Kubota Beisen (久保田 米僊, 1852 – May 19, 1906) was a Japanese artist and art instructor in the Meiji period.
Although his style remained recognisably Japanese, his knowledge of Western principles and methods is also reflected in his work.[1] Beisen trained under Suzuki Hyakunen (1825–1891).[2] The way in which he integrated Western perspective and techniques in his work was a self-taught skill.
Biography
Kubota was a teacher at the Kyoto Prefectural School of Painting, which was founded in 1878 by Kubota and others.[1] Among his colleagues in establishing the school was the artist Kōno Bairei (1844–95).[2]
1886: Kubota was ordered to decorate the ceiling and doors of one of the rooms in the Imperial palace, which was then newly constructed in Tokyo.[1]
1889: Kubota visited Paris, where he made a study of European masters.[1]
1890: Kubota began working for the Kokumin Shimbun, which was among the daily newspapers in Tokio.[1]
A view of the Japanese Exhibit at the Columbian Exposition of 1893 by Kubota, who was in Chicago as "artist-correspondent" for a Tokyo newspaper
1893: Kubota was sent to the World's Columbian Exposition at Chicago by a newspaper, Kokumin Shimbun; and his drawings were published for its subscribers in Tokyo and elsewhere in Japan[1] Kubota's paintings were collected in a multivolume set of soft cover books in Japan that same year under the title Kakuryū sekai hakurankai bijutsu hin gafu (閣龍世界博覧美術品画譜) by Okurashoten. The illustration to the right appears in volume one, available for free download as a PDF through Getty Images, the Internet Archive, and Hathi Trust.
1897: A painting by Kubota was amongst the gifts from Japan which were presented to Queen Victoria on the occasion of her Diamond Jubilee.[1]
As war artist for Kokumin Shimbun, he accompanied the Japanese army at the time of the war with China in 1894 through 1895.[1] His vivid illustrations of battlefield scenes of the First Sino-Japanese War were widely distributed in the Japanese population.
When Kubota returned from the front, he was summoned to General Headquarters where he was ordered to create drawings in the presence of the Emperor.[1]
Kubota's artwork was published in Nisshin Sentou Gahou (A Pictorial Record of the Sino-Japanese War). The eleven volumes were published at irregular intervals between October 1894 and June 1895. The volumes are a visual chronicle of the war, beginning with the outbreak of hostilities in the summer of 1894.[3] Kubota created images of Japan's sea-victories. He also published a visual account of Japan's advance into Manchuria. The peace treaty signed between Japan and China was also illustrated as part of this series of drawings.[3]
Kubota's published work in Japanese is encompassed in 24 works in 25 publications in 53 library holdings.[5] His one work in English was published in six editions and is found in 84 libraries worldwide.[6]
