Many films, books, and other media have depicted the 1950—53 Korean War. The TV series M*A*S*H is one well known example. The 1959 novel The Manchurian Candidate has twice been made into films. The 1982 film Inchon about the historic battle that occurred there in September 1950 was a financial and critical failure. By 2000 Hollywood alone had produced 91 feature films on the Korean War.[1] Many films have also been produced in South Korea and other countries as well.[2]
Compared to World War II, there are relatively few Western feature films depicting the Korean War.
American films
The Steel Helmet (1951) is a war film directed by Samuel Fuller and produced by Lippert Studios during the Korean War. It was the first studio film about the war, and the first of several war films by producer-director-writer Fuller.
Fixed Bayonets! (1951), U.S. soldiers in Korea surviving the harsh winter of 1951. Directed by Samuel Fuller.
Battle Circus (1953). A love story of a hard-bitten surgeon and a new nurse at a M.A.S.H. unit. It starred Humphrey Bogart and June Allyson and was directed by Richard Brooks.[3]
P.O.W. (1953), an American teleplay about soldiers recovering from brainwashing and abuse in a Communist prisoner of war camp.
Men of the Fighting Lady (1954), Fictional account of U.S. Navy pilots flying F9F Panther fighter jets on hazardous missions against ground targets. Directed by Andrew Marton and starring Van Johnson.
The McConnell Story (1955) Air Force pilot Joseph C. McConnell who served as a navigator in World War II before becoming the top American ace during the Korean War.
Target Zero (1955), U.S., British, and South Korean troops are trapped behind enemy lines.
Battle Hymn (1957) stars Rock Hudson as Colonel Dean Hess, a preacher who became a pilot. He accidentally destroyed a German orphanage during World War II, and rejoins the USAF in Korea; he rescued orphans during that war.[6][7]
The Hook (1963), starring Kirk Douglas, portrays the dilemma of three American soldiers on board a ship who are ordered to kill a North Korean prisoner of war.
Inchon (1982), portrays the Battle of Inchon, a turning point in the war. Controversially, the film was partially financed by Sun Myung Moon's Unification Movement. It became a notorious financial and critical failure, losing an estimated $40 million of its $46 million budget, and remains the last mainstream Hollywood film to use the war as its backdrop. The film was directed by Terence Young and starred an elderly Laurence Olivier as General Douglas MacArthur.
The Forgotten (2004) features a decimated tank unit, lost behind enemy lines, battling the vicissitudes of the war as well as their own demons.
Birthday Boy (2004) is a short animated film directed by Sejong Park and produced by Andrew Gregory. It depicts a young boy Manuk playing on the streets of a village in war-stricken Korea. When Manuk returns home he receives a package containing soldier's personal effects. Unable to read and too young to understand its meaning he mistakes the package for a birthday present. The film won 30 film festival awards and was also nominated for Academy Award for Best Animated Short Film.
British films
A Hill in Korea (1956) is a British war film. The original name was Hell in Korea, but was changed for distribution reasons, except in the U.S. It was directed by Julian Amyes[8] and the producer was Anthony Squire.
Canadian films
Korea: The Unfinished War (2003) is a documentary written and directed by Canadian Brian McKenna, which provides new information and adopts an objective editorial line. It interviews researches that allege that the US committed war crimes by using biological warfare on North Korean territory. The documentary provides information that certain munitions found on the battlefield point to the use of anthrax, bubonic plague and encephalitis by US forces. It also provides information that the US Army deliberately killed civilians on a large scale for fear that the communists were infiltrating them.
South Korean films
The Marines Who Never Returned (1963), directed by Lee Man-hee. A film about South Korean marines fighting to the last man against North Korean and Chinese soldiers during the Korean War.
Spring in My Hometown (1998), directed by Lee Kwang-mo. Though not focused especially on the fighting, takes place in a South Korean village during the war as it deals with the war's upheavals.
Joint Security Area (2000), directed by Park Chan-wook. In the DMZ (Korean Demilitarized Zone) separating North and South Korea, two North Korean soldiers have been killed, supposedly by one South Korean soldier. The investigating team suspects a cover-up is taking place, but the truth is much simpler and much more tragic. Starring Lee Young-ae, Lee Byung-hun, Song Kang-ho, Kim Tae-woo, and Shin Ha-kyun.
Welcome to Dongmakgol (2005), directed by Park Kwang-hyun. It shows the effect of the warring sides on a remote village. The village becomes home to surviving North Korean and South Korean soldiers, who in time lose their suspicion and hatred for each other and work together to help save the village after the Americans mistakenly identify it as an enemy camp.
In North Korea the Korean War has always been a favorite subject of film, both for its dramatic appeal and its potential as propaganda. The North Korean government film industry has produced many scores of films about the war. These have portrayed war crimes by American or South Korean soldiers while glorifying members of the North Korean military as well as North Korean ideals.[11][better source needed] Some of the most prominent of these films include:
Unsung Heroes, a multi-part film produced between 1978 and 1981 which included in the cast several American soldiers who had defected to North Korea. It tells the story of a spy in Seoul during the Korean War.
Battle on Shangganling Mountain (1956) (Chinese: 上甘岭; pinyin: Shànggān Lǐng) is a famous Chinese war movie about the Battle of Triangle Hill. The story is centered around a group of Chinese soldiers that were trapped in a tunnel several days. Short of both food and water, they hold their grounds till the relief troops arrive. The movie's popularity is largely due to the fact it was one of the few movies that were not banned during the Cultural Revolution.
Assembly (2007): Parts of this movie depicts Chinese forces in the Korean War, specifically around a special squad of artillery spotters.
The Sacrifice (2020): The July 12–13, 1953 events of the film at Geumgang River are presented in three main segments from three different perspectives: "Soldiers", "Adversaries", and "Gunners". These are followed by a final segment, "Bridge".
In South Korea novelists Pak Wansŏ and Ch’oe Yun and film director Kang Chegyu use the war experience to explore geography, time, memory, and history. Their narratives are set decades after the war ended, but emphasize long-term memories and results.[14]
Choi In-hun's The Square is one of the most important novels about the Korean War from the 1960s.[15]
Jo Jung-rae's ten-volume Taebaek Mountain Range was one of the most popular novels in the 1980s. It also covers the Korean War.[16]
The essay Who are the Most Beloved People? (1951) by Chinese writer Wei Wei is considered to be the most famous literary and propaganda piece produced by China during the Korean War.
The war-memoir novel Yesterday's War (2001), by Meng Weizai, is a drafted PVA soldier's experience of the war, combat, and espionage between the PVA, Korean People's Army (KPA), UN Command and South Korean Army.[17]
The war-memoir novel War Trash (2004), by Ha Jin, is a drafted PVA soldier's experience of the war, combat, and captivity under the UN Command, and of the retribution Chinese POWs feared from other PVA prisoners when suspected of being unsympathetic to Communism or to the war.
West German newsreels for theatrical release often carried an antiwar commentary. For example, the September 1950 issue included the following spoken text:
In Korea, however, a war is being waged without mercy. New, dangerous situations have arisen for UN forces. The North Koreans launched an unexpected general offensive. The enemies accuse each other of the cruelest war crimes. The wretchedness of mankind is brought home to us. Goodness is peace, evil is war; peace is freedom and war is violence. There is no good reason for man to go to war--anywhere in the world![19]
M*A*S*H (1972–83); based on the novel and film (see above), the TV series had a total of 251 episodes, lasted 11 years, and won awards. Its final episode was the most-watched program in television history.[20] Yet the sensibilities they presented were more of the 1970s than of the 1950s; the Korean War setting was an oblique and uncontroversial treatment of the then-current American war in Vietnam.[21][22]
In the British sitcom Fawlty Towers, Basil Fawlty is a British Korean War veteran, claiming to have killed four men; his wife Sybil then says that he was in the Army Catering Corps and poisoned them with his cooking. Basil has been described as "the most famous and mocked fictional veteran of the Korean War."[23]
In the HBO show Lovecraft Country (TV series)'s sixth episode, "Meet Me in Daegu", the entire story takes place in Korea during the war. The main character Atticus, is a veteran of the war.
In the television series ‘’Beavis and Butt-Head’’, the character Tom Anderson is a veteran of the Korean War and received a Purple Heart. The series’ tenth season features segments where Anderson tells stories of his experiences during various Korean War battles including the Battle of Inchon and the Battle of Heartbreak Ridge.
Theater
The Colombian theatrical work El monte calvo (The Barren Mount), created by Jairo Aníbal Niño, used two Colombian veterans of the Korean war, and an ex-clown named Canute to criticize militarist and warmongering views, and to show what war is and what happens to those who live through it.[24]
^Susie Jie Young Kim, "Korea beyond and within the Armistice: Division and the Multiplicities of Time in Postwar Literature and Cinema." Journal of Korean Studies 18.2 (2013): 287-313 online.
^Karl Stamm, "The 'Neue Deutsche Wochenschau' (1950): West German newsreel coverage of Korea and the virtues of peace," Historical Journal of Film, Radio & Television (1993) 13#1
^"El Monte Calvo". montecalvo.blogspot.com. Retrieved 31 March 2010.
Further reading
Brockett, Gavin D. "The Legend of ‘The Turk’ in Korea: Popular Perceptions of the Korean War and Their Importance to a Turkish National Identity." War & Society 22.2 (2004): 109-142.
Chung, Hye Seung. "From Saviors to Rapists: GIs, Women, and Children in Korean War Films." Asian Cinema 12.1 (2001): 103–116.
Danel, Thibaud. "Bodies of War and Memory: Embodying, Framing and Staging the Korean War in the United States." Miranda. Revue pluridisciplinaire du monde anglophone/Multidisciplinary journal on the English-speaking world 15 (2017).
David, Joel. "Remembering the Forgotten War" Kritika Kultura 28 (2017), re: films online
Edwards, Paul M. A Guide to Films on the Korean War (Greenwood, 1997)
Fox, Levi. Not Forgotten: The Korean War in American Public Memory, 1950–2017 (Temple UP, 2018).
Freedman, Carl. "History, Fiction, Film, Television, Myth: The Ideology of MASH." Southern Review 26.1 (1990): 89+.
Herzon, Frederick D., John Kincaid, and Verne Dalton. "Personality & public opinion: The case of authoritarianism, prejudice, & support for the Korean & Vietnam wars." Polity 11.1 (1978): 92-113.
Hwang, Junghyun. "'I’ve Got a Hunch We’re Going Around in Circles': Exceptions to American Exceptionalism in Hollywood Korean War Films." American Studies in Scandinavia 49.1 (2017): 61–82. online
Jackson, Andrew David. "South Korean Films About the Korean War: To the Starry Island and Spring in My Hometown." Acta Koreana 16.2 (2013): 281+ online.
Keene, Judith. "Cinema and Prosthetic Memory: The Case of the Korean War." PORTAL: Journal of Multidisciplinary International Studies 7.1 (2010). online
Kim, Susie Jie Young. "Korea beyond and within the Armistice: Division and the Multiplicities of Time in Postwar Literature and Cinema." Journal of Korean Studies 18.2 (2013): 287-313 online.
Lentz, Robert J. Korean war filmography: 91 English language features through 2000 (McFarland, 2016).
Long, K. "The Korean War in American feature films." Education about Asia 7.3 (2002): 16–23. online; covers Steel Helmet, Retreat Hell!, Battle Hymn, Men of the Fighting Lady, and Pork Chop Hill
Matray, James I. "Korea's war at 60: A survey of the literature." Cold War History 11.01 (2011): 99-129.
Mueller, John E. "Trends in Popular Support for the Wars in Korea and Vietnam 1." American Political Science Review 65.2 (1971): 358–375.
Pash, Melinda L. In the Shadow of the Greatest Generation: The Americans Who Fought the Korean War (NYU Press, 2012).
Peters, Richard, and Xiaobing Li. Voices from the Korean war: Personal stories of American, Korean, and Chinese soldiers (UP of Kentucky, 2014).
Smith, Howard. "The BBC television newsreel and the Korean War." Historical Journal of Film, Radio and Television 8.3 (1988): 227–252.
Solomonovich, Nadav. "The Turkish Republic's Jihad? Religious symbols, terminology and ceremonies in Turkey during the Korean War 1950–1953." Middle Eastern Studies 54.4 (2018): 592–610. online[dead link]
Stamm, Karl. "The `Neue Deutsche Wochenschau' (1950): West German newsreel coverage of Korea and the virtues of peace," Historical Journal of Film, Radio & Television (1993) 13#1 pp. 69–73.
Wehrle, Edmund F. "'Syndromes' and 'Solutions': The Korean War and The Vietnam War, 1950–1973." Diplomatic History (2020).
Wetta, Frank Joseph, and Stephen J. Curley. Celluloid wars: a guide to film and the American experience of war (Greenwood, 1992).
Williams, Tony. "Beyond Fuller and MASH: Korean War Representations in Film, Genre, and Comic Strip." Asian Cinema 20.1 (2009): 1-14.
Young, Charles S. "Missing action: POW films, brainwashing and the Korean War, 1954–1968." Historical Journal of Film, Radio and Television 18.1 (1998): 49–74.