John Pierre Herman Joubert (/dʒuːˈbɛər/joo-BAIR;[1][2] 20 March 1927 – 7 January 2019) was a British composer of South African birth, particularly of choral works. He lived in Moseley, a suburb of Birmingham, England, for over 50 years.[3][4] A music academic in the universities of Hull and Birmingham for 36 years, Joubert took early retirement in 1986 to concentrate on composing and remained active into his eighties. Though perhaps best known for his choral music, particularly the carolsTorches and There is No Rose of Such Virtue and the anthemO Lorde, the Maker of Al Thing, Joubert composed over 160 works including three symphonies, four concertos and seven operas.
Joubert was born on 20 March 1927 in Cape Town, South Africa.[5] His ancestors on his father's side were Huguenots, French Protestants from Provence who settled at the Cape in 1688. His mother's ancestry was Dutch.[6] Joubert was educated at Diocesan College in Rondebosch, South Africa, which was founded by the Anglican Church and maintained a high standard of music-making. He originally hoped to become a painter, and did a fair amount of art at school. However, at about the age of 15 years, he gradually became interested in music, though as a composer rather than a performer. "It was always going to be something creative. Oddly enough, the visual arts haven't been as great a stimulus as literature. I was also interested in writing. In fact, I was bored by everything at school except writing, art and music!"[3] In school, he came under the guidance of the musical director Claude Brown, whose teaching he regarded as "an indispensable foundation to my subsequent musical career". According to Joubert, "[t]hrough Brown, I learned all the Elgar choral works even before I heard them properly in full orchestral performance. Not only that idiom, but the idiom of Anglican church music generally. Parry and Stanford, and all the usual blokes."[3] Through his teacher's encouragement, Joubert was able to participate in choral performances with the Cape Town Municipal Orchestra under William J. Pickerill, and subsequently to hear his works featured in performance.
In 1950 Joubert was appointed to a lectureship in music at the University of Hull,[9] having graduated in the same year with a Bachelor of Music (B.Mus.) degree from the University of Durham. His works soon began to be performed and to attract favourable attention. His carolTorches (Op. 7a, 1951) (written for his wife Mary's pupils and based on a Galician (Eastern Europe) carol, it was published in 1961 in the first volume of Carols for Choirs) and the anthemO Lorde, the Maker of Al Thing (Op. 7b, 1952) (which won the 1952 Novello Anthem Competition), achieved almost instant popularity. Concerning Torches, Joubert recalled, "I've even had carol-singers come to the door and singing it, without knowing the composer lives inside."[3] Together with the carol There is No Rose of Such Virtue (Op. 14, 1954), the three choral works have become classics of the Anglican repertoire. Works in other genres followed, mostly as the result of commissions from institutions such as the City of Birmingham Symphony Orchestra, the Birmingham Festival Choral Society (named for the Birmingham Triennial Festival,[10] the Royal Philharmonic Society and the BBC, and from musical festivals such as the Three Choirs Festival. By the end of his 12 years at Hull Joubert had composed, in addition to choral music, his Violin concerto (Op. 13, 1954), Symphony No. 1 (Op. 20, 1955), piano concerto (Op. 25, 1958), the full-length opera Silas Marner (Op. 31, 1961) (after the novel by George Eliot), and a body of chamber music including String quartet No. 1 in A-Flat (Op. 1, 1950), a string trio (Op. 30, 1958) and an Octet (Op. 33, 1961).
Joubert moved to Moseley, Birmingham, in 1962 to take up a Senior Lectureship at the University of Birmingham; he was later made Reader in Music. In 1979 he was a visiting professor at the University of Otago in New Zealand.[11] The number and scope of his works increased, and among those composed during the following decades were two further full-length operas, Under Western Eyes (Op. 51, 1968) and Jane Eyre (Op. 134) (based on the novels by Joseph Conrad and Charlotte Brontë respectively), Symphony No. 2 (Op. 68, 1970), various large-scale choral works with orchestras including the oratorioThe Raising of Lazarus (Op. 67, 1970) and HerefordshireCanticles (Op. 93, 1979), a second and third piano sonata (Op. 71, 1972; Op. 157), a second and third string quartet (Op. 91, 1977; Op. 112, 1986), song cycles with piano and/or instrumental ensembles, and accompanied and unaccompanied smaller-scale choral music. On the wide scope of his work, Joubert has commented: "I've never really wanted to be pigeonholed as a composer. I've always wanted to write anything that I was either asked to, or wanted to write. I've never wanted to specialise, although I have to a certain extent been pigeonholed already. I'd rather not be looked upon as sort of limited in that way."[3]
The Aston Webb Building of the University of Birmingham. Joubert lectured at the University between 1962 and 1986, and remained an Honorary Senior Research Fellow there. In July 2007, the University conferred on him an Honorary Doctorate of Music (D.Mus.).
In 1986 Joubert took early retirement from the University to concentrate on composition, although he maintained his ties by becoming an Honorary Senior Research Fellow there in 1997. He was conferred an HonoraryDoctorate of Music (D.Mus.) by the University of Durham in 1991,[6][8] and received another from the University of Birmingham on 18 July 2007.[12] He was Composer in Residence at the Peterborough Cathedral Festival in 1990 (which also commissioned his Six Short Preludes on English Hymn Tunes, for chamber organ (Op. 125, 1990), and at the Presteigne Festival in 1997,[11] and served as the chairman of the Birmingham Chamber Music Society for 25 years.[3]
Joubert remained active as a composer. 2007 was the year of his 80th birthday, and was celebrated with a series of concerts, the "Joubertiade 2007",[13] throughout the United Kingdom. These included world premières of the complete version of the oratorio Wings of Faith (Op. 143, 2000, 2003) which was performed by the Ex Cathedra choir, soloists and Academy of Vocal Music, and the City of Birmingham Symphony Orchestra, under the baton of Jeffrey Skidmore on 22 March 2007 at The Oratory, Birmingham; and a new Oboe Concerto performed by oboist Adrian Wilson and the Orchestra of the Swan conducted by David Curtis on 12 July 2007 at Lichfield Cathedral. The celebrations culminated in the world première of Five Songs of Incarnation (Op. 163, 2007) for tenor and choir which was commissioned through Joubertiade 2007 and performed on 24 November 2007 at St. Philip's Cathedral, Birmingham.[14] In the same year, Lyrita released a celebratory CD of a recording (originally taped in 1994) of Joubert's Symphony No. 1 played by the London Philharmonic Orchestra under Vernon Handley.[15]
Personal life
Joubert and his wife Mary, a pianist,[16] had a daughter Anna, who is a cellist,[3] and a son Pierre, a violinist.[16] He had four grandchildren: Matthew, John, Naomi and Alexander.[17] He died on 7 January 2019, aged 91.[18] Both Birmingham Bach Choir and Ex Cathedra sang at his funeral.[19]
Major works
Joubert composed over 180 works including three symphonies; violin, piano, cello, oboe and bassoon concertos; and seven operas. He had a major choral output including Christmas carols. Some of his major works are listed below; a fuller list may be viewed on his website.
Anthems, carols, hymns and other choral works
Torches (Op. 7a, 1951), carol
O Lorde, the Maker of Al Thing (Op. 7b, 1952), anthem
There is No Rose of Such Virtue (Op. 14, 1954), carol
How are my foes increased, Lord! (Op.61, 1969), Commissioned for David Patrick and the Choir of Barnet Parish Church.
Five Carols For Five Voices (1973) ("Of a Rose, a lovely Rose", "Make we joy now in this feast", "Jesu, son most sweet and dear", "When Christ was born of Mary", "Let us gather hand in hand") composed for The Scholars (Vocal Group)
Herefordshire Canticles (Op. 93, 1979), for chorus, boys' choir, solos and orchestra
A Hymne to God the Father (1987), hymn
Rochester Triptych (Op. 139, 1997: made up of Universal Nature (Op. 139, date unknown), Impartial Death (Op. 139, date unknown) and Blest Glorious Man (Op. 126, 1991)), for choir and organ
The Souls of the Righteous (Op. 142, 1999), anthem
Five Songs of Incarnation ("Of a Rose, a Lovely Rose", "Make We Joy Now in this Feast", "I Sing of a Maiden", "When Christ was Born of Mary", "Let Us Gather Hand in Hand") (Op. 163, 2007), for tenor and choir
Chamber music
String Quartet No. 1 in A-Flat (Op. 1, 1950)
Sonata for Viola and Piano (Op.6, 1952)
String Trio (Op. 30, 1958), for violin, viola and cello
Octet (Op. 33, 1961)
String Quartet No. 2 (Op. 91, 1977)
String Quartet No. 3 (Op. 112, 1986)
Concertos
Violin Concerto (Op. 13, 1954)
Piano Concerto (Op. 25, 1958)
Bassoon Concerto (Op. 77, 1974; commissioned for Michael Chapman)
Cello Concerto ("Concerto in Two Movements for Cello and Chamber Orchestra") (Op. 171, 2011; commissioned by Raphael Wallfisch)
Operas
Silas Marner (Op. 31, 1961), opera in three acts after the dramatic novel by George Eliot
The Prisoner (Op.75, 1973), opera in two acts, libretto by Stephen Tunnicliffe based on Tolstoy's short story "Too Dear!". Commissioned for the 400th. Anniversary of Queen Elizabeth I Grammar School for Boys, Barnet, North London. First performance March 1973 conducted by David Patrick.
Urbs Beata (Op. 42, 1963) commissioned to celebrate the completion of St George's Cathedral, Cape Town. It received its first performance under the direction of organist and choirmaster Keith Jewell.[21]
The Raising of Lazarus (Op. 67, 1970)
Wings of Faith (Op. 143, Part 1 ("The Word Fulfilled"): 2000, Part 2 ("The Transforming Spirit"): 2003)
An English Requiem (op.166, 2010) commissioned for the Gloucester 2010 Three Choirs Festival, receiving its first performance at the festival on 9 August 2010.[22]
Symphonies
Symphony No. 1 (Op. 20, 1955, rev. 1956)
Symphony No. 2 (Op. 68, 1970)
Symphony No. 3 on themes from the opera "Jane Eyre" (Op. 178, 2014–17)
Other works
Sonata in One Movement (Sonata No. 1) (Op. 24, 1957), for piano
Passacaglia and Fugue (Op. 35, 1961), for organ
Prelude on "Picardy" (Op. unknown, date unknown) for organ
Sonata No. 2 (Op. 71, 1972), for piano
Tombeau (Op. 86, 1981), for unaccompanied viola da gamba
Six Short Preludes on English Hymn Tunes, for chamber organ (Op. 125, 1990) for organ
^In Hull, John and Mary Joubert lived in a flat in a fine Victorian house, later to become the residence of the University of Hull's librarian, Philip Larkin (1922–1985), and immortalised in Larkin's poem High Windows. But to Joubert's chagrin, "there's now a blue plaque outside the place referring to Philip – but with no mention of me.": Christopher Morley, Just the Joubert, Orchestra of the Swan, archived from the original on 28 September 2007, retrieved 3 April 2007. If the blue plaque referring to Philip Larkin was installed under the scheme run by English Heritage, then it is not surprising if there is no plaque referring to Joubert. Under this scheme, nominations for blue plaques are taken from the public only for people who have passed either the 20th anniversary of their death or the centenary of their birth, whichever is the earlier.
^Diary of events, Joubertiade 2007: Celebrating John Joubert's 80th Birthday, 2007, archived from the original on 10 September 2007, retrieved 26 December 2007 .
