Khaled Malas (Arabic: خالد ملص)[1] is a Syrian architect and art historian. He is also a co-founder of the Sigil Collective[2] alongside Salim al-Kadi, Alfred Tarazi and Jana Traboulsi.[3][4][5]
Excavating the Sky, The 14th International Architecture Exhibition: "Fundamentals: Absorbing Modernity 1914-2014". Directed by Rem Koolhaas, 2014 [10][23][24][25][26]
Monuments of the Everyday, CCS Bard Galleries, Annandale-on-Hudson: "No to the Invasion: From the Archive". Curated by Fawz Kabra and Tarek al-Ariss, 2017 [31]
2015: 'The Arab Fund for Arts and Culture Visual Arts Grant' [40]
2016: 'Distinguished Young Alumni Award of the Architecture & Design Department, Faculty of Engineering and Architecture, American University of Beirut, Awarded in recognition of interdisciplinary creativity and activism.[41]
Selected writing
2016: "Monuments of the Everyday" ‘After Belonging: The Objects, Spaces, and Territories of the Ways We Stay in Transit’ by Lluís Alexandre Casanovas Blanco, Ignacio G. Galán, Carlos Mínguez Carrasco, Alejandra Navarrete Llopis, and Marina Otero (eds.)(Zurich: Lars Muller, 2016)
2016: "Review: Pattern, Color, Light: Architectural Ornament in the Near East (500–1000)," Journal of the Society of Architectural Historians, Vol. 75 No. 2 (2016): pp. 238–239
2017: "The body, writhing in pain, sits before an intoxicated audience" ‘No to the Invasion: Breakdown and Side-effects’ edited by Fawz Kabra (Annandale-on-Hudson: CCS Bard, 2017)
Watenpaugh Heghnar Zeitlian, “Cultural Heritage and the Arab Spring: War over Culture, Culture of War, and Culture War,” "International Journal of Islamic Architecture 5" (2016): pp. 245–63
العربي الجديذ - خالد ملص: بحثاً عن عمارة الناس [42]
Wilson-Goldie, Kaelen "Practical Magic: Can Art Make a Difference in Assad Syria?," Bookforum(Apr/May 2017): pp. 42–43
فوّاز طرابلسي "حفريات السماء - حفريات الأرض" دم الأخوين: العنف في الحروب الأهليّة (بيروت: رياض الريّس للكتب و النشر, 2017), pp. 207–227
Kafka, George "Active Witness" Icon (architecture magazine) Architecture and Design Culture (May 2019); pp. 52–60