Katherine DienesKatherine Dienes also known as Katherine Dienes-Williams (born in Wellington, 10 January 1970)[1] is a New Zealand-born organist, conductor and composer. She is currently Organist and Master of the Choristers at Guildford Cathedral[2] and is the first woman to hold the most senior musical post in a Church of England cathedral. Her husband is Patrick Williams, librarian of the Royal Philharmonic Orchestra, and they have a daughter, Hannah, who sang as a chorister at Guildford Cathedral . Early career and educationDienes was born and educated in Wellington, New Zealand, and studied for a BA in Modern Languages and a BMus at Victoria University, Wellington. She was organ scholar at Saint Paul's Cathedral, Wellington from 1988 to 1991 when she was appointed Assistant Organist there. She also acted as Assistant Conductor of the Wellington Youth Choir and appeared as a soloist with Wellington Youth Orchestra.[3][unreliable source?] Dienes came to England in 1991 to take up the post of organ scholar at Winchester Cathedral and Assistant Organist at Winchester College.[4] AppointmentsCollegiate Church of St Mary, WarwickDienes was appointed Director of Music St Mary's, Warwick, in 2001 where she directed and trained the choir of gentlemen and boys, the girls' choir, and Collegium, an adult concert choir based at the church. With the choirs of St Mary's she made a recording of Advent and Christmas music, A Spotless Rose, on Regent Records (REG CD 236). Guildford CathedralIn September 2007, Dienes was appointed Organist and Master of the Choristers at Guildford Cathedral. She assumed the post in January 2008, taking over from Stephen Farr and becoming the first woman to hold the senior music post at a Church of England cathedral.[5][6] CompositionsDienes has composed a number of sacred works, mainly for upper voices, as well as some secular compositions. She was commissioned to write a Mass setting commissioned by Norwich Cathedral.[3] Treble Clef Music Press published her music as follows:[7]
Discography
Critical receptionThe Washington Post, reviewing Songs for Hannah, noted "Joy and glee, of course, can be subjective. The Hannah texts are pretty severe: There's a lot of 'the wicked shall be put to silence in darkness' and 'they that strive with the Lord shall be broken in pieces.' But [Dienes-Williams's] music was luminous, with insistent rhythms and an almost ancient, incantatory feel."[8] John W. Lambert, reviewing the Guildford Cathedral Choir's visit to Raleigh, NC during its US East Coast tour, observed that Dienes-Williams "has a huge and altogether favorable reputation among church musicians." He went on to say that the reputation was "richly deserved"; she was a "highly animated director, and she elicited some of the most remarkable 'church choir' singing heard hereabouts in a long time." A Haydn motet "left many members of the audience awe-struck."[9] References
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