The Kainai Nation (Blackfoot: ᖿᖱᖻᖳ, romanized: Káínaa or ᖿᖱᖻᖷ, romanized: Káínawa, Blood Tribe) is a First Nationsband government in southern Alberta, Canada, with a population of 12,965 members in 2024,[3] up from 11,791 in December 2013.[4]
Akáínaa translates directly to 'many chief' (from aká, 'many' and nínaa, 'chief') while Káína translates directly to 'many chief people'. The enemy Plains Cree call the Kainai mihkowiyiniw,[5] 'stained with blood', thus 'the bloodthirsty, cruel', therefore, the common English name for the tribe is the Blood tribe.
At the time treaties such as Treaty 7 were signed, the Kainai were situated on the Oldman, Belly, and St. Mary rivers west of Lethbridge, Alberta. The Kainai reserveBlood 148 is currently the largest in Canada with 4,570 inhabitants[6] on 1,410 km2 (545 sq mi) and is located 200 kilometres (120 mi) south of Calgary.
Economy
The Kainai Nation is engaged in diverse enterprises and they trade with domestic and international partners. Ammolite mining for example provides a rare highly demanded gem mineral to Asia for Feng Shui. Ammolite is currently known only to be found in the Bearpaw Formation as unique conditions of prehistoric times were optimal for the fossilization of marine life into ammolite.[7] Over the years, mining operations have uncovered several oceanic dinosaur fossils which have been stored for study at the Royal Tyrrell Museum; however, they belong to the Kainai Nation.(Lawrynuik)[8]
Specific claims
The Kainai Nation filed many specific claims with the federal government. In 2017, a federal court ruled that the Crown had underestimated the band's population, which resulted in the band's reserve being smaller than it should have been. As such, the Blood Tribe reserve could be expanded by 421 square kilometres (163 sq mi), but the community could seek a cash-in-lieu-of-land settlement for this claim instead.[9]
In July 2019, the Kainai Nation settled a claim over Crown mismanagement of the band's ranching assets. The community received a $150 million cash settlement. Chief Roy Fox said that $123 million of this settlement will be used to develop "housing, capital works, a new administration building and a new skating rink".[10]
Government
Band council
The Kainai Nation is governed by an elected council of twelve to fifteen, with one chief. The term of office is four years. Historical chiefs of the Kainai are below:
Last of the hereditary chiefs, Traditional Chief Jim Shot Both Sides (1956–1980)
Chief Chris Shade (1996–2004)
Chief Charles Weasel Head (2004–2016)
Chief Roy Fox (Makiinimaa – Curlew) (2016–present)
Dorothy First Rider (Itoomomaahkaa – Front Runner)
Floyd Big Head (Piitaika’tsis – Eagle Arrow)
Kyla Crow (Komiikakato’saakii – Round Star Woman)
Martin Heavy Head (Ponokaiksikksinamm – White Elk)
Joanne Lemieux (Aahkoyinnimaakii – Pipe Woman)
Robin Little Bear (Soyiikayaakii – Mink Woman)
Kirby Many Fingers (Apanssaapii – Counting Coup)
Hank Shade (Aapiisii – Coyote)
Lance Tailfeathers (Naatsikapoikkanaa – Two Stars Shining)
Tim Tailfeathers (Naato’kisikapiohkitopiyi – Rides Two Grey Horse)
Marcel Weasel Head (Niitsayoohkiitohkitopiyi)
Franklyn White Quills (Makoyaapii – Wolf Old Man)
Police force
In pre-treaty times, the iikunuhkahtsi were a society responsible for the punishment of misdeeds. As of 2015[update] the Blood reserve was policed by the Blood Tribe Police, with 31 officers.
Seen from afar (1810–1869) - PEENAQUIM (Pe-na-koam, Penukwiim, translated as seen from afar, far seer, far off in sight, and far off dawn; also known as Onis tay say nah que im, Calf Rising in Sight, and Bull Collar), chief of the Blood tribe of the Blackfoot nation; b. c. 1810, probably in what is now southern Alberta, son of Two Suns; d. 1869 near the present city of Lethbridge, ALB[13]
Tom Three Persons - Rodeo athlete and rancher, best known for winning the saddle bronc competition at the inaugural Calgary Stampede in 1912
In popular culture
In 1960, the Kainai and their Sun Dance were featured in the National Film Board of Canada (NFB) documentary Circle of the Sun. Tribal leaders had been concerned that the Sun Dance might be dying out, and had permitted filming as a visual record.[19][20] This documentary was later referenced by electronic music duo Boards of Canada on their debut album Music Has The Right to Children, with song titles such as "Kaini Industries" and "Pete Standing Alone" paying homage to the tribe and its leader.[21]
In 1973, the NFB released the documentary Kainai, which discusses the construction and consequences of a factory on their property.[22]
In 2006, community leader Rick Tailfeathers contributed a small ammolite carving of a buffalo skull to the Six String Nation project. The object was permanently mounted on the interior of Voyageur, the guitar at the heart of the project.[23] Following a presentation about the project in September 2014 at Tatsikiisaapo'p Middle School, project creator Jowi Taylor was presented with a braid of sweet grass by school principal Ramona Big Head. The braid resides in the headstock area in the bed of the guitar case.
On National Aboriginal Day in 2011, the NFB released the Pete Standing Alone trilogy, which includes Circle of the Sun, Standing Alone and a 2010 film, Round Up, documenting 50 years of the Kainai Nation as well as the life of elder Pete Standing Alone.[24]
Historical newspapers
The Kainai News[25] was one of Canada's first aboriginal newspapers and instrumental in the history of aboriginal journalism in Canada. It was published in southern Alberta by the Blood Indian Tribe and later by Indian News Media. Content focused on a range of local issues within the reserve as well as national issues such as the Indian Act, the Whitepaper and Bill C-31. Of particular significance are editorial cartoons by Everett Soop which were a regular feature of the newspaper. Its first editor way Caen Bly, granddaughter of Senator James Gladstone.[26]
The Sun Dance Echo[27] was a predecessor to the Kainai News. It was edited by Reggie Black Plume and occasionally contained articles by Hugh Dempsey.
^Dowell, K. L. (2015). "The future looks rad from where I stand: A review of claiming space: Voices of urban aboriginal youth at the UBC museum of anthropology". Anthropologica. 57 (1). ProQuest1690736642.