Genre
|
H.
|
Date
|
Title
|
Scoring
|
Notes
|
Chamber music |
1 |
1900 |
Piano Trio No.1 in D minor |
for violin, cello and piano |
|
Chamber music |
2 |
1900 |
Romance: Une Lamentatione d'amour |
for violin and piano |
|
Chamber music |
3 |
1900 |
String Quartet in B♭ major |
for 2 violins, viola and cello |
|
Chamber music |
4 |
1900 |
3 Dances - Adagio ben sostenuto e con tristezza (D minor)
- Allegretto (D major)
- Moto perpetuo (D minor)
|
for violin or cello and piano |
revised 1911
|
Vocal |
5 |
1901 |
Sonnet: When Most I Wink |
for voice and piano |
words: Sonnet 43 by William Shakespeare
|
Chamber music |
6 |
1901 |
Scherzo Phantastick |
for 2 violins, viola and cello |
|
Chamber music |
7 |
1901 |
String Quintet in E minor |
for 2 violins, 2 violas and cello |
|
Chamber music |
8 |
1901 |
Berceuse in B♭ major |
for violin or cello and piano |
|
Concertante |
8 |
1901 |
Berceuse in B♭ major |
for violin and string orchestra |
original for violin or cello and piano
|
Orchestral |
8 |
1901 |
Berceuse in B♭ major |
for small orchestra |
original version for violin or cello and piano
|
Piano |
8 |
1901 |
Berceuse in B♭ major |
for piano |
original version for violin or cello and piano; published in 1929
|
Vocal |
9 |
1901 |
Berceuse |
for soprano and orchestra |
words by Dorothy Wordsworth
|
Orchestral |
10 |
1901 |
Coronation March |
for orchestra |
written for a competition celebrating the new King Edward VII
|
Organ |
11 |
c.1901 |
Adagio ma non troppo in G minor |
for organ |
|
Vocal |
12 |
c.1901 |
If I Could Choose |
for voice and piano |
words by Thomas Ashe
|
Vocal |
13 |
c.1901 |
The Primrose |
for voice and piano |
words by James Merrick
|
Vocal |
14 |
1902 |
The Hag |
for baritone and orchestra |
words by James Merrick
|
Chamber music |
15 |
1902 |
Piano Quartet in C minor |
for violin, viola, cello and piano |
|
Piano |
16 |
1902 |
Pensées Fugitives I in F minor |
for piano |
Only the first of the intended Pensées Fugitives was actually completed; published by Thames Publishing
|
Orchestral |
17 |
1902 |
Valse Intermezzo à Cordes in E minor |
for string orchestra |
|
Orchestral |
18 |
1901–1902 |
Trois Morceaux d'orchestre (3 Pieces for Orchestra) - Chant de tristesse
- Chant d'espérance
- Chant de gaieté
|
for small orchestra |
|
Chamber music |
19 |
c.1902 |
Scherzetto |
for cello and piano (or orchestra) |
|
Chamber music |
19a |
c.1902 |
Scherzo |
for cello and piano |
revised version of H.19
|
Piano |
20 |
1902 |
Scherzettino in G minor |
for piano |
published by Thames Publishing
|
Vocal |
21 |
1903 |
A Dirge |
for medium voice and piano |
words by Percy Bysshe Shelley
|
Chamber music |
22 |
1903 |
Con Moto |
for violin and piano |
|
Chamber music |
23 |
1903 |
Serenade |
for violin or cello and piano |
|
Orchestral |
23 |
1903 |
Serenade |
for orchestra |
original version for violin or cello and piano
|
Piano |
23 |
1903 |
Serenade |
for piano |
original version for violin or cello and piano
|
Orchestral |
[24] |
1903 |
Dramatic Overture |
for orchestra |
|
Choral |
[25] |
1903 |
Autumn |
for mixed chorus a cappella |
words by Percy Bysshe Shelley
|
Vocal |
[26] |
1903 |
The Devon Maid |
for medium voice and piano |
words by John Keats
|
Vocal |
[27] |
1903 |
Rising When the Dawn Still Faint Is |
for voice and piano |
words by Heinrich Heine
|
Vocal |
[27a] |
1903 |
Dawn and Evening |
for voice and piano or orchestra |
words by Heinrich Heine
|
Vocal |
[28] |
1903 |
2 Songs after Heine - Where E'er My Bitter Teardrops Fall
- E'en as a Lovely Flower
|
for tenor and piano |
2. also for tenor and small orchestra
|
Vocal |
28c |
c.1903 |
The Mountain Voice |
for voice and piano |
words by Heinrich Heine; incomplete
|
Piano |
29 |
1903 |
Moderato in E minor |
for piano |
published by Thames Publishing
|
Orchestral |
30 |
1903 |
Mid of the Night, Symphonic Poem |
for orchestra |
|
Vocal |
31 |
1903 |
Music When Soft Voices Die |
for high voice and piano |
words by Percy Bysshe Shelley
|
Chamber music |
32 |
1903 |
Tempo di Mazurka |
for cello and piano |
|
Vocal |
33 |
1903 |
Blow, Blow Thou Winter Wind |
for medium voice and piano |
words by William Shakespeare
|
Vocal |
34 |
1903 |
Go Not, Happy Day |
for voice and piano |
words by Alfred, Lord Tennyson
|
Vocal |
[35] |
c.1903 |
Remembrance |
for voice and piano |
words by Percy Bysshe Shelley
|
Vocal |
36 |
1904 |
Night Lies on the Silent Highways |
for medium voice and piano |
words by Heinrich Heine
|
Choral |
37 |
1904 |
Music When Soft Voices Die |
for mixed chorus a cappella |
words by Percy Bysshe Shelley
|
Vocal |
38 |
1904 |
A Dead Violet |
for medium voice and piano |
words by Percy Bysshe Shelley
|
Chamber music |
39 |
1904 |
Sonata in E♭ major |
for violin and piano |
|
Vocal |
40 |
1904 |
2 Songs - Fall Now Cold My Thoughts
- Fly Home My Thoughts
|
for voice and orchestra |
|
Vocal |
41 |
c.1904 |
Harebell and Pansy |
for voice and orchestra |
incomplete
|
Vocal |
42 |
1904 |
Song Cycle |
for voice and piano |
3. incomplete
|
Chamber music |
43 |
1904 |
3 Pieces |
for 2 violins, viola and cello |
|
Chamber music |
44 |
1904 |
3 Novelletten |
for 2 violins, viola and cello |
|
Chamber music |
45 |
1904 |
Romanze |
for violin and piano |
|
Vocal |
46 |
c.1904 |
Cradle Song |
for voice and piano |
words by Alfred, Lord Tennyson
|
Chamber music |
47 |
1904 |
Élégie |
for cello and piano |
|
Chamber music |
48 |
1904 |
Souvenir |
for violin and piano |
|
Chamber music |
49 |
1904–1905 |
Piano Quintet in D minor |
for 2 violins, viola, cello and piano |
original version in 4 movements
|
Chamber music |
49a |
1904–1905 1912 |
Piano Quintet in D minor |
for 2 violins, viola, cello and piano |
revised version in 3 movements
|
Vocal |
50 |
1905 |
Lean Close Thy Cheek against My Cheek |
for voice and piano |
words by Heinrich Heine
|
Vocal |
51 |
1905 |
Fair Daffodils |
for voice and piano |
words by James Merrick
|
Piano |
52 |
1905 |
Capriccio No. 1 in A minor |
for piano |
published by Augener
|
Chamber music |
53 |
1905 |
2 Pieces - Pensiero (F minor)
- Allegretto (A major)
|
for viola and piano |
2. incomplete; The coda was completed by Paul Hindmarsh in 1980.
|
Piano |
54 |
1905 |
2 Solos for Piano - A Sea Idyll (E major)
- Capriccio No. 2 (F♯ minor)
|
for piano |
published by Houghton and Co.
|
Chamber music |
55 |
1905 |
Phantasie String Quartet in F minor |
for 2 violins, viola and cello |
won second prize in the 1905 Cobbett Chamber Music Competition
|
Organ |
56 |
1905 |
First Book of Organ Pieces - Allegretto grazioso (A major)
- Allegro comodo (B♭ major)
- Allegro marziale e ben marcato (D major)
|
for organ |
published by Winthrop Rogers
|
Vocal |
57 |
1905 |
Adoration |
for medium voice and piano or orchestra |
words by John Keats
|
Piano |
58 |
1905 |
Étude Rhapsodique in A minor |
for piano |
published by Thames Publishing
|
Chamber music |
59 |
1905 |
Amaryllis in D major |
for violin and piano |
|
Chamber music |
60 |
1905 |
Norse Legend in G minor |
for violin and piano |
|
Piano |
60 |
1905 |
Norse Legend in G minor |
for piano |
original version for violin and piano
|
Orchestral |
60 |
1905, 1938 |
Norse Legend in G minor |
for small orchestra |
original version for violin and piano
|
Vocal |
61 |
1905 |
So Perverse |
for medium voice and piano |
words by Robert Bridges
|
Vocal |
62 |
1905 |
Tears, Idle Tears |
for medium voice and piano |
words by Alfred, Lord Tennyson
|
Organ |
63 |
1905 |
3 Pieces for Organ - Andante moderato (C minor)
- Adagio (E major)
- Allegro con spirito (B♭ major)
|
for organ |
published by Novello
|
Chamber music |
64 |
c.1905 |
3 Pieces for String Quartet |
for 2 violins, viola and cello |
|
Vocal |
65 |
1905–1906 |
2 Songs of Robert Bridges - I Praise the Tender Flower
- Thou Didst Delight My Eyes
|
for high baritone and orchestra |
words by Robert Bridges
|
Piano |
66 |
1906 |
Dramatic Fantasia |
for piano |
published by Thames Publishing
|
Chamber music |
67 |
1906 |
3 Idylls |
for 2 violins, viola and cello |
movement 2 used as the theme of Variations on a Theme of Frank Bridge by Benjamin Britten
|
Piano |
68 |
1906 |
3 Sketches - April
- Rosemary
- Valse Capricieuse
|
for piano |
published by Winthrop Rogers
|
Orchestral |
68b |
1906, 1936 |
Rosemary |
for orchestra |
orchestration of No. 2 of 3 Sketches for piano, H.68
|
Vocal |
69 |
1906 |
The Violets Blue |
for voice and piano or string quartet |
words by Heinrich Heine
|
Chamber music |
70 |
1906 |
String Quartet No. 1 in E minor |
for 2 violins, viola and cello |
|
Vocal |
71 |
1906 |
Come to Me in My Dreams |
for voice and piano |
words by Matthew Arnold
|
Vocal |
72 |
1906 |
My Pent Up Tears Oppress My Brain |
for voice and piano |
|
Vocal |
[73] |
c.1906 |
2 Recitations - The Lovers' Quarrell
- The Maniac
|
for speaker and piano |
1. words by Robert Browning 2. words by Matthew Gregory Lewis
|
Chamber music |
74 |
1906 |
The Rag |
for 2 violins, viola and cello |
|
Chamber music |
75 |
c.1904–1906 |
Valse Fernholt |
for violin, viola, cello and piano |
|
Vocal |
76 |
1906–1907 |
3 Songs - Far, Far from Each Other
- Where Is It That Our Soul Doth Go?
- Music When Soft Voices Die
|
for medium voice, viola obbligato and piano |
1. words by Matthew Arnold 2. words by Heinrich Heine 3. words by Percy Bysshe Shelley
|
Vocal |
77 |
1907 |
All Things That We Clasp |
for voice and piano |
words by Heinrich Heine
|
Orchestral |
78 |
1907 |
Isabella, Symphonic Poem |
for orchestra |
after John Keats
|
Chamber music |
79 |
1907 |
Phantasie Piano Trio in C minor |
for violin, cello and piano |
won first prize in the 1908 Cobbett Chamber Music Competition
|
Chamber music |
80 |
1907 |
Gondoliera in E minor |
for violin and piano |
|
Vocal |
81 |
1907 |
Love Is a Rose |
for voice and piano |
words by Leah Durand
|
Chamber music |
82 |
c.1907–1908 |
Allegro Appassionato in B minor |
for viola and piano |
|
Chamber music |
83 |
c.1907–1908 |
Morceau Characteristique |
for violin and piano |
|
Orchestral |
84 |
1908 |
Dance Rhapsody |
for orchestra |
|
Vocal |
85 |
1908 |
Dear, When I Look into Thine Eyes |
for voice and piano |
words by Heinrich Heine
|
Chamber music |
86 |
1908 |
An Irish Melody |
for 2 violins, viola and cello |
movement I from Suite on Londonderry Air for string quartet, co-composed with Hamilton Harty, J. D. Davis, Eric Coates and York Bowen
|
Orchestral |
86a |
1908, 1938 |
An Irish Melody |
for orchestra |
original version for string quartet; based on The Londonderry Air
|
Chamber music |
87 |
c.1908 |
3 Miniatures for Piano Trio, Set 1 - Minuet
- Gavotte
- Allegretto con moto
|
for violin, cello and piano |
|
Chamber music |
88 |
c.1908 |
3 Miniatures for Piano Trio, Set 2 - Romance
- Intermezzo
- Salterello
|
for violin, cello and piano |
|
Chamber music |
89 |
c.1908 |
3 Miniatures for Piano Trio, Set 3 - Valse Russe
- Hornpipe
- March Militaire
|
for violin, cello and piano |
|
Piano |
90 |
c.1906–1908 |
? |
for piano |
"untitled" work
|
Choral |
91 |
1909 |
Hilli-Ho! Hilli-Ho! |
for mixed chorus a cappella |
words by Thomas Moore
|
Choral |
92 |
1909 |
O Weary Hearts |
for mixed chorus a cappella |
words by Henry Wadsworth Longfellow
|
Orchestral |
93 |
1909–1910 |
Suite - Prelude
- Intermezzo
- Nocturne
- Finale
|
for string orchestra |
|
Chamber music |
94 |
1910 |
Phantasie Piano Quartet in F♯ minor |
for violin, viola, cello and piano |
|
Incidental |
95 |
1910 |
The Two Hunchbacks: 5 Entr'actes |
|
incidental music for the play by Émile Cammaerts
|
Chamber music |
96 |
1910 |
Cradle Song in F major |
for violin or cello and piano |
|
Orchestral |
97 |
1911 |
Coronation March (Animo et Fide) |
for orchestra |
written for a competition celebrating the new King George V
|
Incidental |
98 |
1911 |
The Pageant of London |
for military band and male chorus |
incidental music for the Festival of Empire
|
Chamber music |
99 |
1911 |
Mélodie in C♯ minor |
for cello or violin and piano |
|
Orchestral |
100 |
1910–1911 |
The Sea, Suite - Seascape
- Sea Foam
- Moonlight
- Storm
|
for orchestra |
|
Chamber music |
101 |
1911–1912 |
2 Pieces - Caprice (D major)
- Lament (C minor)
|
for 2 violas |
1. incomplete
|
Vocal |
102 |
1912 |
Isobel |
for voice and piano |
words by Digby Goddard-Fenwick
|
Vocal |
103 |
c.1912 |
Easter Hymn (Ein frölicher Gesang) |
for voice and piano |
17th century German Hymn arrangement
|
Choral |
103 |
c.1912 |
Easter Hymn (Ein frölicher Gesang) |
for mixed chorus |
original for voice and piano
|
Chamber music |
104 |
c.1912 |
4 Short Pieces - Meditation (C major)
- Spring Song (G major)
- Lullaby (D major)
- Country Dance (B♭ major)
|
for violin or cello and piano |
|
Vocal |
105 |
c.1912 |
O That It Were So |
for voice and piano or orchestra |
words by Walter Savage Landor
|
Organ |
106 |
c.1901 1912 c.1901 |
Second Book of Organ Pieces - Andante con moto (D♭ major)
- Andantino (F minor)
- Allegro ben moderato (B minor)
|
for organ |
originally published in The Organ Loft, Books 100 (December 1913), 103 (March 1914), and 105 (May 1914)
|
Chamber music |
107 |
1906–1912 |
String Sextet in E♭ major |
for 2 violins, 2 violas and 2 cellos |
|
Piano |
108 |
1901, 1912 1912 1912 |
3 Pieces |
for piano |
published by Augener
|
Vocal |
109 |
1913 |
Strew No More Red Roses |
for voice and piano |
words by Matthew Arnold
|
Choral |
110 |
1913 |
The Bee |
for mixed chorus a cappella |
|
Orchestral |
111 |
1913 |
Dance Poem |
for orchestra |
|
Piano |
112 |
1913–1914 1913 1914 1914 1914 |
4 Characteristic Pieces - Solitude
- Ecstasy
- Sunset
- Arabesque
|
for piano |
published by Winthrop Rogers. First three published as 3 Poems with Arabesque published separately.
|
Vocal |
113 |
1914 |
Where She Lies Asleep |
for voice and piano or orchestra |
words by Mary Elizabeth Coleridge
|
Vocal |
114 |
1914 |
Love Went A-Riding |
for voice and piano or orchestra |
words by Mary Elizabeth Coleridge
|
Chamber music |
115 |
1914–1915 |
String Quartet No. 2 in G Minor |
for 2 violins, viola and cello |
|
Orchestral |
116 |
1914–1915 |
Summer, Symphonic Poem |
for orchestra |
|
Orchestral |
117 |
1915 |
Lament (for Catherine, aged 9 "Lusitania" 1915) |
for string orchestra |
also a version for piano; commemorating the sinking of RMS Lusitania
|
Piano |
117 |
1915 |
Lament for Catherine |
for piano |
original for string orchestra; commemorating the sinking of RMS Lusitania
|
Brass Band |
117 |
1915 |
Lament for Catherine |
for brass band (arr. Hindmarsh) |
original for string orchestra; commemorating the sinking of RMS Lusitania
|
Orchestral |
118 |
1915 |
2 Poems after Richard Jefferies - The Open Air - Andante moderato e semplice
- The Story of My Heart - Allegro con brio
|
for orchestra |
|
Chamber music |
119 |
1916 |
2 Old English Songs - Sally in Our Alley
- Cherry Ripe
|
for 2 violins, viola and cello |
|
Orchestral |
119 |
1916 |
2 Old English Songs - Sally in Our Alley
- Cherry Ripe
|
for string orchestra |
original version for 2 violins, viola and cello
|
Piano |
119 |
1916 |
2 Old English Songs - Sally in Our Alley
- Cherry Ripe
|
for piano 4-hands |
original version for 2 violins, viola and cello
|
Choral |
120 |
1916 |
Lullaby |
for female chorus and piano or string orchestra |
words by Veronica Mason
|
Choral |
121 |
1916 |
The Graceful Swaying Wattle |
for 2-part chorus and piano or string orchestra |
words by Veronica Mason
|
Choral |
122 |
1916 |
For God and King and Right |
for unison chorus and piano or orchestra |
words by Veronica Mason
|
Choral |
123 |
1916 |
Peter Piper |
for chorus of 3 equal voices a cappella |
traditional words
|
Vocal |
124 |
1917 |
Thy Hand in Mine |
for voice and piano or orchestra |
words by Mary Elizabeth Coleridge
|
Chamber music |
125 |
1913–1917 |
Sonata in D minor |
for cello and piano |
|
Piano |
126 |
1917 |
4 Characteristic Pieces - Water Nymphs
- Fragrance
- Bittersweet
- Fireflies
|
for piano |
published by Winthrop Rogers
|
Piano |
127 |
1917 |
3 Miniature Pastorals, Set 1 |
for piano |
published by Winthrop Rogers
|
Piano |
128 |
1917 |
Fairy Tale, Suite - The Princess
- The Ogre
- The Spell
- The Prince
|
for piano |
published by Augener
|
Vocal |
129 |
1917 |
To You in France |
for voice and piano |
words by Helen Dircks; incomplete
|
Vocal |
130 |
1918 |
So Early in the Morning, O |
for high voice and piano |
words by James Stephens
|
Vocal |
131 |
1918 |
Mantle of Blue |
for voice and piano or orchestra |
words by Padraic Colum
|
Vocal |
132 |
1918 |
Blow Out, You Bugles |
for tenor and orchestra, or piano with optional trumpet |
words by Rupert Brooke
|
Chamber music |
133 |
1918 |
Morning Song |
for cello and piano |
|
Piano |
134 |
1918 |
3 Improvisations |
for piano left-hand |
written for pianist Douglas Fox, who lost his right arm in World War I; published by Winthrop Rogers
|
Choral |
135 |
1918 |
A Litany |
for female chorus with organ ad libitum |
words by Phineas Fletcher
|
Vocal |
136 |
1918 |
The Last Invocation |
for voice and piano |
words by Walt Whitman
|
Choral |
137 |
1918 |
Sister, Awake |
for female chorus (sopranos) and piano |
words by Thomas Bateson
|
Vocal |
138 |
1918 |
Lay a Garland on My Hearse |
for 2-part vocal canon with piano |
words by Beaumont and Fletcher
|
Organ |
139 |
1918 |
Lento (In Memoriam C.H.H.P.) |
for organ |
originally written for the funeral service of Hubert Parry; published by H.F.W. Deane and Sons (No. 7 of The Little Organ Book)
|
Choral |
140 |
1916, 1918 |
A Prayer |
for mixed chorus and orchestra |
words by Thomas à Kempis
|
Vocal |
141 |
1918 |
3 Variations on "Cadet Rousselle" |
for voice and piano |
collaboration with Arnold Bax, John Ireland and Eugene Goossens. Bridge composed verses 1, 3 and 6 of the 12-verse song.
|
Orchestral |
141 |
1918 |
3 Variations on "Cadet Rousselle" |
for orchestra |
original version for voice and piano
|
Vocal |
142 |
1919 |
When You Are Old |
for high voice and piano |
words by William Butler Yeats
|
Vocal |
143 |
1919 |
Into Her Keeping |
for voice and piano |
words by Henry Dawson Lowry
|
Choral |
144 |
1919 |
Lantido Dilly |
for female chorus and piano |
anonymous words (17th century)
|
Vocal |
145 |
1919 |
What Shall I Your True Love tell? |
for voice and piano |
words by Francis Thompson
|
Vocal |
146 |
1919 |
'Tis But a Week |
for voice and piano |
words by Gerald Gould
|
Piano |
147 |
c.1919 |
The Turtle's Retort, One-step |
for piano |
originally published by Winthrop Rogers under the pseudonym John L. More
|
Piano |
148 |
1919–1920 |
The Hour Glass, Suite - Dusk
- The Dew Fairy
- The Midnight Tide
|
for piano |
published by Augener
|
Piano |
149 |
1921 |
3 Miniature Pastorals, Set 2 |
for piano |
|
Piano |
150 |
1921 |
3 Miniature Pastorals, Set 3 |
for piano |
|
Piano |
|
1921 |
Miniature Suite - Chorale
- Impromptu
- Caprice
- March
|
for piano |
assembled by Paul Hindmarsh (including movement titles) from material originally intended for the Miniature Pastorals
|
Piano |
151 |
1921 |
Threads: 2 Intermezzi - Andante molto moderato
- Tempo di valse
|
for piano |
incidental music to the play by Frank Stayton; orchestrated in 1938
|
Incidental |
151 |
1921, 1938 |
Threads: 2 Intermezzi - Andante molto moderato
- Tempo di valse
|
for orchestra |
incidental music to the play by Frank Strayton; original for piano
|
Piano |
152 |
1921 |
In the Shop, Ballet |
for piano 4-hands |
|
Choral |
153 |
1922 |
Golden Slumbers |
for female chorus a cappella |
words by Thomas Dekker
|
Choral |
154 |
1922 |
Hence care |
for female chorus a cappella |
anonymous words (1595)
|
Chamber music |
155 |
1922 |
Sir Roger de Coverley: A Christmas Dance |
for 2 violins, viola and cello |
|
Orchestral |
155 |
1922 |
Sir Roger de Coverley: A Christmas Dance |
for orchestra |
original version for 2 violins, viola and cello
|
Orchestral |
155 |
1922, 1938 |
Sir Roger de Coverley: A Christmas Dance |
for string orchestra |
original version for 2 violins, viola and cello
|
Choral |
156 |
1922 |
The Fairy Ring |
for female chorus with optional piano |
anonymous words
|
Choral |
157 |
1922 |
A Spring Song |
for unison voices and piano or string orchestra |
words by Mary Howitt
|
Choral |
158 |
1922, 1924 |
Pan's Holiday |
for female chorus and piano (1922) or string orchestra (1924) |
words by James Shirley
|
Choral |
159 |
1922 |
Evening Primrose |
for female chorus and piano |
words by John Clare
|
Piano |
160 |
1921–1924 |
Sonata |
for piano |
sketches dated 1921–1922; published by Augener
|
Piano |
161 |
1921–1924 1921 1922 1924 |
3 Lyrics - Heart's Ease
- Dainty Rogue
- The Hedgerow
|
for piano |
published by Augener
|
Chamber music |
161a |
1921 |
Heart's Ease |
for violin and piano |
original for piano
|
Piano |
162 |
1924 |
In Autumn - Retrospect
- Through the Eaves
|
for piano |
published by Augener
|
Chamber music |
163 |
1925 |
The Pneu World |
for cello and piano |
parody on the opening bars of The Star-Spangled Banner
|
Vocal |
164 |
1922–1925 1922 1924 1925 |
3 Songs of Rabindranath Tagore - Day after Day
- Speak to Me My Love
- Dweller in My Deathless Dreams
|
for voice and piano or orchestra |
words by Rabindranath Tagore
|
Vocal |
165 |
1925 |
Golden Hair |
for voice and piano |
words by James Joyce
|
Piano |
166 |
1925 |
Vignettes de Marseille - Carmelita
- Nicolette
- Zoraida
- En fête
|
for piano |
3 movements also orchestrated as Vignettes de Danse; published by Thames Publishing
|
Orchestral |
166 |
1925, 1938 |
Vignettes de Danse - Nicolette
- Zoraida
- Carmelita
|
for orchestra |
1938 orchestration of 3 movements from Vignettes de Marseille for piano
|
Vocal |
167 |
1925 |
Journey's End |
for tenor or high baritone and piano |
words by Humbert Wolfe
|
Piano |
168 |
1925 |
Winter Pastoral |
for piano |
published by Augener
|
Piano |
169 |
1926 |
Canzonetta (Happy South) |
for piano |
also orchestrated; published by Hawkes and Sons
|
Orchestral |
169 |
1926 |
Canzonetta (Happy South) |
for small orchestra |
original for piano
|
Piano |
170 |
1926 |
Graziella |
for piano |
published by Hawkes and Sons
|
Piano |
171 |
1926 |
A Dedication |
for piano |
published by Augener
|
Piano |
172 |
c.1926 |
Hidden Fires |
for piano |
published by Hawkes and Sons
|
Orchestral |
173 |
1927 |
There Is a Willow Grows Aslant a Brook, Impression |
for small orchestra |
title taken from Act IV of William Shakespeare's Hamlet; Benjamin Britten transcribed the work for viola and piano
|
Orchestral |
174 |
1926–1927 |
Enter Spring, Rhapsody (Symphonic Poem) |
for orchestra |
|
Chamber music |
175 |
1925–1927 |
String Quartet No. 3 |
for 2 violins, viola and cello |
|
Chamber music |
176 |
1928 |
Rhapsody Trio |
for 2 violins and viola |
|
Piano |
177 |
1928 |
Gargoyle |
for piano |
published by Thames Publishing
|
Chamber music |
178 |
1928–1929 |
Piano Trio No. 2 |
for violin, cello and piano |
|
Opera |
179 |
1909–1929 |
The Christmas Rose |
|
Children's Opera in 3 scenes; libretto by Margaret Kemp-Welch and Constance Cotterell
|
Concertante |
180 |
1929–1930 |
Oration, Concerto Elegiaco |
for cello and orchestra |
|
Piano |
181 |
1931 |
Todessehnsucht (Come Sweet Death) |
for piano |
|
Orchestral |
181 |
1931, 1936 |
Todessehnsucht (Come Sweet Death) |
for string orchestra |
original version for piano
|
Concertante |
182 |
1931 |
Phantasm, Rhapsody |
for piano and orchestra |
|
Chamber music |
183 |
1932 |
Sonata |
for violin and piano |
|
Orchestral |
184 |
1934 |
A Royal Night of Variety, Finale |
for orchestra |
|
Chamber music |
185 |
1934 |
A Merry, Merry Xmas |
for oboe, clarinet, trombone and piano |
|
Chamber music |
186 |
c.1935–1936 |
Sonata |
for viola and piano |
incomplete, sketches only
|
Chamber music |
187 |
c.1936 |
Movement for String Quartet |
for 2 violins, viola and cello |
|
Chamber music |
188 |
1937 |
String Quartet No. 4 |
for 2 violins, viola and cello |
|
Chamber music |
189 |
1934–1938 1937 1937 1937 1938 |
Divertimenti - Prelude
- Nocturne
- Scherzetto
- Bagatelle
|
for flute, oboe, clarinet and bassoon |
first version dated 1934
|
Organ |
190 |
1939 |
3 Pieces - Prelude
- Minuet
- Processional
|
for organ |
published by J. Curwen
|
Orchestral |
191 |
1940 |
Rebus, Overture |
for orchestra |
|
Orchestral |
192 |
1940–1941 |
Allegro Moderato |
for string orchestra |
fragment of a Symphony
|