Kamalini Mukherji
Kamalini Mukherji (born 17 October 1979) is an Indian vocalist, primarily known for her Rabindra Sangeet performances.[1][2] Mukherji has released 12 music albums with HMV Saregama, one of the leading music labels in India. As of 2018, she has performed concerts in India, the US,[3] Canada, and Bangladesh.[4] She has also performed for film and television. Mukherji currently lives in and works out of New York City, USA and Kolkata, India. Early lifeBorn into a Bengali family, Mukherji grew up in Kolkata, India where she studied at South Point School. She received her musical training at Dakshinee,[5] a prominent Rabindra Sangeet academy in Kolkata, and obtained a degree in English literature from Jadavpur University,[6] where she also won a Gates Cambridge Scholarship.[6] She pursued post graduate studies in English literature from St. John's College in the UK and Collegio Ghislieri, at the University of Pavia, Italy.[6] CareerMukherji performed her debut solo concert in Kolkata in September, 2009.[7] She has since performed extensively in India and abroad,[8] including at the North American Bengali Conferences on three occasions – in 2012 (Las Vegas),[9] 2013 (Toronto),[10] and 2016 (New York City).[11] Mukherji has attempted to introduce innovation to her Rabindra Sangeet performances. In 2011, she performed a concert titled Nutan Juger Bhore (English:The Dawning of a New Era), accompanied by an 11-piece orchestra, which is unusual for the genre.[12][13] In 2012 Mukherji sang for a music album Romancing Tagore, that was a collaborative effort between Indian and Pakistani artists, Shubha Mudgal, Najam Sheraz, Debojyoti Mishra, and Indira Varma to present Tagore's songs in Urdu.[14] Prime Minister Manmohan Singh released the album in February 2012.[15] In April 2012, Mukherji visited Mauritius as part of a joint initiative between UNESCO and the Ministry of Culture of the Government of Mauritius on the occasion of Rabindranath Tagore's 150th birth anniversary.[16] The purpose of the trip was to introduce the musical work of Tagore to school children in that country.[citation needed] In 2015, Mukherji presented a solo concert for the President of India, to celebrate the 154th Birth Anniversary of Tagore, at the Rashtrapati Bhavan, New Delhi.[17][18] Film and televisionMukherji was a regular guest on a weekly music show Chirantani (চিরন্তনী), that aired on Tara Muzik from 2008 to 2011.[16] She also hosted her own show Café Thé Live, a live music program and talk show, on the same channel.[4] She also performed as a playback singer for the 2005 movie Nishijapon (নিশিযাপন), directed by Sandip Ray.[16][19][20] DiscographyMukherji's first individual Rabindra Sangeet music album, Eshechho Prem (এসেছ প্রেম) was released by HMV Saregama in 2010,[21] which was followed by 7 more albums with the same label.[22] In 2016 HMV Saregama released a compilation album Best of Kamalini Mukherjee.[23] ReviewsMukherji has been critically appreciated both for her rendition of traditional Rabindra Sangeet as well as for her more interpretative work in the genre. Reviewing one of her earliest concerts, organized by Dakshinee in May 2006, The Telegraph wrote:
In September 2007, The Telegraph praised her performance at another Dakshinee concert, writing "Yet a musical and humane understanding of the whole life and shape of a song came unmistakably through in the controlled devastation of Kamalini Mukherjee’s Tori amar hothat dubey jai (তরী আমার হঠাৎ ডুবে যায়)".[25] Mukherji's 2009 debut solo concert was also positively reviewed. The Telegraph wrote:
Reviewing the same concert, The Statesman wrote "Kamalini Mukherji holds in her singing a promise to succeed in popularizing Rabindranath Tagore’s song among the present generation",[26] while Anandabazar Patrika praised her arrangement of Tagore's Devotional Songs and Love Songs, and the way that she was able to draw out diverse moods such as happiness, wonderment, separation, and earnestness.[27] In November 2010, The Telegraph reviewed her experimental concert Nutan juger bhore (নূতন যুগের ভোরে),
However, The Statesman was critical of the "excess of external support", and commented:
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