Leontios Petmezas (born 1965) is a Greek contemporary theorist, art historian, book critic, author and journalist.
Early life and education
Born in Kavala in 1965. He is a graduate of Political Science and School of Public Administration at Athens University. His teachers included Thanos Veremis, Alexis Mitropoulos, Ioannis Valinakis, Konstantinos Tsoukalas, and Tassos Giannitsis. He graduated from the National Conservatory and the Higher Drama School "Mary Tragas". He studied History of Art at Athens University, journalism at Botsis Foundation and the Journalism School of ANT1. He attended art history and painting in Europe and the United States.
Career
Since the mid-1980s to today collaborates with municipalities, ministries, embassies,[1] prefectures, political offices, spiritual and educational institutions, publishing complexes, educational cultural centers and art galleries.[2]
From 2004 to 2012 he was Artistic Director and Principal advisor artistic institution "Art Flame.".[3]
In the context of cooperation with the artistic institution taught painting and art history.
It contributes to the organization and presentation of exhibitions,[4] festivals and events of art and culture,[5] around the world.[6] deals with the assessment of works of art. Contributed actively to the establishment of new perspectives, negotiations and arrangements in the field of art. He teaches History of contemporary art and exhibits artworks in Greece,[7] and abroad and has received positive reviews from recognized historians of art-critics like Helen Vakalo, Alexander Xidis, Nikos Hadjikyriakos-Ghikas and others.
Paintings belong to famous art collections (Argostoli Gallery of Contemporary Art, Art Studio Est, Art Way, Art Space, Art Selected Works, etc.) while a substantial proportion allocated to charity. Introduced editions,[8] visual arts, literary and poetry books, exhibition catalogs, exhibitions,[9] events, happenings, performances and other cultural events.
In 2012 presented a study-thesis for the poet Nikiforos Vrettakos in the Philological Association of Parnassos.[10]
For his pen and writing have been expressed with favorable criticism prominent people of the area as Elli Alexiou, Lilika Nakos, Lili Zografou, Dido Sotiriou, Maria Iordanidis and others. He is often a speaker at international conferences and symposium of the art.[11]
To 2014 took part as moderator and rapporteur at first colloquium of Political Party of Syriza[12]
To 2015 he was appointed scientific adviser to the Greek Academy of Art and Culture.[13]
Books
"Dominant thought form" (1988), poetry in free verse.
"Odes people" (1992), poetry with abstract writing.
"The aesthetic contemplation of Costas Evangelatos" (2001) Essay artistic ethos with a foreword by the winning with state award literary Joanna Karatzaferis.[15]
"Moments of color" (2002) Theoretical approach to Fauvism, with reference to the tables of Julia Guerrero.
"Pictorial solution borderline" (2003) Theoretical approach to impressionism.[16]
"John Koutsoheras-The moralistic intellectual political consciousness" (2010) Essay-theoretical approach to poetry, with a foreword by the philologist Sophia Petmeza..,[19][20]
"Consciousness file" (2011). Poetry with visual compositions for the texts created by Costas Evangelatos, with an introduction by actress Anna Fonsou.[21]
Old People's Home of Manolis Korres (general) (1999)
Pirliplin and Belissa of Federico García Lorca, translated, adapted from Triantafyllidis Niki and directed by Zoe Masouras who plays the Belissa. (2011)[23]
The myth of Morpheus, the first interactive theater Happening City of Athens Gazi. (2011)
The Geraldine and the elf of Lake of Eva Petropoulos-Lianos, kids, interactive, educational theater project, (grandfather Lionel) (2012).[24]
On the border of Anarchy, political, social work (Police Officer) (2013)
Magazine "Umbrella" issue September–November 2005. Published his critical approach for the book The stars burned of author Kiki Segditsas, ed. Livanis.
Literary Calendar (2005) of Municipality of Kavala, ed. Municipal Library of Kavala.
WesternMakedonika letters, 2nd Volume (2008)
Magazine "Umbrella" of Makis Apostolatos issue March–May 2008. Published by the study The conceptual consciousness approach in painting of painter Nikos Engonopoulos.
Magazine "Umbrella" issue September–November 2008. Posted his study-work The erotic, historical and social element in author M. Karagatsis.
Magazine "Umbrella" issue September–November 2009. Posted his study-work Author Thanasis Kostavaras:Ηe expresses the generation of losers.
Tributes to poet Yiannis Koutsoheras (2009).
Revealed Enlightened-Illuminati of author Nikolaos Laos. (2009) .In this book there is his study "Mysticism and Art" and a reference to his winning poem Truncated ideologies
The Excess of Political Economy of author Nikolaos Laos (2012). In the book there is reference to his poem "Other consciousness ."
Poetic diary, Iolkos editions (2012). It includes the award-winning poem Closely
Poetic diary, Iolkos editions (2013). Includes poem Consciousness received
The Lord of island Ro of author Yiannis Alexakis, (2013). Historical, cultural narrative time.
4o Anthology Union Cultural Institutions of Evros(2014)
Anthology of poetry, Ostria editions (2015). It includes his award-winning poem life path.
Poetic diary, Iolkos editions (2016). Includes his poem.[35]
Poetic diary, Iolkos editions (2017). Includes his poem.[36]
Journalism
He works as an art critic in the press and electronic media. As an art critic, he worked with newspapers and magazines. He has published articles and essays on art history, theory of modern art, sculpture, iconography and painting. He compiled monographs and recursive lists artists and essays with aesthetics, philosophy, history, sociology of art.
Actively engaged for several years in the union movement in unions, associations and unions. It is many years a member of the Periodical and Electronic Press Union (ESPIT) and the European Federation of Journalists (EFJ) which has developed industrial action.
Distinctions
Diploma and medal value of Group Athletics Olympias.