Genre
|
Date
|
Title
|
Text
|
Orchestration
|
Notes
|
Opera
|
2000 |
Dead Man Walking |
Libretto by Terrence McNally |
An opera in two acts |
Based on the novel of the same name by Sister Helen Prejean. Commissioned by San Francisco Opera.
|
Opera
|
2019
|
If I Were You
|
Libretto by Gene Scheer
|
An opera in two acts
|
Based on the novel Si j'etais vous By Julien Green. Commissioned by the Merola Opera program.
|
Opera |
2000 |
Again |
Libretto by Kevin Gregory |
Operatic scene for four solo voices (soprano, mezzo-soprano, tenor and baritone) with chamber orchestra |
Commissioned by the EOS Orchestra (Jonathan Sheffer, music director).
|
Opera |
2003 |
The End of the Affair |
Libretto by Heather McDonald |
An opera in two acts |
Based on the novel of the same name by Graham Greene. Commissioned by Houston Grand Opera. Revised in 2004–2005.
|
Opera |
2005 |
At the Statue of Venus |
Libretto by Terrence McNally |
A musical scene for soprano and piano |
Commissioned by Opera Colorado.
|
Opera |
2006 |
To Hell and Back |
Libretto by Gene Scheer |
An opera in one act for soprano, Broadway soprano and period instrument orchestra |
Commissioned by Philharmonia Baroque Orchestra.
|
Opera |
2008 |
Three Decembers |
Libretto by Gene Scheer |
An opera in one act |
Based on Terrence McNally’s original script, "Some Christmas Letters." Commissioned by the Houston Grand Opera and co-commissioned by the San Francisco Opera in association with Cal Performances at UC Berkeley.
|
Opera |
2010 |
Moby-Dick |
Libretto by Gene Scheer |
An opera in two acts |
Based on the novel of the same name by Herman Melville. Commissioned by Dallas Opera, San Francisco Opera, Calgary Opera, San Diego Opera and the State Opera of South Australia.
|
Opera |
2012 |
Another Sunrise |
Libretto by Gene Scheer |
Dramatic scene for soprano, clarinet, violin, cello, bass, and piano |
Commissioned by Music of Remembrance (Mina Miller, artistic director)
|
Opera |
2013 |
Out of Darkness |
Libretto by Gene Scheer |
Opera in three parts for soprano, mezzo-soprano, baritone, actor, with flute, clarinet, violin, cello, bass and piano |
Opera in three parts:
- Another Sunrise
- Farewell, Auschwitz
- For a Look or a Touch
Commissioned by Music of Remembrance (Mina Miller, artistic director). Each part received its premiere individually by Music of Remembrance.
|
Opera |
2014 |
The Radio Hour |
Libretto by Gene Scheer |
Chamber opera for chamber choir, silent actress, flute, clarinet, alto sax, percussion, piano, violin, cello, and bass |
Commissioned by Pacific Chorale, VocalEssence, Conspirare, and The Philadelphia Singers.
|
Opera |
2015 |
Great Scott |
Libretto by Terrence McNally |
An opera in two acts |
Based on an original story by Terrence McNally. Commissioned by Dallas Opera and co-produced with San Diego Opera.
|
Vocal |
1992 |
Trois poemes de interieurs de Rainer Maria Rilke |
Text by Rainer Maria Rilke |
For baritone and piano |
- Portrait intérieure
- La porteuse de fleurs
- Epilogue: C’est pour t’avoir vue
Unpublished.
|
Vocal |
1995 |
Encountertenor |
Lyrics by John Hall |
For countertenor and piano |
- Countertenor’s Conundrum
- The trouble with trebles in trousers … (Pitch can be a bitch!)
- A Gift to Share
Commissioned by Brian Asawa.
|
Vocal |
1995 |
Three Folk Songs |
Traditional |
For mezzo-soprano and piano |
- Barb'ry Allen
- He's Gone Away
- The Leather-Winged Bat
Dedicated to Frederica von Stade.
|
Vocal |
1995 |
I shall not live in vain |
Poetry by Emily Dickinson |
For mezzo-soprano and piano, and for mezzo-soprano solo with SA chorus, hand bells and piano |
Song originally written in 1995, expanded and arranged for mezzo-soprano with SA chorus, hand bells and piano in 1998.
|
Vocal |
1996 |
On the Road to Christmas |
Texts by A.E. Housman, Frederica von Stade, John Jacob Niles, Emily Dickinson and Jake Heggie |
For mezzo-soprano and string orchestra |
- The Night is Freezing Fast (A.E. Housman)
- The Car Ride to Christmas (von Stade)
- Good King Merrily on High (traditional)
- I wonder as I wander (Niles)
- The Road to Bethlehem (Dickinson)
- And then the Setting Sun (von Stade)
- Christmas Time of Year (Heggie)
Commissioned by the New Century Chamber Orchestra.
|
Vocal |
1996 |
My true love hath my heart |
Poetry by Sir Philip Sydney |
For soprano, cello and piano |
Also arranged as a duet for soprano, mezzo, cello and piano.
|
Vocal |
1996 |
Thoughts Unspoken |
Lyrics by John Hall |
For baritone and piano |
- A learning experience over coffee…
- You enter my thoughts
- To speak of love
- Unspoken thoughts at bedtime
Commissioned by Earle Patriarco.
|
Vocal |
1997 |
Natural Selection |
Poetry by Gini Savage |
For soprano and piano |
- Creation
- Animal Passion
- Alas! Alack!
- Indian Summer – Blue
- Connection
Music and poetry composed for Nicolle Foland.
|
Vocal |
1997 |
So Many Notes! |
Text by Jake Heggie |
For 11 singers and orchestra |
Commissioned by San Francisco Opera to celebrate its 75th Season and the reopening of the War Memorial Opera House. Unpublished.
|
Vocal |
1997 |
Paper Wings |
Lyrics by Frederica von Stade |
For mezzo-soprano and piano, and for mezzo-soprano and full orchestra |
- Bedtime Story
- Paper Wings
- Mitten Smitten
- A Route to the Sky
Commissioned by Frederica von Stade and dedicated to her daughter, Lisa Elkus. Orchestration commissioned by the Louisville Orchestra in 2000.
|
Vocal |
1998 |
Before the Storm |
Poetry by Judyth Walker, Emily Dickinson, Edna St. Vincent Millay and Dorothy Parker |
For mezzo-soprano, cello and piano |
- Before the Storm (Walker)
- It sounded as if the streets were running (Dickinson)
- What lips my lips have kissed (Millay)
- The Thin Edge (Parker)
Dedicated to Zheng Cao. Three songs based on works written in 1986, revised in 1998.
|
Vocal |
1998 |
Songs to the Moon |
Poetry by Vachal Lindsay |
For mezzo-soprano and piano |
- Prologue: Once More – To Gloriana
- Euclid
- The Haughty Snail-King
- What the Rattlesnake Said
- The Moon’s the North Wind’s Cooky (What the little girl said)
- What the Scarecrow Said
- What the Gray-Winged Fairy Said
- Yet Gentle Will the Griffin Be (What Grandpa told the children)
Commissioned for Frederica von Stade by MUSIC ACCORD.
|
Vocal |
1998 |
Everyone Sang |
Poetry by Siegfried Sassoon |
For baritone and piano |
Unpublished.
|
Vocal |
1999 |
Song and Sonnets to Ophelia |
Text by Edna St. Vincent Millay and Jake Heggie |
For soprano and piano |
- The Spring is Arisen; Ophelia’s Song (Heggie)
- Women have loved before as I love now (Edna St. Vincent Millay)
- Not in a silver casket cool with pearls (Millay)
- Spring (Millay)
Composed for Peggy Kriha-Dye.
|
Vocal |
1999 |
Patterns |
Poetry by Amy Lowell |
For mezzo-soprano, SSAA chorus and piano |
Commissioned by San Francisco Girls Chorus to celebrate its 20th anniversary.
|
Vocal |
1999 |
From Emily's Garden |
Poetry by Emily Dickinson |
For soprano, flute, violin, cello, and piano |
Unpublished.
|
Vocal |
2000 |
Of Gods and Cats |
Poetry by Gavin Geoffrey Dillard |
For mezzo-soprano and piano |
- In the beginning …
- Once upon a universe
Commissioned by Vija Nadai.
|
Vocal |
2000 |
How Well I Knew The Light |
Poetry by Emily Dickinson |
For soprano and piano |
- Ample Make This Bed
- The Sun Kept Setting
|
Vocal |
2000 |
Eve-Song |
Poetry by Philip Littell |
For soprano and piano |
- My name
- Even
- Good
- Listen
- Snake
- Woe to Man
- The Wound
- The Farm
Commissioned by James Schwabacher.
|
Vocal |
2001 |
The Starry Night |
Poetry by Ann Sexton, Emily Dickinson, and A. E. Housman, with texts by Vincent van Gogh |
For mezzo-soprano and piano |
Commissioned for mezzo-soprano Kristine Jepson by Evolutions in Song.
|
Vocal |
2002 |
A Great Hope Fell: Songs from Civil War |
Texts by Maya Angelou, Paul Laurence Dunbar, Emily Dickinson, Stephen Foster and others |
For baritone and chamber orchestra |
Commissioned by the Eos Orchestra (Jonathan Sheffer, conductor) for baritone Gordon Hawkins. Unpublished.
|
Vocal |
2002 |
The Deepest Desire |
Text by Sister Helen Prejean |
For mezzo-soprano and piano, and for mezzo-soprano and chamber orchestra |
- The Call; More is required; Love
- I catch on fire
- The deepest desire
- Primary colors
Commissioned by Bravo! Vail Valley Music Festival. Orchestration commissioned by the St. Paul Chamber Orchestra in 2005.
|
Vocal |
2004 |
Some Times of Day |
Text by Raymond Carver |
For mezzo-soprano, violin, cello and piano |
- The Minuet
- Simple
- The Best Time of the Day
Commissioned by the Harmida Trio.
|
Vocal |
2004 |
Winter Roses |
Poetry by Charlene Baldridge, Emily Dickinson, Frederica von Stade and Raymond Carver |
For mezzo-soprano, string quintet, wind quintet and piano |
Prologue: Winter Roses (Baldridge)
I. Two Birds
- 1. The Wren (Baldridge)
- 2. The Robin (Dickinson)
II. Three Shades (in memoriam C.v.S.)
- 3. A Hero (von Stade)
- 4. Sleeping (Carver)
- 5. To My Dad (von Stade)
III. Looking West
- 6. Sweet Light (Carver)
Epilogue: Late Fragment (Carver)
Commissioned by Richard and Luci Janssen for Camerata Pacifica.
|
Vocal |
2004 |
Vanity (blah blah me) |
Text by Jake Heggie |
For soprano and piano, and for soprano, clarinet, cello, bass, piano and percussion |
Commissioned by Carnegie Hall for Audra McDonald as part of a new cycle, “The Seven Deadly Sins” (also featuring compositions contributed by Michael John LaChiusa, Stephen Flaherty, Ricky Ian Gordon and others).
|
Vocal |
2004 |
Grow Old Along With Me! |
Poetry by Robert Browning |
For baritone and piano |
Composed as a gift for baritone Robert Orth.
|
Vocal |
2005 |
Statuesque |
Text by Gene Scheer |
For mezzo-soprano and piano; also, with chamber orchestra accompaniment |
- Henry Moore: Reclining Figure of Elmwood
- Pablo Picasso: Head of a Woman, 1932
- Hapshetsut: The Divine Potter
- Alberto Giacommetti: Standing Woman #2
- Winged Victory: We’re Through
Commissioned by University of Kansas at Lawrence for mezzo-soprano Joyce Castle.
|
Vocal |
2005 |
Here and Gone |
Poetry by A.E. Housman and Vachal Lindsay |
For tenor and baritone with violin, viola, cello and piano |
- The Farms of Home (Housman)
- In Praise of Songs That Die (Lindsay)
- Stars (Housman)
- The Factory Window Song (Lindsay)
- In the Morning (Housman)
- Because I Liked You Better (Housman)
- The Half-Moon Westers Low (Housman)
Commissioned by Welz Kaufman and the Ravinia Festival for the Stearns Institute for Young Artists.
|
Vocal |
2005 |
The Other Other Woman |
Lyrics by Mark Campbell |
For male voice and piano |
From Songs from an Unmade Bed, a stage work that features 18 songs by various composers with lyrics by Mark Campbell.
|
Vocal |
2007 |
Facing Forward/Looking Back |
Poetry by Charlene Baldridge, Eugenia Zukerman, Raymond Carver, Armistead Maupin and Jake Heggie |
For soprano and mezzo-soprano with piano |
Commissioned by Welz Kaufman and the Ravinia Festival for the Stearns Institute for Young Artists.
|
Vocal |
2007 |
Final monologue from Master Class |
Text by Terrence McNally |
For mezzo-soprano and piano |
Composed for mezzo-soprano Joyce DiDonato to celebrate the 50th anniversary of the Merola Opera Program and to remember the late James Schwabacher.
|
Vocal |
2008 |
Friendly Persuasions: Homage to Poulenc |
Poetry by Gene Scheer |
For tenor and piano |
- Wanda Landowska
- Pierre Bernac
- Raymonde Linossier
- Paul Eluard
Based on four transformative friendships and meetings in Francis Poulenc’s life.
|
Vocal |
2011 |
Pieces of 9/11: Memories from Houston |
Texts by Gene Scheer |
For soprano, baritone and girl soprano (age 14–18) with flute, guitar, violin and cello |
- Prelude; Lauren
- Lessons
- Phone Calls
- That Moment On
- Beyond
- An Open Book
Commissioned by Houston Grand Opera.
|
Vocal |
2011 |
A Question of Light |
Texts by Gene Scheer |
For baritone and piano |
- The Light of Coincidences (Magritte)
- Eccentric Flint (Maya c. AD 600–900)
- Yellow Flowers in a Vase (Caillebotte)
- Place de la Concorde (Mondrian)
- El Hombre (Tamayo)
- Watch (Murphy)
Commissioned by Dallas Opera in association with the Dallas Museum of Art for baritone Nathan Gunn.
|
Vocal |
2011 |
The Years Roll By |
Text by Charles Hart |
For soprano and mezzo-soprano with piano |
Composed for soprano Kiri Te Kanawa and mezzo-soprano Frederica von Stade.
|
Vocal |
2011 |
The Breaking Waves |
Text by Sister Helen Prejean |
For mezzo-soprano and piano |
Commissioned by Carnegie Hall for mezzo-soprano Joyce DiDonato and pianist David Zobel.
|
Vocal |
2012 |
Farewell, Auschwitz |
Texts adapted by Gene Scheer |
For soprano, mezzo-soprano, baritone and piano, or with clarinet, violin, cello, bass, and piano |
- Prologue: For Maria
- Soldiers
- Diamonds
- In the Cards
- Irenka
- Miss Ziutka
- The Sun and the Skylark
- Farewell, Auschwitz
Commissioned by Music of Remembrance (Mina Miller, Artistic Director).
|
Vocal |
2012 |
Camille Claudel: Into the Fire |
Text by Gene Scheer |
For mezzo-soprano and string quartet |
- Rodin
- La Valse
- Shakuntala
- La petite châtelaine
- The Gossips
- L’age mûr
- Epilogue: Jessie Lipscomb visits Camille Claudel, Montdevergues Asylum, 1929
Commissioned by San Francisco Performances.
|
Vocal |
2012 |
Of Laughter and Farewell |
Poetry by Vachal Lindsay |
For tenor or baritone and piano |
- By The Spring, At Sunset
- Under the Blessing of Your Psyche Wings
Commissioned by Ravinia Festival (2012) and Opera America (2013).
|
Vocal |
2013 |
From "The Book of Nightmares" |
Poetry by Galway Kinnell |
For soprano, cello and piano |
- You Scream
- In A Restaurant
- My Father’s Eyes
- Back You Go
Composed for soprano Lisa Delan.
|
Vocal |
2013 |
For a Look or a Touch (song cycle) |
Libretto by Gene Scheer |
For baritone and piano, or baritone with flute, clarinet, violin, cello, piano |
Originally commissioned by Music of Remembrance as a stage work, the song cycle version was created in 2013.
|
Vocal |
2014 |
Newer Every Day: Songs for Kiri |
Poetry by Emily Dickinson |
For soprano and piano |
- Silence
- I’m Nobody! Who are You?
- Fame
- That I did always love
- Goodnight
Commissioned by the Ravinia Festival in celebration of Dame Kiri Te Kanawa’s 70th Birthday.
|
Vocal |
2015 |
The Work at Hand |
Poetry by Laura Morefield |
For mezzo-soprano, cello and piano; also for mezzo-soprano, cello and orchestra |
Three symphonic songs based on poetry by the late Laura Morefield (1961–2011). Commissioned for mezzo-soprano Jamie Barton and cellist Anne Martindale Williams by Carnegie Hall and the Pittsburgh Symphony.
|
Orchestral |
2001 |
"Cut Time" Variations |
|
For piano and chamber orchestra |
Commissioned by the Eos Orchestra (Jonathan Sheffer, conductor) for pianist Jeremy Denk.
|
Orchestral |
2002 |
Orchestral episodes from Dead Man Walking |
|
For full orchestra |
Commissioned by the Dallas Symphony (Andrew Litton, music director).
|
Orchestral |
2002 |
Holy the Firm: an essay for cello and orchestra |
Inspired by the novel of the same name by Annie Dillard |
For solo cello and orchestra |
Commissioned by the Oakland East Bay Symphony (Michael Morgan, conductor) for Emil Miland, cellist.
|
Orchestral |
2013 |
Ahab Symphony |
Texts by Herman Melville (from "Moby-Dick") and W.H. Auden (from his poem, “Herman Melville”) |
For tenor solo, SATB choir and full orchestra |
Commissioned by the University of North Texas.
|
Choral |
1987 |
Faith Disquiet |
Poetry by Emily Dickinson |
For SATB Chorus (a cappella) |
- “Why do I love” You, Sir?
- What if I say I shall not wait!
- If you were coming in the fall
Commissioned by the UCLA Choir (William Hatcher, conductor).
|
Choral |
1999 |
Anna Madrigal Remembers |
Text by Armistead Maupin |
For mezzo-soprano and 12 solo male voices |
Commissioned by Chanticleer. Unpublished.
|
Choral |
2001 |
My Grandmother's Love Letters |
Poetry by Hart Crane |
For SATB Chorus and orchestra |
Commissioned by the Choral Arts Society of Philadelphia (Donald Nally, artistic director).
|
Choral |
2003 |
He will gather us around from Dead Man Walking |
Libretto by Terrence McNally |
For SATB Chorus (a cappella) |
An arrangement of the original hymn tune from the opera, Dead Man Walking.
|
Choral |
2006 |
Seeking Higher Ground: Bruce Springsteen Rocks New Orleans, April 30, 2006 |
Text by Sister Helen Prejean |
For double SATB chorus with full orchestra |
Commissioned by Pacific Chorale.
|
Choral |
2011 |
A Hundred Thousand Stars from A Look or a Touch |
Text by Gene Scheer |
For TTBB Chorus and piano, or with flute, clarinet, violin, cello, and piano |
This chorus was added to For a Look or a Touch when the original stage work was expanded for the Seattle Men’s Chorus in 2011.
|
Choral |
2012 |
Six Christmas Traditions |
Lyrics by Mark Campbell |
For SATB choir with piano, flute and oboe |
Commissioned by Renaissance City Choirs (Pittsburgh, PA).
|
Choral |
2013 |
For a Look or a Touch (choral) |
Libretto by Gene Scheer |
For baritone, men’s chorus, actor, flute, clarinet, violin, cello, piano and percussion |
Originally commissioned by Music of Remembrance, this second incarnation was commissioned by the Seattle Men’s Chorus and The Boston Gay Men’s Chorus.
|
Choral |
2013 |
The Narrow Bridge |
Text by Pamela Stewart |
For TTBB Chorus |
Final movement of Tyler's Suite, featuring compositions by Nolan Gasser, Stephen Schwartz, Ann Hampton Callaway, John Corigliano, John Bucchino, and Lance Horne. Commissioned by the San Francisco Gay Men’s Chorus.
|
Choral |
2015 |
Stop This Day and Night with Me |
Poetry from Walt Whitman’s "Leaves of Grass" |
For SATB chorus (a cappella) |
Composed for The King’s Singers as The Raymond W. Brock Commission for the American Choral Directors Association.
|
Instrumental |
1982 |
Indiana Bound |
|
For piano |
Unpublished.
|
Instrumental |
1983 |
Inishfallen |
|
Suite for piano |
Unpublished.
|
Instrumental |
1984 |
Lugalla |
|
For string quartet |
Unpublished.
|
Instrumental |
1985 |
Glengariff Trio |
|
For violin, cello and piano |
Unpublished.
|
Instrumental |
1985 |
Inishfree |
|
For two pianos |
Unpublished.
|
Instrumental |
1986 |
Skellig Variations |
|
For two pianos |
Unpublished.
|
Instrumental |
1987 |
Rhosymedre |
|
For two pianos |
Unpublished.
|
Instrumental |
1988 |
One Day at the Duck Pond: illustrations with music to write stories to (children's book) |
Drawings and music by Jake Heggie |
For piano |
Unpublished.
|
Instrumental |
1990 |
Divertimento |
|
For two pianos |
Unpublished.
|
Instrumental |
1991 |
Christmas Nocturnes |
|
For piano |
- Est is ein Ros’
- Coventry Carol
- O Come, Emanuel
- The Holly and the Ivy
- I Saw Three Ships
- I Wonder as I Wander
- Silent Night
Arrangement by Jake Heggie. Unpublished.
|
Instrumental |
1996 |
Coward/Cabaret |
|
For cello and piano |
- Mad About the Boy
- Someday I’ll Find You
- Meme les anges
Music by Noël Coward, arrangement by Jake Heggie. Unpublished.
|
Instrumental |
2010 |
Fury of Light |
Inspired by Mary Oliver's poem, Sunrise |
For flute and piano; also for flute and chamber orchestra |
Commissioned for flutist Carol Wincenc by Linda & Stuart Nelson. Orchestration created in 2010.
|
Instrumental |
2012 |
Orcas Island Ferry |
|
Suite for violin/viola and piano |
- Crossing
- On and Off
- The Shoreline Lullabye
- Whistling and Listening
- In Tows and Threes (Motor Rhythm)
Commissioned by the Orcas Island Chamber Music Festival.
|
Instrumental |
2012 |
Soliloquy |
|
For flute and piano |
A setting of the song Beyond (from Pieces of 9/11) commissioned by Camerata Pacifica (Adrian Spence, artistic director).
|