Khondakar Ashraf Hossain (Bengali: খোন্দকার আশরাফ হোসেন; 4 January 1950 – 16 June 2013) was a leading postmodernist[1] poet, essayist, translator, and editor from Bangladesh. He wrote more than eighteen titles.[2][3]
Early life and education
Hossain was born on 4 January 1950 to a Bengali Muslim family of Khondakars in the village of Joynagar in Sarishabari, Jamalpur, then part of the Mymensingh District of East Bengal (now Bangladesh). He earned a BA degree in 1970, and an MA degree in 1971, both are in English and from the University of Dhaka. After he got MAs in linguistics and ELT from the University of Leeds in 1981.[4] He also obtained a PhD in English from the University of Dhaka and a postgraduate diploma in Teaching English Overseas from the University of Leeds in 1980.[5] His doctoral thesis is entitled Modernism and Beyond: Western Influence on Bangladeshi Poetry,[6] which he defended under Dr. Syed Manzoorul Islam, another doyen and celebrated writer in the department.[1]
In his decades-long teaching career, he was immensely popular among his students for his unique lectures delivered with ready wit and remarkable quips.[1] He has published a number of collections of poetry and of essays in Bengali and English. About the readership of poetry, he says:
I am not at all concerned with the number of readers of poetry.
Hossain translates from Bengali to English and from German and English to Bengali. His poems have been translated into English, German, French, Telugu and Hindi.[6] Hossain edits and publishes a literary magazine: Ekobingsho (English: The Twenty-First)[10][11] which was founded by Hossain himself in 1985 with its main focus on the new poetry of Bangladesh.
Theatrical work
Hossain patronized a drama group called Nagorik since the seventies, one of Bangladesh's leading theatrical groups, for which Hossein served as both president and dramatist.[12][13]
Critical reception
Hossain receiving honorary crest at 18th years celebration of Somujjol Subatas
Hossain wrote a wide variety of poems in lucid language and with innovative and suggestive imagery.[14] Expressiveness and eloquence in his poetry came from his successful, spontaneous combination of national and world heritage and mythology with his personal experience and feelings.[15] Though he began to write when postmodernism was blooming fast in the west, he denies to identify himself as an avowed post-modernist.[16] In his book On Behula's Raft's launch ceremony, he said about himself that "my soul is nourished by the alluvial soil and the moistures of riverine Bangladesh, which is my Behula".[17]Fakrul Alam considered his poems "humorous and witty" in some cases.[17]Syed Manzoorul Islam opined that Hossain at his initial stage was a romantic poet, but is now a realistic poet, as he is writing in a very self-conscious way.[17] His love poems are characterised by stark realism rather than by romantic euphoria.[14]Anisuzzaman deemed his poetry as the socio-political representation of Bangladesh.[17] He explored not only the contemporary social and political condition of his country but also "the grounds of existential philosophy in conceiving human life as fragile yet undying, as self-destructive yet eternal".[14]
Hossain's poetry is noted for its engagement with philosophical concerns. For having some drishtantoist poems, he would be important in Bengali poetry.[18]
Death
Hossain, died of a heart attack in Lab-aid hospital in Dhaka at 12 noon on 16 June 2013.[1][19][20] He was undergoing treatment at Labaid Specialized Hospital, Dhaka since 14 June due to health complications. He suffered a major heart attack at 8:30 am and died around 11:00 am on 16 June.[21] The ailing professor was being treated when he died at the age of 63.[22]
^Imran, Nadee Naboneeta (27 September 2012). "Khondakar Ashraf Hossain". New Age. Dhaka. Archived from the original on 22 December 2015. Retrieved 13 December 2015.
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