Linda Mary BarwickAMFAHA (born 1954) is an Australian musicologist and professor emeritus at the Sydney Conservatorium of Music. Barwick has focused on researching Australian Indigenous music and the music of immigrant communities. She also works in the field of digital humanities, archiving recordings.[1]
Early life and education
Barwick was born Linda Mary Barwick in 1954. Early publications appeared under her married surname Linda Mary Bone[2][3] She graduated with a BA (hons, 1980)[2] and PhD (1986) from Flinders University. Her PhD thesis was titled "Critical perspectives on oral song in performance : the case of Donna lombarda".[4]
Career
Following her PhD, Barwick moved to the University of New England, where she worked with Professor Catherine Ellis and began to study Australian Indigenous music and Aboriginal women's participation in it.[5][6]
In 1995 she co-edited a collection of essays titled The essence of singing and the substance of song recent responses to the Aboriginal performing arts and other essays in honour of Catherine Ellis.[10]
Marett, Allan; Barwick, Linda; Ford, Lysbeth Julie (2012), For the sake of a song : Wangga songmen and their repertories, Sydney University Press, ISBN978-1-920899-75-2
Harris, Amanda; Thieberger, Nicholas; Barwick, Linda, eds. (2015), Research, records and responsibility : ten years of PARADISEC, Sydney University Press, ISBN978-1-74332-443-1
Barwick, Linda; Green, Jenny; Vaarzon-Morel, Petronella, eds. (2020), Archival returns : Central Australia and beyond, Sydney University Press, ISBN978-1-74332-672-5
^Barwick, Linda; Marett, Allan; Tunstill, Guy, eds. (1995), The essence of singing and the substance of song recent responses to the Aboriginal performing arts and other essays in honour of Catherine Ellis, University of Sydney, ISBN978-0-86758-994-8