Genre |
Date |
French title (original title) |
English title |
Scoring |
Notes
|
Opera |
1891–1893 |
L'île du rêve |
|
|
Idylle polynésienne in 3 acts; libretto by André Alexandre (1860–1928) and Georges Hartmann after Pierre Loti
|
Opera |
1902 |
La Carmélite |
|
for soloists, chorus and orchestra |
Comédie musicale in 4 acts; libretto by Catulle Mendès
|
Opera |
1908 |
La pastorale de Noël, Mistère |
|
for soloists, chorus and orchestra |
Christmas Mystery (Oratorio) in 3 acts; libretto by Léonel de La Tourasse and Charles Gailly de Taurines (1857–1941)
|
Opera |
1914 |
Miousic |
|
|
Opérette in 3 acts; co-composed with Charles Lecocq and André Messager; libretto by Paul Ferrier
|
Opera |
1919 |
Nausicaa |
Nausicaa |
for soloists, chorus and orchestra |
Opéra comique in 3 acts; libretto by René Fauchois
|
Opera |
1919 |
Fête triomphale |
|
|
Opéra in 3 acts; libretto by St. Georges de Bouhélier
|
Opera |
1921 |
La colombe de Bouddha |
|
for soloists, chorus and orchestra |
Conte lyrique japonais in 1 act; libretto by André Alexandre (1860–1928)
|
Opera |
1923 |
Ciboulette |
Ciboulette |
for soloists, chorus and orchestra |
Opérette in 3 acts; libretto by Robert de Flets and Francis de Croisset 1933 film version Ciboulette directed by Claude Autant-Lara
|
Opera |
1925 |
Mozart |
Mozart |
for soloists and orchestra |
Comédie musicale in 3 acts; libretto by Sacha Guitry
|
Opera |
1926 |
Une revue |
|
for soloists, chorus and orchestra |
Comédie musicale in 1 act; libretto by Maurice Donnay and Henri Duvernois
|
Opera |
1926 |
Le temps d'aimer |
|
for soloists, chorus and orchestra |
Comédie musicale in 3 acts; libretto by Pierre Wolff (1865–1944), Henri Duvernois and Hugues Delorme
|
Opera |
1930–1931 |
Brummel |
Brummel |
for soloists, chorus and orchestra |
Opérette in 3 acts, 5 scenes; libretto by Rip (Georges Gabriel Thenon) and Robert Dieudonné
|
Opera |
1932–1933 |
Ô mon bel inconnu |
|
for soloists and orchestra |
Comédie musicale in 3 acts; libretto by Sacha Guitry
|
Opera |
1935 |
Le marchand de Venise |
The Merchant of Venice |
for soloists, chorus and orchestra |
Opéra in 3 acts; libretto by Miguel Zamacoïs after the play by William Shakespeare
|
Opera |
1935 |
Malvina |
Malvina |
|
Opérette in 3 acts; libretto by Maurice Donnay and Henri Duvernois
|
Opera |
1936 |
Beaucoup de bruit pour rien |
Much Ado About Nothing |
|
Comédie musicale in 4 acts; libretto by Jean Sarment after the play by William Shakespeare
|
Opera |
1942 |
Le oui des jeunes filles |
|
|
Comédie lyrique in 3 acts; libretto by René Fauchois after Leandro Fernández de Moratín; orchestrated by Büsser
|
Ballet |
1892 |
Fin d'amour |
|
|
Ballet-pantomime; libretto by Eugène Berrier
|
Ballet |
1909 |
La fête chez Thérèse |
|
|
Ballet-pantomime in 2 acts; libretto by Catulle Mendès
|
Ballet |
1909 |
Les fêtes de l'hymen et de l'amour |
|
|
Ballet
|
Ballet |
1910 |
Le bois sacré |
|
|
Ballet-pantomime in 1 act, 2 scenes; libretto by Edmond Rostand
|
Ballet |
1912 |
Le dieu bleu |
|
|
Ballet in 1 act; libretto by Jean Cocteau and Frédéric de Madrazo
|
Ballet |
1925 |
Degas, Suite de danses |
|
|
Ballet for Carina Ari
|
Ballet |
1932 |
Valses |
|
|
Ballet for Carina Ari; orchestration of piano music by Johannes Brahms
|
Ballet |
1937 |
Aux bosquets d'Italie |
|
|
Ballet in 2 scenes; libretto by Abel Hermant
|
Incidental music |
1890 |
L'obstacle
- Aubade espagnole
|
|
|
Pièce in 4 acts by Alphonse Daudet
|
Incidental music |
1895 |
Nocturne |
|
|
for the play by Maria Star (Ernesta de Hierschel Stern)
|
Incidental music |
1897 |
Songe d'une matinée de printemps |
|
|
|
Incidental music |
1898 |
Esther |
|
for soloists, chorus and orchestra |
Tragédie in a prologue and 3 acts by Jean Racine
|
Incidental music |
1899 |
Dalila, Drame en 3 actes |
|
|
for the play by Octave Feuillet
|
Incidental music |
1902 |
Les deux courtisanes |
|
|
for the play by Francis de Croisset
|
Incidental music |
1902 |
Werther
- Noël (in E major)
|
|
for mezzo-soprano and children's chorus |
for the play by Pierre Decourcelle after The Sorrows of Young Werther by Johann Wolfgang von Goethe
|
Incidental music |
1904 |
Chiffon |
|
|
for the play by René Peter and Robert Danceny
|
Incidental music |
1905 |
Angelo, tyran de Padoue, Drame en 3 journées |
|
|
for the play by Victor Hugo
|
Incidental music |
1905 |
Scarron |
|
|
for the play by Catulle Mendès
|
Incidental music |
1906 |
La vierge d'Avila |
|
|
for the play by Catulle Mendès
|
Incidental music |
1909 |
L'impératrice |
|
|
for the play by Catulle Mendès
|
Incidental music |
1909 |
Judas |
|
|
for the play by John de Kay
|
Incidental music |
1911 |
Lucrèce Borgia |
|
|
for the play by Victor Hugo
|
Incidental music |
1911 |
Méduse
- Au bord de la fontaine
- Danse, petite sirène
- Au pays des sables d'or
- Invocation
- Nous nous couvrirons de poussière
- Que les dieux protègent notre ville
- Nous ne te verrons plus et terre divine
|
Méduse |
for soloists, speaker, chorus and orchestra |
for the play by Maurice Magre (1877–1941)
|
Incidental music |
1914 |
Gala Sarah Bernhardt
- Prélude
- Rêverie
- Pavane florentine
- La reine au jardin
- L'oasis
- Défilé joyeux.
|
|
|
for the Gala des Annales
|
Incidental music |
1919 |
L'homme à la rose |
|
|
for the play by Henry Bataille
|
Incidental music |
1919–1920 |
Andrea del Sarto |
|
|
for the play by Alfred de Musset
|
Incidental music |
1923 |
Manon, fille galante - Les amants
- L'inconstante
- La dolente
- L'enjoleuse
- La frivole
- Le souvenir
|
|
for orchestra |
for the play by Henry Bataille and Albert Flament after the novel Manon Lescaut by Abbé Prévost
|
Incidental music |
1924 |
La reine de Sheba, Scène lyrique |
|
for soloists and 2 pianos |
for the play by Edmond Fleg
|
Incidental music |
1925 |
Seigneur Polichinelle |
|
|
for the play by Miguel Zamacoïs
|
Incidental music |
1937 |
L'homme avec dix femmes |
|
|
for the play by Miguel Zamacoïs
|
Incidental music |
1937 |
Laure et Pétrarque |
|
|
for the play by Émile Ripert
|
Incidental music |
1939 |
Entre nous |
|
|
|
Incidental music |
|
L'An mil |
|
|
|
Incidental music |
|
Athalie, Tragédie en 5 actes |
|
|
for the play by Jean Racine
|
Film score |
1934 |
La dame aux Camélias |
The Lady of the Camellias |
|
directed by Fernand Rivers and Abel Gance
|
Film score |
1934 |
Sapho |
Sapho |
|
directed by Léonce Perret
|
Orchestral |
1891 |
Illustration pour le jardin de Bérénice |
|
for chamber orchestra |
|
Orchestral |
1893 |
Nuit d'amour bergamasque, Poème symphonique |
|
for chamber orchestra |
also for 2 pianos
|
Orchestral |
1898 |
Marine |
|
for chamber orchestra |
|
Orchestral |
1905 |
Le Bal de Béatrice d'Este, Suite - Entrée pour Ludovic le More
- Lesquercade
- Romanesque
- Ibérienne
- Léda et l'Oiseau: Intermède léonardesque
- Courante
- Salut final au duc de Milan
|
|
for wind instruments, 2 harps and piano |
3. also for flute, viola and piano (1910)
|
Orchestral |
1905 |
Marche nuptiale |
Wedding March |
for chamber orchestra |
|
Orchestral |
1914 |
En sourdine |
|
for chamber orchestra |
transcription
|
Orchestral |
1931 |
Divertissement pour une fête de nuit - La Nuit: Le Parc
- Trois tableaux mimés
- Canzone (Sur le Lac)
- Lumières: Valses dans les jardins
|
|
for saxophone, piano, string quartet and orchestra |
|
Orchestral |
1945 |
Concerto provençal - Sous les platanes
- Sous les pins
- Sous les oliviers
|
|
for chamber orchestra |
also for flute, clarinet, bassoon, horn and string orchestra
|
Concertante |
1901 |
Deux Cadences pour le Concerto pour deux pianos KV 365 de Mozart |
2 Cadenzas for Concerto No. 10 for 2 Pianos in E♭ major, K. 365 by Wolfgang Amadeus Mozart |
for 2 pianos |
|
Concertante |
1902 |
Cadence pour le Concerto KV 491 de Mozart |
Cadenza for Concerto No. 24 in C minor, K. 491 by Wolfgang Amadeus Mozart |
for piano |
|
Concertante |
1903 |
Prélude, valse et rigaudon |
Prélude, valse et rigaudon |
for harp and string orchestra (or piano) |
on front cover: "Morceau de Councours pour le conservatoire royal de musique de Bruxelles Année, 1903"
|
Concertante |
c.1905 |
Concerto en la mineur |
Concerto in A minor |
for cello and orchestra |
incomplete (movement I only); published 1905 as "Concerto inachevé" by Éditions Salabert revised with cadenzas by Fernand Pollain orchestrated by Marius-François Gaillard
|
Concertante |
1926–1927 |
Concerto en ré majeur |
Concerto in D major |
for violin and orchestra |
premiered in 1928 by Gabriel Bouillon
|
Concertante |
1930 |
Concerto en mi majeur |
Concerto in E major |
for piano and orchestra |
premiered in 1931 by Magda Tagliaferro
|
Concertante |
1939 |
Trois Cadences pour le Concerto pour flûte et harpe KV 299 de Mozart |
3 Cadenzas for Concerto for Flute and Harp in C major, K. 299 by Wolfgang Amadeus Mozart |
for flute and harp |
|
Concertante |
1942 |
Concerto pour 5 instruments et orchestre |
|
|
|
Concertante |
1945 |
Concerto provençal - Sous les platanes
- Sous les pins
- Sous les oliviers
|
|
for flute, clarinet, bassoon, horn and string orchestra |
also for chamber orchestra
|
Concertante |
1948 |
Suite hongroise - Parade
- Trois images de la Reine de Hongrie
- Chants et danses
|
|
for violin, string orchestra, piano and percussion |
|
Chamber music |
1891 |
Le carnaval des vieilles poules |
Le carnaval des vieilles poules |
for 2 violins, viola, cello and piano |
|
Chamber music |
1891–1892 |
Sérénade |
Sérénade |
for 2 violins, viola and cello |
|
Chamber music |
1896 |
Trio en fa mineur pour piano, violon et violoncelle |
Piano Trio in F minor |
for violin, cello and piano |
|
Chamber music |
1901 |
Romance en la majeur |
Romance in A major |
for violin and piano |
|
Chamber music |
1903 |
Sarabande et thème varié en si bémol majeur |
Sarabande and Theme with Variations in B♭ minor |
for clarinet and piano |
also for viola and orchestra written for the 1903 Concours du Conservatoire
|
Chamber music |
1905 |
Pavane d'Angelo |
Pavane d'Angelo |
for flute (piccolo), clarinet, guitar, harp (or piano), 2 violins, viola and cello |
from the incidental music Angelo, tyran de Padoue
|
Chamber music |
1905 |
Variations chantantes sur un air ancien |
Variations chantantes sur un air ancien |
for cello and piano for double bass and piano |
theme taken from Serse by George Frideric Handel transcribed 1939 for double bass and piano by the composer
|
Chamber music |
1905 |
Variations sur un thème de Mozart en mi bémol majeur |
Variations on a Theme of Mozart in E♭ major |
for flute and piano |
|
Chamber music |
1905, 1910 |
Romanesque en ut majeur |
Romanesque in C major |
for flute, viola and piano |
original version from Le bal de Béatrice d'Este; transcribed 1910
|
Chamber music |
1906 |
Nocturne en mi bémol majeur |
Nocturne in E♭ major |
for violin and piano |
|
Chamber music |
1911 |
2 Improvisations sur des airs irlandais - The Little Red-Lark (Le petit bouvreuil)
- The Willow-Tree (Le saule)
|
2 Improvisations on Irish Airs - The Little Red-Lark
- The Willow-Tree
|
for cello and piano |
|
Chamber music |
1913 |
2 Pièces - Danse pour une déesse
- L'enchanteur
|
2 Pièces - Dance for a Goddess
- The Enchanter
|
for flute and piano |
|
Chamber music |
1921 |
Quintette en fa dièse mineur pour piano et cordes |
Piano Quintet in F♯ minor |
for 2 violins, viola, cello and piano |
|
Chamber music |
1926 |
Sonate en ut majeur pour violon et piano |
Sonata in C major |
for violin and piano |
|
Chamber music |
1931 |
Divertissement pour une fête de nuit |
|
for 2 violins, viola and cello |
|
Chamber music |
1936 |
Églogue pour trio d'anches |
Églogue |
for oboe, clarinet and bassoon |
|
Chamber music |
1937 |
Soliloque et forlane |
Soliloque et forlane |
for viola and piano |
also orchestrated written for the Concours d'alto du Conservatoire de 1937
|
Chamber music |
1939 |
Romance |
Romance |
for flute, violin, viola and cello |
|
Chamber music |
1939 |
Quatuor en la mineur |
String Quartet No. 1 in A minor |
for 2 violins, viola and cello |
|
Chamber music |
1939–1943 |
Quatuor en fa majeur |
String Quartet No. 2 in F major |
for 2 violins, viola and cello |
composed during World War II; published 1946
|
Chamber music |
1942 |
Sérénade |
Sérénade |
for flute, oboe, clarinet and bassoon |
|
Chamber music |
1946 |
Quatour en sol majeur |
Piano Quartet in G major |
for violin, viola, cello and piano |
|
Chamber music |
|
Lamento et tarantelle |
Lamento et tarantelle |
for clarinet and piano |
|
Miscellaneous |
1936 |
Carillon pour pendule murale |
Chime for a Wall Clock |
for chimes |
composed chimes for a wall clock produced by Armes et Cycles de Saint-Étienne
|
Organ |
|
2 Préludes |
|
for organ |
|
Piano |
1883 |
L'inspiration, Valse |
Inspiration, Waltz |
for piano |
|
Piano |
1889 |
Suite concertante |
|
for piano |
|
Piano |
1889 |
Une abeille |
A Bee |
for piano |
|
Piano |
1890–1891 |
Les impressions - Devant un tableau de Doucet
- Tristesse
- Regrets...
|
|
for piano |
|
Piano |
1890–1893 1891 1893 1890 1893 1893 1891 |
Juvénilia, 6 Petites pièces - Portrait
- La promenade
- Demi-sommeil
- Feuillage
- Phœbé
- Les regards amoureux
|
|
for piano |
|
Piano |
1891 |
Contour mélodique |
|
for piano |
|
Piano |
1891 |
Good bye! |
|
for piano |
|
Piano |
1891 |
Improvisazione |
|
for piano |
from the song Fleur de mon âme
|
Piano |
1891 |
Notturno all'italiana |
|
for piano |
|
Piano |
1891 |
Pièces d'amour |
|
for piano |
|
Piano |
1891 |
Scherzo lent |
|
for 2 pianos |
|
Piano |
1892 |
Hyppomène et Atalante |
|
for piano |
|
Piano |
1892 |
Variations sur un thème de Charles Levadé |
|
for piano 4-hands |
theme: Charles-Gaston Levadé
|
Piano |
1893 |
3 Préludes sur des airs populaires irlandais - The Little Red Lark
- My Love's an Arbutus
- The Willow Tree
|
|
for piano 4-hands |
|
Piano |
1894 |
Improvisation |
|
for piano |
|
Piano |
1894–1896 |
Portraits de peintres, 4 Pièces d'après les poésies de Marcel Proust - Albert Cuyp
- Paulus Potter
- Anton van Dyck
- Antoine Watteau
|
Portraits of Painters, 4 Pieces after Poems of Marcel Proust |
for piano |
1. in B♭ major 2. in E minor 3. in F major 4. in F♯ major
|
Piano |
1895 |
La nativité: crèche de Nurenberg |
|
for piano |
|
Piano |
1896 |
Pièce en forme d'aria et de bergerie |
|
for piano 4-hands |
|
Piano |
1897 |
Caprice mélancolique |
|
for 2 pianos |
|
Piano |
1898 |
Premières valses
- Invitation à la valse
- Avec élégance
- Allegretto con moto
- "Ninette" – Très, très vite
- Avec du mouvement
- Pas vite, simplement (à l'Ombre rêveuse de Chopin)
- Assez vite
- "Berceau" – Modéré
- Pas vite
- "La Feuille" – Un peu languissant
- Sans rigueur ("...Le Plaisir vaporeux fuira vers lhorizon..." – Baudelaire)
|
|
for piano |
Introduction and 10 waltzes
|
Piano |
1902–1910 |
Le rossignol éperdu, 53 Poèmes
- I. Première suite
- Frontispice
- Andromède résignée
- Douloureuse rêverie dans un bois de sapins
- Le Bouquet de Pensées
- Soleil d'automne
- Gretchen
- Les Deux Écharpes
- Liebe! Liebe!
- Éros caché dans les bois
- La Fausse Indifférence
- Chanson de Midi
- Antiochus
- Nevermore
- Portrait
- L'Enfant au Perroquet
- Les Rêveries du Prince Églantine
- Ivresse
- L'Arome suprême
- Berceuse féroce
- Passante
- La Danse de l'Amour et de l'Ennui
- Ouranos
- Les Héliotropes du Clos-André
- Effet de Nuit sur la Seine
- Per i piccoli canali
- Mirage
- La Danse de l'Amour et du Danger
- Matinée parisienne
- Chérubin tragique
- Les Chênes enlacés
II. Orient - En Caïque
- Narghilé
- Les Chiens de Galata
- Rêverie nocturne sur le Bosphore
- La Rose de Blida
- L'Oasis
III. Carnet de voyage - L'Ange Verrier
- Le Jardin de Pétrarque
- La Nativité
- Faunesse dansante
- Les Noces du Duc de Joyeuse
- Le Petit Mail
- Les Pages d'Élisabeth
- La Jeunesse et l'Été ornent de fleurs le tombeau de Pergolèse
- Vieux Bahuts (Musée d'Orléans)
IV. Versailles - Hommage à Martius
- La Reine au Jardin
- Le Réveil de Flore
- Le Banc songeur
- La Fête de Terpsichore
- Adieux au soir tombant
- Hivernale
- Le Pèlerinage inutile
|
The Bewildered Nightingale, 53 Poems
- I. First Suite
- Frontispiece
- Andromeda Resigned to Her Fate
- Pained Musings in a Pine Wood
- Cluster of Thoughts
- Autumn Sun
- Gretchen
- The Two Scarves
- Love! Love!
- Eros Hidden in the Woods
- Feigned Indifference
- Song of Midday
- Antiochus
- Never More
- Portrait
- The Child with a Parrot
- The Musings of Prince Eglantine
- Intoxication
- Sublime Aroma
- Impatient Cradle Song
- Passer-by
- The Dance of Love and Boredom
- Uranus
- Les Héliotropes du Clos-André
- Night Impressions on the Seine
- Along the Little Canals
- Mirage
- The Dance of Love and Danger
- Morning in Paris
- Tragic Cherub
- The Entwined Oaks
II. Orient - In a Caïque
- The Hookah
- The Dogs of Galata
- Nocturnal Musings on the Bosphorus
- The Rose at Blida
- The Oasis
III. Travel Notes - The Glass Angel
- The Garden of Petrarch
- The Nativity Crib in Nuremberg
- Dancing Faun
- The Marriage of the Duke of Joyeuse
- The Little Promenade
- The Pages of Elizabeth
- Youth and Summer Adorn with Flowers the Tomb of Pergolesi
- Old Furniture (Musée d'Orléans)
IV. Versailles - Homage to Martial
- The Queen in Her Garden
- The Awakening of Spring
- Bench Dreamer
- The Feast of Terpsichore
- Farewell to the Fading Evening
- Winter Ascent
- The Futile Pilgrimage
|
for piano |
|
Piano |
1904 |
7 Berceuses - Berceuse des jours sans nuages
- Berceuse pour la veille de Noël
- Berceuse pour les enfants de marins
- Berceuse des soirs d'automne
- "Selfiana": Berceuse créole
- Berceuse pensive (à trois mains)
- Berceuse tendre
|
|
for piano 4-hands 6. for piano 3-hands |
|
Piano |
1904 |
Variations puériles sur une mélodie de Carl Reinecke |
Puerile Variations on a Melody of Carl Reinecke |
for piano 4-hands |
|
Piano |
1905 |
Bacchante endormie |
|
for piano |
|
Piano |
1905 |
Pavane d'Angelo |
Pavane in B♭ major from Angelo, tyran de Padoue |
for piano |
from the incidental music for the play by Victor Hugo original for orchestra; transcription by the composer
|
Piano |
1907 |
Sonatine en ut majeur |
Sonatina in C major |
for piano |
|
Piano |
1909 |
Canon dans le mode phrygien |
Canon in Phrygian Mode |
for piano |
|
Piano |
1909 |
Thème varié sur le nom de Haydn |
Theme and Variations on the Name of Haydn in G major |
for piano |
|
Piano |
1910 |
Les fêtes de l'hymen et de l'amour ou Les dieux de l'Egypte |
|
for piano |
transcription of a piece by Jean-Philippe Rameau
|
Piano |
1911 |
Préface en musique |
|
for piano |
|
Piano |
1915 |
Le ruban dénoué, 12 valses à 2 pianos et une mélodie - Décrets indolents du hasard
- Les soirs d'Albi
- Souvenir...avenir...
- Danse de l'amour et du chagrin
- Le demi-sommeil embaumé
- L'anneau perdu
- Danse du doute et de l'espérance
- La cage ouverte
- Soir d'orage
- Les baisers
- Il sorriso
- Le seul amour
- Puisque j'ai mis ma lèvre...
|
The Untied Ribbon, 12 Waltzes for 2 Pianos and a Song |
for 2 pianos (Nos. 1~12) 13. for voice and piano |
13. words by Victor Hugo
|
Piano |
1915 |
Les jeunes lauriers, Marche militaire en si bémol majeur |
Les jeunes lauriers, Military March in B♭ major |
for piano |
|
Piano |
1915 |
Pour bercer un convalescent - Andantino sans lenteur
- Andantino non lento
- Andantino espressivo
|
|
for 2 pianos |
|
Piano |
1927 |
2 Études |
2 Études |
for piano |
|
Choral |
1888–1933 |
Le pauvre d'Assise |
|
|
Oratorio
|
Choral |
1890 |
Aubade espagnole |
|
for tenor, male chorus and piano |
from the incidental music L'obstacle by Alphonse Daudet also for 2 tenors, baritone and piano
|
Choral |
1896 |
Cantique sur le bonheur des justes et le malheur des réprouvés |
|
for female chorus and piano |
words from Cantiques spirituels by Jean Racine; also for voice and piano
|
Choral |
1896 |
Les Bretonnes, Duo |
|
for female chorus and piano |
words by Charles Le Goffic; also for soprano, alto and piano
|
Choral |
1897 |
Chanson de pirates |
|
for 2 tenors and male chorus a cappella |
words by Victor Hugo
|
Choral |
1897 |
L'obscurité |
|
for mixed chorus a cappella |
words by Victor Hugo
|
Choral |
1899–1900 |
10 Études latines - Lydie
- Néère
- Salinum
- Thaliarque
- Lydé
- Vile potabis
- Tyndaris
- Pholoé
- Phidylé
- Phyllis
|
|
for soloists, chorus and piano |
words by Leconte de Lisle 9. also used as Mélodies, Book 1, No. 20
|
Choral |
1901 |
O fons Bandusiæ!, Fragment d'une Ode d'Horace |
|
for soprano, female chorus and orchestra |
words by Horace
|
Choral |
1902 |
Les muses pleurant la mort de Ruskin |
|
for 9 female voices, female chorus (wordless) and harp |
|
Choral |
1908 |
Prométhée triomphant, Poème lyrique |
|
for soloists, chorus and orchestra |
words by Paul Reboux
|
Choral |
1910 |
Le rosier et la colombe |
|
for chorus (or 2 solo voices) a cappella |
words by Jean Cocteau; published in La Revue musicale
|
Choral |
1911 |
Aubade athénienne |
|
for female chorus and piano |
words by Paul Reboux; fragment d'un opéra esquissé
|
Choral |
1917 |
Noctem quietam |
|
for tenor, chorus and organ or piano (ad libitum) |
|
Choral |
1925 |
À la lumière |
|
for mixed chorus a cappella (piano ad libitum) |
words by Anatole France
|
Choral |
1938 |
Tu es Petrus, Motet |
|
for bass, chorus and organ (ad libitum) |
|
Choral |
1945 |
Cathédrale de Strasbourg, Cantate |
|
for tenor, chorus and orchestra |
words by Louis Aragon
|
Choral |
|
Chœur pour célébrer l'heureuse arrivée d'Édouard Reisslerius (Rissler) |
|
for soloist, chorus (in unison) and piano |
|
Vocal |
1887–1890 |
7 Chansons grises - Chanson d'automne
- Tous d'eux
- L'allée est sans fin
- En sourdine
- L'heure exquise
- Paysage triste
- La bonne chanson
|
|
for voice and piano |
words by Paul Verlaine
|
Vocal |
1888–1896 |
20 Mélodies, 1er recueil - Rêverie (1888)
- Si mes vers avaient des ailes (1888)
- Mai (1889)
- Paysage (1890)
- L'énamourée (1891)
- Seule (1892)
- La nuit (1891)
- Offrande (1891)
- Trois jours de vendange (1891)
- Infidélité (1891)
- Fêtes galantes (1892)
- Cimetière de campagne (1893)
- Fleur fanée (1892)
- L'incrédule (1893)
- Les cygnes (1892)
- D'une prison... (1892)
- Dernier vœu (1891)
- Séraphine (1892)
- Nocturne (1893)
- À Phidylé! (1892)
|
20 Songs, Book I |
for voice and piano 20. for bass, chorus and piano 4-hands |
1. words by Victor Hugo 2. words by Victor Hugo 3. words by François Coppée 4. words by André Theuriet 5. words by Théodore de Banville 6. words by Théophile Gautier 7. words by Théodore de Banville; also choral version: No. 11 of Rondels 8. words by Paul Verlaine 9. words by Alphonse Daudet 10. words by Théophile Gautier 11. words by Paul Verlaine 12. words by Gabriel Vicaire 13. words by Léon Dierx 14. words by Paul Verlaine 15. words by Armand Renaud (1836–1895) 16. words by Paul Verlaine 17. words by Théodore de Banville 18. words by Heinrich Heine 19. words by Jean Lahor 20. words by Leconte de Lisle; also used as No. 9 of Études latines
|
Vocal |
1890 |
Aubade espagnole |
|
for 2 tenors, baritone and piano |
from the incidental music L'obstacle by Alphonse Daudet also for tenor, male chorus and piano
|
Vocal |
1891 |
Aimons-nous! |
|
for voice and piano |
words by Théodore de Banville
|
Vocal |
1891 |
Au clair de lune, Conte en musique - Promenade
- Babillage et soleil
- Lune
- Angélus
- Tristesse nocturne, l'oiseau de nuit
- Petit ruisseau murmurant
- Ver luisant
- Le lys
- Les orties
- Le vent
- Retour
|
|
for narrator and piano |
text and illustrations by Louis Montégut
|
Vocal |
1891 |
Comme un cri |
|
for voice and piano |
words by Théodore de Banville
|
Vocal |
1891 |
Fleur de mon âme |
|
for voice and piano |
|
Vocal |
1891 |
Naïo |
|
for voice and piano |
words by Sully Prudhomme
|
Vocal |
1891 |
Ressemblance |
|
for voice and piano |
words by Sully Prudhomme
|
Vocal |
1891 |
2 Mélodies |
2 Songs |
for voice and piano |
|
Vocal |
1892 |
Lied |
|
for voice and piano |
words by François Coppée
|
Vocal |
1892 |
Hymne |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
1892 |
Le Bon repos |
|
for voice and piano |
|
Vocal |
1896 |
Cantique sur le bonheur des justes et le malheur des réprouvés |
|
for voice and piano |
words from Cantiques spirituels by Jean Racine; also for female chorus and piano
|
Vocal |
1896 |
Les Bretonnes, Duo |
|
for soprano, alto (or female chorus) and piano |
words by Charles Le Goffic
|
Vocal |
1896 |
2 Mélodies en allemand - Mädchen mit dem roten Mündchen
- An die Nachtigall
|
2 Songs |
for voice and piano |
words by Heinrich Heine
|
Vocal |
1896 |
Naguère au temps des églantines |
|
for voice and piano |
words by Catulle Mendès
|
Vocal |
1896–1921 |
20 Mélodies, 2e recueil - Quand la nuit n'est pas étoilée (1900)
- Cantique (1896)
- La délaissée (1898)
- La chère blessure (1900)
- Théone (1897)
- Le souvenir d'avoir chanté (1898)
- Quand je fus pris au pavillon (1899)
- Chanson au bord de la fontaine (1911, 1912)
- Sur l'eau (1902)
- Fumée (1906)
- Le printemps (1899)
- Dans la nuit (1904)
- Les fontaines (1910)
- À Chloris (1913)
- Le rossignol des lilas (1913)
- À nos morts ignorées (1918)
- Ma jeunesse (1918)
- Le plus beau présent (1917)
- Puisque j'ai mis ma lèvre... (1896)
- La douce paix (1921)
|
20 Songs, Book II |
for voice and piano |
1. words by Victor Hugo 2. words by Jean Racine; also for female chorus and piano 3. words by Augustine-Malvina Blanchecotte (1830–1897) 4. words by Augustine-Malvina Blanchecotte (1830–1897) 5. words by Jean Moréas 6. words by Catulle Mendès 7. words by Charles d'Orléans 8. words by Maurice Magre; from the incidental music Méduse 9. words by Sully Prudhomme 10. words by Jean Moréas; also used as No. 8 of Les feuilles blessées 11. words by Théodore de Banville 12. words by Jean Moréas; also used as No. 5 of Les feuilles blessées 13. words by Henri de Régnier 14. words by Théophile de Viau 15. words by Léopold Dauphin 16. words by Louis Hennevé; also known as Aux morts de Vauquois 17. words by Elena Văcărescu 18. words by Maurice Magre (1877–1941) 19. words by Victor Hugo; also published with piano work Le ruban dénoué 20. words by Léon Guillot de Saix
|
Vocal |
1897 |
Agnus Dei |
|
for soprano, baritone and organ |
|
Vocal |
1897 |
L'alouette |
|
for voice and piano |
published in the collection L'âme enfantine, 50 Chansons pour les écoles by Marc Legrand, 1897
|
Vocal |
1897–1898 |
12 Rondels - Le jour
- Je me metz en vostre mercy
- Le printemps
- L'air
- La paix
- Gardez le trait de la fenêtre
- La pêche
- Quand je fus pris au pavillon
- Les étoiles
- L'automne
- La nuit
- Le souvenir d'avoir chanté
|
12 Rondels |
for soloists, mixed chorus and piano |
1. words by Théodore de Banville 2.words by Charles d'Orléans 3.~5. words by Théodore de Banville 6. words by Charles d'Orléans 7. words by Théodore de Banville 8. words by Charles d'Orléans 9.~11. words by Théodore de Banville 11. also vocal version: No. 7 of 20 Mélodies, 1er recueil 12. words by Catulle Mendès
|
Vocal |
1898 |
Le Destin "Phèdre" |
|
for voice and piano |
|
Vocal |
|
Es-tu bien sûr que tu ne m'aimes pas |
|
for voice and piano |
words by Augustine-Malvina Blanchecotte (1830–1897)
|
Vocal |
|
Pâques païennes |
|
for voice and piano |
words by "Vincent-Eloy", pseudonym of Albert Eloy-Vincent (1868–1945)
|
Vocal |
|
Que lentement passent |
|
for voice and piano |
words by Guillaume Apollinaire
|
Vocal |
|
L'amour |
|
for voice and piano |
|
Vocal |
1899 |
Le marchand des marrons |
|
for voice and piano |
words by Paul Collin
|
Vocal |
1899 |
Adieu! |
Adieu! |
for voice and piano |
words by Stéphan Bordèse; published in the collection Chansons de Page
|
Vocal |
1899 |
Amour sans ailes - Ah! Te serrer dans mes bras!
- Le chêne mort
- Non! Vous ne m'aimez pas
|
Love without Wings - Ah! Could I Clasp Thee in Mine Arms!
- The Fallen Oak
- I Know You Love Me Not
|
for voice and piano |
words by Mary Robinson published 1899, 1904 and 1911
|
Vocal |
1900 |
O Salutaris |
O Salutaris |
for tenor and piano or organ |
words attributed to St. Francis of Assisi
|
Vocal |
1901 |
À une étoile |
|
for voice and piano |
words by Alfred de Musset
|
Vocal |
1901 |
Venezia, 6 Chansons en dialecte vénitien - Sopra l'acqua indormenzada
- La Barcheta
- L'Avertimento
- La Biondina in gondoleta
- Che pecà!
- La Primavera
|
Venezia, 6 Songs in the Venetian Dialect |
for voice and piano |
French version by Maurice Léna 1. words by Pietro Pagello (1807–1898) 2.~3. words by Pietro Buratti 4. words by Antonio Lamberti 5. words by Francesco Dall'Ongaro 6. words by Alvise Cicogna; paraphrase for piano by Albert Périlhou (1907)
|
Vocal |
1901–1906 |
Les feuilles blessées - Dans le ciel est dressé le chêne séculaire (1901)
- Encor sur le pavé, sonne mon pas nocturne (1901)
- Quand reviendra l'automne (1903)
- Belle lune d'argent (1904)
- Quand je viendrai m'asseoir (1904)
- Eau printanière (1905)
- Donc vous allez fleurir encor (1905)
- Compagne de l'éther (1906)
- Pendant que je médite (1906)
- Roses en bracelet (1906)
- Aux rayons du couchant (1906)
|
|
for voice and piano |
words by Jean Moréas 5. also used as No. 12 Dans la nuit from 20 Mélodies, 2e recueil 8. also used as No. 10 Fumée from 20 Mélodies, 2e recueil
|
Vocal |
1903 |
J'ai caché dans la Rose en Pleurs! |
|
for voice and piano |
words by Armand Silvestre
|
Vocal |
1904 |
Avoir des ailes de colombe |
Oh! For the Wings of a Dove |
for voice and piano |
words by Mary Robinson
|
Vocal |
1904 |
Sérénade |
Sérénade |
for tenor, baritone and piano |
words by Victor Hugo
|
Vocal |
1906 |
Au pays musulman |
|
for voice and piano |
words by Henri de Régnier
|
Vocal |
1907 |
Chansons et madrigaux - Un loyal cœur
- Vivons, Mignarde!
- Pleurez avec moi!
- En vous disant adieu
- Comment se peut-il faire ainsi?
- Les fourriers d'été
|
|
for 3 or 4 voices and piano (ad libitum) |
1., 5., 6. words by Charles d'Orléans 2. words by Jean-Antoine de Baïf 3. words by Agrippa d'Aubigné 4. anonymous 17th-century words; composed in the style of Antoine Boësset
|
Vocal |
1908 |
Dans l'été |
|
for voice and piano |
words by Marceline Desbordes-Valmore
|
Vocal |
1910 |
Le rosier et la colombe |
|
for 2 voices (soli or chorus) a cappella |
words by Jean Cocteau; published in La Revue musicale
|
Vocal |
1911 |
Danse, petite sirène |
|
for voice and piano (with female chorus ad libitum) |
words by Maurice Magre (1877–1941); from the incidental music for Méduse
|
Vocal |
1915 |
5 Little Songs (5 Petites chansons) - The Swing (La balançoire)
- Windy Nights (Nuits de grand vent)
- My Ship and I (Mon petit bateau)
- The Stars (Les étoiles)
- A Good Boy (Un bon petit garçon)
|
5 Little Songs - The Swing
- Windy Nights
- My Ship and I
- The Stars (Escape at Bedtime)
- A Good Boy
|
for voice and piano |
words from A Child's Garden of Verses by Robert Louis Stevenson; French translation by Maurice Léna
|
Vocal |
1934 |
La dame aux Camélias - C'est à Paris!
- Mon rêve était d'avoir
- Au fil de l'eau
|
The Lady of the Camellias |
for voice and piano |
words by Albert Willemetz from the 1934 film score La Dame aux Camélias sung by Yvonne Printemps
|
Vocal |
1947 |
Chansons espagnoles - Aubade à doña Sol
- Mon amour
|
|
for voice and piano |
words by Léon Guillot de Saix
|
Vocal |
|
9 Mélodies retrouvées - Je me souviens
- La vie est belle
- L'amitié
- Chanson
- Naïs
- La nymphe de la source
- Au rossignol
- Ta main
- Sous l'oranger: Tango-habañera
|
|
for voice and piano |
published posthumously in 1955 1.~2. words by Léon Guillot de Saix 3. words by Lucien Paté 4. words by Catulle Mendès 5.~6. anonymous words 7.~9. words by Léon Guillot de Saix
|