Karin Sander

Karin Sander (born 1957 in Bensberg, North Rhine-Westphalia)[1] is a German conceptual artist. She lives and works in Berlin and Zurich.

Early life and education

Sander studied at the Freie Kunstschule Stuttgart and at the Staatliche Akademie der Bildenden Künste Stuttgart with Jürgen Brodwolf and others. In 1989–1990, she received a scholarship from the German Academic Exchange Service (DAAD-scholarship) for New York, where she attended the Independent Study Program (ISP) of the Whitney Museum of American Art.

In 2000, Sander was part of a group of 15 artists and architects who bought a complex of buildings, where the Prussian army had once manufactured its uniforms, in Berlin's Moabit. Sander’s share is two levels of a three-story building, one on the ground floor and the other on the third floor, with a combined space of about 5,800 square feet.[2]

Work

Art

In her exhibitions, Sander refers to existing situations and addresses their institutional and historical context. With her mostly site-specific interventions, she intervenes in the structures of institutions, changes them, highlights facts and invites participation. The seemingly familiar is rethought, it becomes the starting point of an exploratory process. She uses various media, including painting, sculpture, drawing, electronic media, film and photography.

In a 1994 Projects show at the Museum of Modern Art, Sander polished painting-sized squares of wall throughout the building to a porcelainlike high gloss.[3] Her Mailed Paintings (begun in 2004) are standard-sized and primed canvases of various shapes that are sent to exhibitions without any kind of protection; while being on display constantly, they collect and display traces and marks of their journey.

  • Astro Turf Floorpiece (Kunstrasen), The Museum of Modern Art, New York, 1994
  • Hühnerei, poliert, roh, Größe 0 / Chicken Egg, Polished, Raw, Size 0, in „Leiblicher Logos“, Wanderausstellung des ifa (Institut für Auslandsbeziehungen), 1995–2002
  • Personen 1:10 / Persons 1:10, 3-D-Bodyscans der lebenden Personen, Galerie Helga de Alvear, Madrid, 2000
  • Museumsbesucher 1:9 / Museum Visitors 1:9, 3-D-Bodyscans der lebenden Personen, Staatsgalerie Stuttgart, 2002
  • Wordsearch, a translinguistic sculpture, 4. Oktober 2002, New York Times, in Zusammenarbeit mit der Kunstreihe „Moment“ der Deutschen Bank, 2002
  • Polished Wallpiece, in „Singular Forms (Sometimes Repeated)“ Solomon R. Guggenheim Museum New York, 2004
  • Gebrauchsbilder / Mailed Paintings, D’Amelio Terras Gallery, New York, 2007
  • XML-SVG Code, Quellcode des Ausstellungsraumes / XML-SVG Code, Source Code of the Exhibition Space, Galerie Nächst St. Stephan, Wien, 2009
  • Zeigen. Eine Audiotour durch Berlin, Temporäre Kunsthalle Berlin, 2009–2010

Teaching

Sander has been invited to guest professorships at the Iceland University of Arts, Reykjavík (Listaháskóli Íslands, 1993), the CalArts (California Institute of the Arts, Los Angeles), 1995), the Akademie der Bildenden Künste in Karlsruhe (1995–1996), the Staatliche Akademie der Bildenden Künste Stuttgart (1997–1998) and the Elam School of Fine Arts, Auckland (2003). From 1999 to 2007, she was professor at the Kunsthochschule Berlin-Weissensee and from 2007-2023 she held the chair for architecture and art at the ETH Zurich Swiss Federal Institute of Technology.

Other activities

Sander is a member of Deutscher Künstlerbund (Association of German Artists).[4]

In 2007, Sander was elected to the Akademie der Künste (Academy of Arts) Berlin. Since November 2021, she has been director of the fine arts section there.[5] In this capacity, she was a member of the juries that selected Katharina Sieverding (2017)[6] and Candida Höfer (2024)[7] as recipients of the Käthe Kollwitz Prize. In 2024, she was also part of the jury that selected Simone Fattal as a recipient of the Academy's Berlin Art Prize.[8]

In 2023, Sander and architect Philip Ursprung represented Switzerland at the Venice Biennale of Architecture.[9]

Exhibitions

Sander's work has been exhibited worldwide, particularly in Europe and the United States, notably in solo exhibitions at Museion, Bozen (2020), Kunst Museum Winterthur (2018), the Neuer Berliner Kunstverein (2011), Kunstmuseum St. Gallen (2010), K20 Kunstsammlung North Rhine-Westphalia, Düsseldorf (2010), Temporäre Kunsthalle, Berlin (2009), Kunstverein Arnsberg (2008).

Collections (selected)

Sander's work is in the collection of the Museum of Modern Art,[10] the Metropolitan Museum of Art,[11] the San Francisco Museum of Modern Art,[12] and the National Gallery of Canada.[13]

References

  1. ^ "Karin Sander". RKD. Retrieved 25 October 2021.
  2. ^ Kimberly Bradley (12 January 2011), In a Berlin Factory, an Artist Expands Upward New York Times.
  3. ^ Roberta Smith (5 May 2000), ART IN REVIEW; Karin Sander New York Times.
  4. ^ "Deutscher Künstlerbund e.V. - Ehrenmitglieder". www.kuenstlerbund.de. Retrieved 2022-09-26.
  5. ^ "Jeanine Meerapfel und Kathrin Röggla setzen ihre Arbeit als Präsidentin und Vizepräsidentin der Akademie der Künste für weitere drei Jahre fort". www.adk.de (in German). Retrieved 2022-09-26.
  6. ^ Käthe-Kollwitz-Preis 2017: Katharina Sieverding Akademie der Künste, press release of 23 June 2017.
  7. ^ Käthe-Kollwitz-Preis 2024 an Candida Höfer Akademie der Künste, press release of 16 November 2023.
  8. ^ 2024 Berlin Art Prize – Grand Prize to Simone Fattal, awards ceremony on 18 March 2024 Akademie der Künste, press release of 25 January 2024.
  9. ^ Arts Council presents Swiss project at Venice architecture exhibition Swissinfo, 1 March 2023.
  10. ^ "Karin Sander". The Museum of Modern Art. Retrieved 25 October 2021.
  11. ^ "Gordon Tapper, 1:10". Metropolitan Museum of Art. Retrieved 25 October 2021.
  12. ^ "Sander, Karin". SFMOMA. Retrieved 25 October 2021.

Bibliography

Monography

  • Karin Sander. Skulptur / Sculpture / Scultura, ed. Letizia Ragaglia, Museion, Bozen; Köln: Verlag der Buchhandlung Walther König, 2020, ISBN 978-3-96098-856-4
  • Karin Sander. A–Z., Haus am Waldsee, Berlin; Köln: Verlag der Buchhandlung Walther König, 2019, ISBN 978-3-96098-440-5
  • Randomly Selected Works. Karin Sander, ed. Nikolai Kunsthal Copenhagen; Akademie der Künste, Berlin, Copenhagen 2016
  • Karin Sander. Museumsbesucher 1:8, ed. Marion Ackermann, Kunstsammlung Nordrhein-Westfalen, Düsseldorf and Raimund Stecker, Lehmbruck-Museum, Duisburg, Köln: Walther König, 2013, ISBN 978-3-86335-346-9
  • Karin Sander. Ausstellungskatalog / Exhibition Catalogue, ed. Marius Babias, Neuer Berliner Kunstverein, Berlin; Köln: Verlag der Buchhandlung Walther König, 2012, ISBN 978-3-86335-072-7
  • Karin Sander. Gebrauchsbilder, ed. Staatliche Kunsthalle Baden-Baden und Kunstmuseum St. Gallen, Nürnberg: Verlag für moderne Kunst, 2011, ISBN 978-3-86984-235-6
  • Zeigen. Eine Audiotour durch Berlin von Karin Sander, Temporäre Kunsthalle Berlin; Köln: Verlag der Buchhandlung Walther König, 2010
  • Karin Sander. XML-SVG CODE – Quellcode / Source Code, ed. Förderverein Museum gegenstandsfreier Kunst e.V. Otterndorf, 2010
  • Karin Sander, ed. von Gudrun Inboden, Staatsgalerie Stuttgart; Ostfildern-Ruit: Hatje Cantz, 2002, ISBN 978-3775711623
  • Karin Sander, Kunstmuseum St. Gallen; Ostfildern-Ruit: Hatje Cantz, 1996, ISBN 3893228918

Articles and Interviews

  • Benjamin Paul, „Trace Value“, in: Artforum , 56, No. 8, April 2018, p. 137–143
  • Hans Ulrich Obrist (ed.), Interview Marathon Stuttgart 24./25. Juni 2005 , Stuttgart: Institut für Buchgestaltung und Medienentwicklung an der Staatlichen Akademie der Bildenden Künste Stuttgart, 2006, p. 123–126
  • Oliver Koerner von Gustorf, „Counting Water, Collecting Words“, in: The New York Times Magazine , No. 6, 29. September 2002, p. 48–51
  • Hans Ulrich Obrist, In Conversation with Karin Sander, in: The New York Times Magazine , No. 6, September 29, 2002, p. 18–44
  • Roberta Smith, „Karin Sander“, in: The New York Times, May 5, 2000