In 2016, Nobuhiko Obayashi was diagnosed with stage-four terminal cancer.[6] Despite this, he wrote and directed Hanagatami (2017),[4] and decided to start production on Labyrinth of Cinema after Hanagatami was completed. While filming and editing Labyrinth of Cinema, Obayashi was receiving treatment for his cancer.[4]
Plot
On the eve of closing down for the last time, a local cinema is hosting an all-night movie marathon, showing classic Japanese war films. Three men, Mario Baba (a film buff), Shigeru (a Buddhist monk turned Yakuza street-thug) and Hosuke (an intellectual film historian) have all come to the cinema, albeit for different reasons, to watch the film. A fourth individual, a young schoolgirl named Noriko, is also there to learn about cinema and the history of war. The action starts in earnest when the 13 year old Noriko falls into the Setouchi Kinema movie screen and becomes a part of the film's narrative. The three protagonists also jump into the screen, and find themselves a part of the fabric of the films they were there to watch, as they try to save people from the horrors of war.
The film is largely composed of several interlinked eras in Japanese military history, beginning with the Boshin War of 1868, moving into the Sino-Japanese War of 1894, and into the second World War, with a particular insight into the impact of the war on Okinawa, and later the impact of the Atomic Bomb drop on Hiroshima. The protagonists find themselves in various scenarios within each war.
Critical reception
Deborah Young of The Hollywood Reporter referred to Labyrinth of Cinema as "Nobuhiko Obayashi's opus", calling it "exuberantly shot" and "imaginatively edited".[5] Mark Schilling of Variety wrote that the film "has [Obayashi's] characteristic blend of surreal whimsy and heartfelt emotion."[4]