eschig & Cie. (1929), plate no. M.E. 2320. Dedication: "To Denis Breen".
|
Chamber |
52 |
1921 |
Petit trio celtique |
violin, viola and cello |
Published Paris: E. Demets, plate no. E. 2002 D. Dedication: "à mon ami Paul Le Flem".
|
Piano |
53 |
1924 |
Sonatine celtique |
piano |
Published London: Evans & Co., plate no. S. & Co. 41; second edition as part of the Album celtique Paris: Max Eschig & Cie. (1929), plate no. M.E. 2321. Dedication: "à Lucien Haudebert".
|
Chamber |
54 |
1921 |
Trio |
2 clarinets and bassoon |
Paris: E. Demets, plate no. E. 2001 D. Dedication: "à mon ami Paul Ladmirault".
|
Piano |
55 |
1924 |
Épigrammes d'un solitaire - La Forêt de Clamart à l'aube
- Un Jardin arabe
- Une Pagode indochinoise
- Un Berceau
- Un Vieux cimetière
- Un Souvenir lointain
|
piano |
Published London: Evans & Co., plate no. S. & Co. 40; second edition Paris: Max Eschig & Cie. (1929), plate no. M.E. 2322. Dedication: "à Michael Kavanagh".
|
Vocal |
56 |
1925, 1932 |
Trois Mélodies - Le Mort joyeux
- Les Grands jasmins épanouis
- Il était une fois
|
low voice and piano |
1. Words by Charles Baudelaire 2. words by Albert Samain 3. words by Jean Ajalbert Publication(s): 1. Paris: Éditions Max Eschig (1932), plate no. M.E. 3692; 2. Paris: Max Eschig & Cie. (1925), plate no. M.E. 1564; 3. Paris: Éditions Max Eschig (1932), plate no. M.E. 3693. Dedications: 1. "à Jean Suscinio"; 2. "à Charles Hubbard"; 3. "à Marcelle Gerar".
|
Piano |
57 |
1924 |
Trois Pièces exotiques - Fillettes brunes
- Le Goût de la cannelle
- Nègre endimanché
|
piano |
Published Paris: E. Demets, plate no. E. 2070 D.
|
Chamber |
58 |
1924 |
Variations sur un thème de six notes (H.B., E.B., C.H.) |
flute, violin, viola and cello |
Published Paris: Max Eschig & Cie., plate no. M.E. 1315.
|
Chamber |
59 |
1925 |
Quatre Pièces celtiques |
English horn, violin, viola and cello |
Published Paris: Max Eschig & Cie., plate no. M.E. 1430. Dedication: "à M. Paul Brun".
|
Piano |
60 |
1924 |
Étude de concert |
piano |
Published Paris: Max Eschig & Cie., plate no. M.E. 1262. Dedication: "à Mademoiselle Rachel Blanquer".
|
Chamber |
61 |
1926 |
Troisième quatuor [String Quartet No. 3] |
2 violins, viola and cello |
Published Paris: Max Eschig & Cie., plate no. M.E. 1719. Dedications for the four movements: 1. "à Emile Loiseau"; 2. "à Adrien Fourment"; 3. "à Robert Chantôme"; 4. "à Robert Ladoux".
|
Chamber |
62 |
1924 |
Sonatine celtique |
viola (or violin) and piano |
"Sonate celtique" on title page, "Sonatine celtique" (= correct) on first page. Published Paris: Max Eschig & Cie., plate no. M.E. 1425. Dedication: "à Robert Chantôme".
|
Chamber |
63 |
1925 |
Rapsodie gaélique |
cello and piano |
Published Paris: Max Eschig & Cie., plate no. M.E. 1447. Dedication: "à Francis Touche".
|
Piano |
64 |
1926 |
Douze Canons à deux voix à tous les intervalles |
piano |
Published Paris: Max Eschig & Cie., plate no. M.E. 1563. Dedication: "à ma femme".
|
Chamber |
65 |
1925 |
Sérénade |
2 violins, viola and cello |
Published Paris: Max Eschig & Cie., plate no. M.E. 1525. Dedication: "à Emile Loiseau".
|
Vocal |
66 |
1925 |
Trois Mélodies sur des poésies d'André Delacour et de Leconte de Lisle - Si la distance qui nous sépare
- Paysage
- Chanson écossaise
|
voice and piano |
1. & 2. words by André Delacour 3. words by Leconte de Lisle Published Paris: Max Eschig & Cie., plate no. M.E. 1631. Dedication: "à Mademoiselle Marthe Saisset".
|
Piano |
67 |
(1924) |
Rapsodie irlandaise |
piano |
Published Paris: Max Eschig & Cie., plate no. M.E. 2264 (as part of the Album celtique, 1929). Dedication: "à mon fils Patrice".
|
Chamber |
68 |
1926 |
Deux Morceaux |
alto saxophone and piano |
Published Paris: Max Eschig & Cie., plate no. M.E. 1637. Dedication: "à M. René Laurent".
|
Piano |
69 |
1926–1929 |
Clamart | Aubervilliers | Meudon | Robinson | Verrières | Bourg-la-Reine |
piano |
Initially self-published as 3 pieces (1926); extended edition published Paris: Éditons Max Eschig (1929), plate no. M.E. 2410. Dedication: "à Maurice Servais".
|
Chamber |
70 |
1927 |
Trio |
violin, flute and bassoon |
Published Paris: Max Eschig & Cie., plate no. M.E. 1985 (wrongly dated to 1926). Dedication: "A mes amis Emile Loiseau, Gaston Blanquart et Gustave Dhérin".
|
Chamber |
71 |
1929 |
Quatre Morceaux - Fox Trot
- Tango
- Chanson de l'émigrant
- Lever du soleil dans les Hébrides
|
alto saxophone or viola and piano |
Published Paris: Éditions Max Eschig, plate no. M.E. 1941. Dedications: 1. "à Paul-Louis Neuberth"; 2. "à Carol-Berard"; 3. "à Madame Neuberth"; 4. "à Paul-Louis Neuberth".
|
Vocal |
72 |
1927 |
Trois Chansons celtiques
- 1. La Chanson du rouet
- 2. Berceuse d'Armorique
- 3. Le Départ des pêcheurs
|
medium voice and piano |
1. Words by Leconte de Lisle 2. words by Anatole Le Braz words by Pierre Scize Published Paris: Éditions Max Eschig, plate no. M.E. 2115. Dedications: 1. "à Henri Collet"; 2. "à Eugène Cools"; 3. "à Pierre Scize".
|
Piano |
|
1927–1928 |
À la manière de ..., 30 Pastiches
- Book I
|
piano |
Books 1–4 (1927) Book 5 (1928) Published Paris: Éditions Max Eschig, plate no. M.E. 1781, M.E. 1782; M.E. 1783, M.E. 1986, M.E. 2251. Dedications: Books I–III "à Marthe Le Breton", Books IV–V "à Richard Byk".
|
Vocal |
73 |
1928 |
Deux Mélodies - Le Chasseur noir
- La Chanson du vent de mer
|
medium voice and piano |
1. Words by Paul Gérardy 2. words by Anatole Le Braz Published Paris: Éditions Max Eschig, plate no. M.E. 2249 & M.E. 2250.
|
Chamber |
74 |
1928 |
Pièce celtique |
cello (or bassoon) and piano |
Published Paris: Éditions Max Eschig, plate no. M.E. 2252. Dedication: "à Madame Fernande Kufferath".
|
Chamber |
75 |
1930 |
Quatrième quatuor [String Quartet No. 4] |
2 violins, viola and cello |
Published Paris: Éditions Max Eschig, plate no. M.E. 2463 (score) & M.E. 2464 (parts).
|
Vocal |
76 |
1928 |
Trois Petits trios pour voix de femmes - Il était une fois
- Panis angelicus
- Vers traduits de Goethe
|
soprano, mezzo-soprano and alto (solos) |
1. Words by Jean Ajalbert 2. words by St Thomas Aquinas 3. words by Johann Wolfgang von Goethe, translated by Louis de Ronchaud Unpublished.
|
Chamber |
77 |
1928 |
Deux Pièces celtiques - Danse écossaise
- Pièce celtique
|
viola and piano |
Unpublished.
|
Chamber |
78 |
1929 |
Sonatine |
two violins (or two groups of violins) |
Unpublished.
|
Vocal |
79 |
1932 |
Deux Mélodies |
soprano and piano |
1. Words by Paul Verlaine 2. words by Prosper Blanchemain Published Paris: Éditions Max Eschig, plate no. M.E. 3694. Dedication: "A Mlle. Marguerite Breitner".
|
Chamber |
80 |
1929 |
Deuxième sonatine |
violin or viola and piano |
Published Paris: Proprieté de l'auteur. Dedication: "A Suzanne Chevaillier".
|
Chamber |
81 |
1929 |
Sonatine - Moderato assai
- Allegretto à la manière de Johannes Brahms
- Allegro à la manière de Félix Mendelssohn Bartholdy
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cello and piano |
Published Paris: Proprieté de l'auteur. Dedication: "À Madeleine Monnier".
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