Quartet for J. Robert Oppenheimer (poems) Twelve Women in a Country Called America: Stories A Kind of Dream Girl in a Library: On Women Writers & the Writing Life Hazard and Prospect: New and Selected Poems The Retreats of Thought
Cherry died on March 18, 2022, at the age of 81.[1] The editors of storySouth dedicated the magazine's spring 2022 issue to her for her support of "all the little magazines."[7]
Cherry's poetry frequently focused on issues related to philosophy[14] and language,[3] and has been described as trying to "discover within the art of poetry methods and procedures identical to, or closely analogous with, those of a science or a rigorous formal philosophy."[14] Or as Cherry described it, "the becoming-aware of abstraction in real life--since, in order to abstract, you must have something to abstract from."[15]
Within her novels, the abstract notions of morality become her focus: "My novels deal with moral dilemmas and the shapes they create as they reveal themselves in time. My poems seek out the most suitable temporal or kinetic structure for a given emotion."[15] As described in Contemporary Authors, Cherry "manages to capture, in very readable stories, the indecisiveness and mute desperation of life in the twentieth century."[15]
From the beginning of her career, Cherry wrote both formal verse and free verse. According to the citation preceding her receipt of the James G. Hanes Poetry Prize by the Fellowship of Southern Writers in 1989, "Her poetry is marked by a firm intellectual passion, a reverent desire to possess the genuine thought of our century, historical, philosophical, and scientific, and a species of powerful ironic wit which is allied to rare good humor." Reviewing Relativity, Patricia Goedicke noted in Three Rivers Poetry Journal that "her familiarity with the demands and pressures of traditional patterns has resulted...in an expansion and deepening of her poetic resources, a carefully textured over- and underlay of image, meaning and diction." Mark Harris felt that Cherry's "ability to sustain a narrative by clustering and repeating images [lends] itself to longer forms, and 'A Bird's Eye View of Einstein,' the longest poem in [Relativity], is an example of Cherry at her poetic best." Reviewing Cherry's collection, Death and Transfiguration, Patricia Gabilondo wrote in The Anglican Theological Review that "the abstract prose poem 'Requiem' that closes this book...translates personal loss into the historical and universal, providing an occasion for philosophical meditation on the mystery of suffering and the need for transcendence in a post-Holocaust world that seems to offer none. Moving through the terrors of nihilism and doubt, Cherry, in a poem that deftly alternates between the philosophically abstract and the image's graphic force, gives us an intellectually honest and deeply moving vision of our relation to each other's suffering and of God's relation to humanity's 'memory of pain'."[15]
Relativity: A Point of View, Louisiana State University Press, 1977, ISBN978-0-8071-0277-0
Welsh Table Talk, The Book Arts Conservatory, 2004
List of poems
Title
Year
First published
Reprinted/collected
Field notes
1997
Cherry, Kelly (July 1997). "Field notes". The Atlantic Monthly. 280 (1): 56.
Other
A Kelly Cherry Reader. TX: Stephen F. Austin State University Press, 2015. Intro by Fred Chappell. Stories, novel excerpts, essays (familiar, instructive), eight poems.
Translations
Antigone (trans.), in Sophocles, 2, ed. by Slavitt and Bovie
Octavia (trans.), in Seneca: The Tragedies, Vol. 2, ed. Slavitt and Bovie
1978 Fellow, Virginia Center for the Creative Arts, USA. Also, 1985; 1986; December–January 1987/1988; 1989; December–February 1990/1991; 2003; 2004; 2007; 2011 (Weinstein Fellow); June 13-July 14, 2013
^ ab"Two Women: One Art The Life and Death of Poetry by Kelly Cherry and Eldest Daughter by Ava Leavell Haymon" by Randall Ivey, Modern Age, 58(1), winter 2016, page 82.
^ ab"Kelly Cherry in Her Poetry: The Subject as Object" by Fred Chappell, The Mississippi Quarterly, Vol. 58, No. 2, SPECIAL ISSUE: SOUTHERN POETRY (SPRING 2005), page 256.