Leah Broad
Leah Broad is a British writer, broadcaster, and researcher at Christ Church, Oxford.[1] She was awarded the 2015 Observer/Anthony Burgess prize for contemporary British arts journalism[2] and was a BBC New Generation Thinker in 2016[3] She is a trustee of the William Alwyn Foundation.[4] Her writing focuses on the history of women in the arts.[5] Her group biography, Quartet, published by Faber and Faber, won the Royal Philharmonic Society's Storytelling Prize,[6] won the Presto Music Book of the Year award,[7] was shortlisted for the Slightly Foxed Best First Biography prize,[8] and was awarded a Kirkus star.[9] Early life and educationBroad completed an undergraduate degree in Music at Christ Church, Oxford, where she ran the Christ Church Music Society[10] and founded and edited the Oxford Culture Review.[11] She holds a doctorate in musicology from the University of Oxford on Swedish and Finnish theatre music.[12] Writing and presentingBroad's debut group biography, Quartet, covers the lives of women composers Ethel Smyth, Rebecca Clarke, Doreen Carwithen, and Dorothy Howell.[13][14][15][16][17][18] The book argues that women have had important influences on classical composition, but that this progress is not linear and can be erased and forgotten.[19] Broad has discussed the book at festivals including the Hay Festival[20] and Edinburgh International Book Festival.[21] Alongside violinist Fenella Humphreys and pianist Nicola Eimer, Broad presented performances of works by the composers covered in the book at venues including the Barbican Centre.[22] She has a second book under contract with Faber and Faber.[23] Broad has presented for BBC Radio 3 including appearances on Record Review, Composer of the Week, Music Matters, the Sunday Feature, and the BBC Proms.[24][25][26][27][28] Broad's journalistic work covering music and the arts has featured in newspapers including The Guardian, the Financial Times, and the London Review of Books.[29][30][31] Broad's academic work has been published in the Journal of the Royal Musical Association, Music & Letters, Tempo, and Music and the Moving Image as well as collected volumes from the Oxford University Press, Cambridge University Press, Routledge, and Boydell and Brewer.[32] References
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