Juliet Thompson (1873–1956) was an American painter, and disciple of Baháʼí Faith leader ʻAbdu'l-Bahá. She is perhaps best remembered for her book The Diary of Juliet Thompson though she also painted a life-sized portrait of ʻAbdu'l-Bahá.
Early life and education
Thompson was born in or near Washington, D.C.,[1] on 23 September 1873. Her parents, James W. Thompson and Celeste,[2] sent her to the Corcoran School of Art[1] (before it was renamed as a college). Her father died when she was 12 and left little money for the family, but Thompson was already able to sell paintings. Thompson was an active member of the community of artists in Washington, D.C.,[3] and painted a centerpiece of the 1897 Cosmos Club annual show.[4]
Among many talks ʻAbdu'l-Bahá gave in the United States he gave one at her residence on 15 November 1912 at 48 West Tenth Street, New York.[6] At this meeting he described distinctive qualities of the religion.
Thompson recalled Khalil Gibran, a neighbor and acquaintance of hers, and reports several anecdotes relating to Gibran: She recalls Gibran met ʻAbdu'l-Bahá a couple times circa 1911–1912.[8][9]
In 1918 Mark Tobey came in contact with Thompson and posed for her. During the session Tobey read some Baháʼí literature and accepted an invitation to Green Acre where he converted.[10]
O.Z. Whitehead attended an informational meeting of the religion in Thompson's home in 1950.[1]
Portrait of ʻAbdu'l-Bahá
And during ʻAbdu'l-Bahá's first trip to the west in the fall of 1911 she met him at Thonon-les-Bains, France. During the second trip he reached New York - over several days he sat for a life-sized portrait starting June 1.[11] Of the portrait, ʻAbdu'l-Bahá said "I want you to paint my servitude to God."[1] On another day of sitting for the portrait, June 19,[12] Thompson witnessed Lua Getsinger given a mission of conveying ʻAbdu'l-Bahá's status in the religion as the Center of the Covenant (see Will and Testament of ʻAbdu'l-Bahá) and that New York was the City of the Covenant (see perhaps 1992: Second Baháʼí World Congress.)[13] The original of this life sized portrait has been lost, but there are original photographs of the portrait. A reproduction was on display at the Second World Congress, and one is housed in the Seat of the Universal House of Justice just outside its meeting room for the members.[11]
Pilgrimages
Over her life she made two Baháʼí pilgrimages. Her first was in July, 1909 when she began her diary which was eventually published.[1] Her work is a main source on ʻAbdu'l-Bahá's journeys to the West when he was in Europe in 1911 as well as some of his travels in the United States in 1912.
Thompson's first show as a portrait painter was at the Knoedler's galleries.[15] Thompson worked as a portrait painter for years in Washington, D.C.,[16] and later in New York[17] though she also had interests in other arts.[18]
Circa 1898 to 1900 she undertook studies while in France and showed her work while there.[19] On return to the States, Thompson moved to New York circa 1902. She was on the Board of Control of The Pastellists founded in 1910, which included Jerome Myers, and Everett Shinn – the president was Leon Dabo.[20]
^Cole, Juan. "Chronology of his Life". Juan Cole's Khalil Gibran Page - Writings, Paintings, Hotlinks, New Translations. Professor Juan R.I. Cole. Retrieved 2009-01-02.
^"Social and Personal". The Times of Washington. June 20, 1898. p. 7. Retrieved 2011-11-25. "Social and Personal". The Times of Washington. June 10, 1898. p. 5. Retrieved 2011-11-25. "Social and Personal". The Times of Washington. April 28, 1899. p. 5. Retrieved 2011-11-25.