Karl Katz (October 22, 1929 - November 8, 2017) was an art historian, curator and museum director. Among the many positions he held over his lifetime, Katz was director of the Bezalel National Museum - which later became The Israel Museum in Jerusalem.[1] He also held positions at the Jewish Museum and the Metropolitan Museum of Art.
Career
Carl Katz, sometimes spelled Carl,[2] was born in 1929. His parents were Maurice Katz and Rose (née Lefkowitz). He graduated from Midwood High School in Brooklyn and then began studying at Long Island University, but soon moved to Columbia University. There he completed a bachelor's degree in art history and Semitic studies and a master's degree in art history and archaeology.[3] He finished his Doctoral dissertation on early Hebrew texts from Yemen, but he failed to do the doctorate because he did not fulfill the prerequisites for the required language skills. He refused to learn German so soon after the Holocaust.[4] One of his mentors who greatly influenced the path he took was Meyer Schapiro.[5]
Katz worked in 1953 as an art educator during the exhibition "From the Land of the Bible" at the Metropolitan Museum. He then joined the Bezalel National Museum as a curator, a forerunner of the Israel Museum. In 1969 he returned to New York and became director of the Jewish Museum. In 1971 he went to the Metropolitan Museum as head of the Department of Special Projects. In 1980 he became head of the department he created for film and television. He was also one of the planners of The Museum of the Jewish People at Beit Hatfutsot.[6]
In 1992 he founded "Muse", a non-profit company for documentaries in the field of art.
In the early 1970s, Katz met the photographer Cornell Capa in an exhibition and persuaded him to put his International Center of Photography into a museum. It opened in 1974. For many years Katz was the deputy chairman of the museum curatorium.[7]
Katz was married to Elizabeth Segal, whom he married in 1978. The couple had a son, Jonathan.[8]
Publications (selection)
Yehiel Shemi. Bezalel National Museum, Jerusalem 1957
Modern Israel Painting. London 1958
with Penuel Kahane, Magen Broshi: From the beginning: four millennia Holy Land in the most modern museum in the world. Hoffmann and Campe, Hamburg 1968
The exhibitionist: living museum, loving museum. Overlook Press, New York 2016[9]
Filmography (selection)
1983: La Belle Epoque (1890-1914)
1984: In a Brilliant Light: Van Gogh in Arles
1989: Merchants and Masterpieces
1990: Frederick Law Olmsted and the Public Park of America
1992: Art on Film, Program 1: Balance
1992: Art on Film, Program 2: Sense
1992: Art on Film, Program 3: Form
1992: Art on Film, Program 4: Voice
1992: Art on Film, Program 5: Subject & Expert
1993: Degenerate Art
1997: Tashilham
1998: Chuck Close: A Portrait in Progress
2003: Hans Hofmann: Artist / Teacher, Teacher / Artist
2006: Who Gets to Call It Art?
2007: The Rich Their Own Photographers
2007: Robert Indiana: American Dreamer
2008: Herb & Dorothy
2012: Ai Weiwei: Never Sorry
References
^Karl Katz, "A Tabernacle in the Wilderness", Ariel: A Review of the Arts and Sciences in Israel (Number 10, Spring 1965): Israel Museum Issue. Published by Cultural Relations Department, Ministry for Foreign Affairs, Jerusalem, Israel,
^See photo caption of Carl Katz, Jacqueline Kennedy Onassis and Tom Hess at a Reception at the French Embassy in New York City 4/1977
^"The Owl"(PDF). Columbia University School of General Studies. Retrieved April 22, 2023.
^Carl Katz (1929-2017), Artforum, November 10, 2017
