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John Howard (singer-songwriter)
John Howard (born Howard Michael Jones, 9 April 1953) is an English singer-songwriter, pianist and recording artist and published author. With his February 1975 debut album Kid in a Big World (CBS Records), Howard emerged as a late voice of the glam-pop wave of the early 1970s. Across a musical career that has included two main periods of recording activity – 1974-84 and 2004–present – Howard has released 21 studio albums and 12 studio EPs. In March 2018, he became a published author, his first autobiography, Incidents Crowded With Life, covering his childhood up to 1976, was published by Fisher King Publishing. In August 2020, the second volume of his autobiography, Illusions of Happiness, covering the years 1976 - 1986, was published by Fisher King Publishing. In February 2022, the third volume of his autobiography, In The Eyeline of Furtherance, covering 1986 to 2001, was published by Fisher King Publishing. In September 2023, Howard's first novel, Across My Dreams With Nets of Wonder, was published by Fisher King Publishing. Beginnings and early years, 1953–1973John Howard was born Howard Michael Jones[1] in Bury, a market town in North West England which historically is part of Lancashire and administratively is within Greater Manchester.[2] Having started playing the piano at the age of four years, Howard began classical training at seven.[2] He attended St. Gabriel's Roman Catholic High School in Bury, and in 1969 enrolled at the Accrington College of Art.[3] Starting in March 1970 and continuing for the next three years, Howard – having adopted the professional moniker "Jon Howard" – played his own songs at universities and folk clubs, and at the Bolton Octagon Theatre.[2] At the Octagon, Howard often played support for the folk/progressive rock band Spirogyra. The band at the time was managed by Howard's contemporary, Max Hole, who later, as an A&R manager at WEA Records U.K. in the early 1980s, went on to sign Howard Jones, whose birth name – ironically – is John Howard Jones.[4] Hole went on to serve as chief operating officer of Universal Music Group International. CBS Records, 1973–1976
Shortly after moving to London in August 1973, Howard was playing at the Troubadour folk club, when he was spotted by "Hurricane" Smith's manager Stuart Reid, who was the head of pop at Chappell Music. Reid signed Howard to a management contract – changing "Jon" to "John," in the process – and Howard signed with CBS at the end of that year.[1][2] Kid in a Big World (1975) was the first of three albums that Howard recorded for CBS in 1974 and 1975. The album – recorded at Abbey Road and Apple Studio – was produced by ex-Shadows drummer Tony Meehan and Paul Phillips. Session players included founding Zombies and Argent keyboardist Rod Argent and founding Argent drummer Bob Henrit.[1][2] CBS initially put considerable resources behind its new artist – promoting Howard's debut album with a major print advertising campaign, life-sized cardboard cutouts of Howard at record shops, and a launch concert for recording industry executives and press at the Purcell Room in London's Southbank Centre. But BBC Radio 1 refused to play the first single, "Goodbye Suzie,"[5] calling it "too depressing," and also passed on the second single, "Family Man,"[6] calling it "anti-woman." Following his debut album release in February 1975, Howard recorded two more albums of material for CBS that year. His second album – Technicolour Biography (recorded 1974 and 1975), produced by Paul Phillips – was a collection of songs in a vein similar to those on Kid in a Big World. Indeed, the songs on both of Howard's first two albums were among the group of songs, written between 1970 and 1973, that led CBS to sign Howard in late 1973. But after BBC Radio 1's rejection of the two singles from the debut album, CBS balked at this new set and shelved the project, with the songs never being developed beyond the initial "vocals and piano" demonstrations. At this point, CBS, anxious for a hit, paired Howard with Biddu, a producer best known for his pioneering work in disco. Howard set about writing a new collection of songs, and the result was his third album, Can You Hear Me OK? (recorded 1975). CBS's promotion of the only single, "I Got My Lady," from that fully produced third album included Howard's only live television appearance – on a December 1975 episode of the BBC television program The Musical Time Machine, which ran from 1975 to 1977.[7] Also appearing on that episode were Johnny Mathis and Lynsey de Paul. In his first autobiography, "Incidents Crowded With Life", he writes about this appearance Howard recalls that he was greeted by a beaming Lynsey De Paul "Brilliant", she said, "I watched you on my monitor! Such a pro!” "Lovely, John", Patsy, my manager's wife, said, squeezing my arm, "and not a head move anywhere!” "Aren’t you allowed to move your head?” Lynsey asked conspiratorially. "Not if you’re a male performer on a BBC show, apparently", I replied. "Have you seen the dancers on this show?” she laughed. "Try telling them that!” But when the single did not chart as well as CBS had hoped, CBS shelved that album too. Having failed to find an audience for Howard's music, CBS ultimately released only the first "installment" of Howard's first three albums – sometimes now referred to as the "Kid trilogy."[8] Howard left the label in early 1976. Stephen Thomas Erlewine called this sequence of events one of the most extreme of examples of Murphy's Law in record company history."[9] Many years later, Howard's mentor Paul Phillips – who at the time was Howard's producer and A&R manager at CBS – had a more specific explanation. Phillips told Howard that his difficulty in getting radio airplay was due primarily to homophobia in the recording industry. Howard, who is gay, presented a louche and effete image at a time – the early 1970s – when, despite the shattering of gender stereotypes that was being heralded by the emergence of glam and disco, record label executives and radio programmers still often expected gay male artists to conform to traditional ideals of masculinity and to keep their sexuality to themselves.[10] Howard wrote about his experience of this dynamic in his 2007 song, "My Beautiful Days."[11] Post-Kid singles, 1977–1984After leaving CBS, Howard spent a brief time playing London's fashionable restaurants and piano bars – including a regular stint, for several months in 1976, at April Ashley's AD8 club.[12] In late 1976, Howard suffered a fall in which he broke his back and feet. But after a period of recuperation and recovery, he resumed recording and released a number of singles over the next several years. Howard's work with the producer Trevor Horn in 1977 and 1978 resulted in two 7" singles – "I Can Breathe Again"/"You Take My Breath Away" (Ariola, 1978) and "Don't Shine Your Light"/"Baby Go Now" (SRT, 1979) – that were among Horn's earliest commercially released production credits.[13] And a brief return to CBS in late 1979 led to two more 7" singles – "I Tune into You"/"Gotta New Toy" and "Lonely I, Lonely Me"/"Gotta New Toy (remix) – both released in 1980. In 1981 – the year before Culture Club released its debut album, Kissing to Be Clever – Howard teamed up with Culture Club producer Steve Levine, a collaboration that resulted in another two 7" singles, "It's You I Want"/"Searching for Someone" and "And the World"/"Call on You." A second life in A&R, 1985–2000But by the mid-1980s, Howard had stopped recording and moved to the business side of music, where he forged a successful career in A&R for fifteen years, before "retiring" to Pembrokeshire, Wales, in 2000. Among the artists Howard worked with during this period were: Elkie Brooks, Maria Friedman, Connie Francis, Hazell Dean, Sonia, Gary Glitter, The Crickets, Lonnie Donegan, Madness, Barry Manilow and Sir Tim Rice.[2] Howard did record one album during this period, The Pros and Cons of Passion. The album – a collection of Howard originals and covers of songs by George Harrison, Brian Wilson, k.d. lang, Stephen Sondheim, Lou Reed, Neil Young, Paul McCartney and Janet Hood/Bill Russell – was slated for 1996 release on the Carlton label. But – as if to remind Howard that Murphy's law still was in effect – the label folded the week before the album's street date, and the album remained unreleased until Howard released it himself in 2008. Rediscovering the muse, 2003–2005The album cover of Kid in a Big World was featured in Matsui Takumi's 2002 book, In Search of the Lost Record: British Album Cover Art of 50's to 80s.[14] This turned out to be one signpost of a revival of interest in Howard's early work. Responding to this, Cherry Red Records subsidiary RPM Records in September 2003 featured "Goodbye Suzie" – the song which, when it was released in October 1974, BBC Radio 1 had scuttled as being "too depressing" – on its compilation Zigzag: 20 Junkshop Soft Rock Singles 1970–1974.[15] Two months later, and nearly thirty years after the album's original release, RPM re-issued Kid in a Big World. In early 2004, Uncut magazine gave the re-issue a 5-star review, in which reviewer Paul Lester wrote that
Howard, wrote Lester, is "the missing link between Noel Coward and ... Momus."[16] Coward is a frequent reference in reviews of Howard's music. In 2006, a couple of years after the re-issue of Kid, the Manchester poet Robert Cochrane – who collaborated as the lyricist on Howard's 2005 album The Dangerous Hours – observed that Kid is "Noel Coward getting fruit with Elton and Ziggy."[17] Writing in The Guardian, in 2005, Alex Petridis mused that, when Kid was "[r]eissued to critical raves, its florid, glam piano balladry seemed more contemporary in the age of Rufus Wainwright than it must have done at the height of pub rock."[18] A few weeks after the Uncut review, a London show by Howard – organized by RPM to celebrate the re-issue of Kid – included in the audience Lawrence of Felt, Peter Astor of The Weather Prophets and rock biographer Nina Antonia, further attesting to Howard's influence.[17] In 2004 and 2005, respectively, RPM issued the other two (unreleased) albums of the Kid trilogy – Technicolour Biography and Can You Hear Me OK? The first of these prompted a less predictable appearance by Coward, in a review by Anthony Reynolds, who wrote that
During this period, Howard entered a second stage of creative output, recording and releasing more than seven albums' worth of new material from 2004 to the present. In a four-star review of The Dangerous Hours (2005), Howard's collaboration with Robert Cochrane and his first new album release in 30 years, Alexis Petridis wrote in The Guardian that
The album, wrote Stephen Thomas Erlewine in his own four-star review, has "all of the hallmarks of [Howard's] '70s work – big, sweeping, cinematic choruses, lush, sighing melodies, music that is once dramatic and intimate," and "Cochrane's words...flow like Howard's own." Musically "spare and simple, just Howard and his piano, occasionally embellished with a synthesizer and overdubbed vocals," the album is "a perfect soundtrack for either late-night introspection or a contemplative Sunday morning. The best thing about The Dangerous Hours...[is] that it proves that his skills as a craftsman are untarnished after all these years."[9] Later that year, Howard released on RPM parent label Cherry Red what Erlewine called Howard's "true comeback" album, the wryly titled As I Was Saying (2005), the first album collection of new, original all-Howard songs since 1975. The album features ex-Lush bass guitarist Phil King on electric bass and Andre Barreau – who plays George Harrison in the Beatles tribute band The Bootleg Beatles and who also was the lead guitarist on Robbie Williams's 1997 single, "Angels" – on guitars. "The voice," wrote Helen Wright, "is in peak condition – richer than in his youth but retaining all the character, and sounding more and more like a slightly posher John Lennon." Wright singled out the song "Oh, Do Give It A Rest, Love"[20] – which Dickon Edwards had called the album's "epic centrepiece" – as "a tour-de-force, a seven-minute epic of wit and bitchiness that manages to include pretty well the entire history of pop music."[21] Erlewine wrote that
"The songs are still pouring out," 2006–2007The momentum of new songwriting and recording continued with Howard's next album Same Bed, Different Dreams (2006), released on the small French label Disques Eurovisions. Although the release of Same Bed was delayed until the summer of 2006 – the year after 2005's Dangerous Hours and As I Was Saying – Howard had laid down and sent to Eurovisions demos of all 14 of the album's songs in January 2004.[23] So these actually were the first new songs that Howard recorded after the re-issue of Kid in a Big World in November 2003. Reviewing Same Bed for the French magazine Les Inrockuptibles, Celine Remy called it "an authentic hidden treasure of eccentric pop: the kind of disc that one could imagine had been reissued as a vestige of a time when Bowie still haunted the cabarets and Elton John preferred writing to shopping," with Matthieu Grunfeld in another French magazine, Magic RPM, suggesting that the album "should find a strong echo among...the fans of Ben Folds."[24][25][26] Howard followed Same Bed, Different Dreams with Barefoot With Angels (2007). Released on the small Spanish label, Hanky Panky Records, the album includes the song, "The Exquisites,"[27] that Howard wrote for his 2005 London show[28] at the Glam-ou-rama[29] community's Night of a Thousand Ziggys. John Howard calls the song – which initially was inspired by Oscar Wilde's dictum that "The future belongs to the dandy. It is the exquisites who are going to rule." –
Barefoot also includes the song "Magdalena Merrywidow,"[31] Howard's tribute to April Ashley. Howard appeared as a pianist on two other albums in 2007: Anthony Reynolds's British Ballads (Spinney)[32] and Darren Hayman's Darren Hayman and the Secondary Modern (Track & Field). Both albums tapped the contributions of musicians who had been extremely influential in 1980s British indie pop, with the Reynolds album featuring ex-Cocteau Twin Simon Raymonde[33] and the Hayman album featuring Pete Astor, who had founded The Loft and The Weather Prophets.[34] Independent releases, 2008–2013After releasing four new albums on small independent labels from 2005 to 2007, Howard began recording, releasing and selling CDs of his music on his own label, 'John Howard' via his website Kid in a Big World,[35] with digital releases of his entire catalog through AWAL. Howard's ninth studio album, Navigate Home (2009) – which he wrote while waiting to move from Wales to Spain and completed recording in Spain – was the first album to reflect this new approach. Reviewing the album in Dusty Wright's online pop culture magazine Culture Catch, Robert Cochrane observed:
In October 2011, Howard released the original demos for Navigate Home as a separate album, Dry Run: The "Navigate Home" Demos. This collection – chronologically, Howard's eleventh studio album – includes demos of two additional songs, "Genius" and "In Your Dreams," that did not make it onto the original album. Howard's tenth studio album, Exhibiting Tendencies (2011), had its digital release in February 2011 and its CD release in May 2011. His eleventh studio album, You Shall Go to the Ball! (2012), was released on 24 September 2012. On this 15-track collection, Howard "revisits" and elaborates on nine of his 1970s-era songs that previously had been recorded only as musically spare demos. He interweaves these revisitations with a half-dozen "soundscapes." The result, writes Joe Lepper for the digital magazine Neon Filler, "gives the album a dreamlike, almost Brian Wilson produced feel, with his forgotten songs shining brightly throughout."[37] John Howard's twelfth studio album, Storeys (2013), was released on 25 November 2013. In his Pennyblack Music review of the album, Benjamin Howarth writes that, "for all those people who enjoyed the reissues but haven’t heard anything else, his new album Storeys feels like an ideal opportunity to catch up." Howarth continues:
New collaborators, 2013–presentStoreys was the occasion for John's Howard's first live performance in seven years. Earlier in 2013, Howard had been introduced to guitarist and music journalist Robert Rotifer – and it was Rotifer who invited him to perform in London again. The upshot was a November 2013 triple bill with Ralegh Long and Darren Hayman at the North London venue The Servant Jazz Quarters. For this show, Howard performed with his first live band for many years: Rotifer, Andy Lewis (Paul Weller's bassist) and drummer Ian Button (Papernut Cambridge). Reviewing Howard's set, Patricia Turk wrote:
Building on the success of this show, the four musicians hatched a plan to write and record a new album together. The fruits of their labours, John Howard & The Night Mail, was released in August 2015 on Hamburg-based Tapete Records. It was received with rapturous reviews in Mojo, Record Collector and Q magazine, as well as German Rolling Stone and several online music sites like Drowned in Sound (10 out of 10), musicOMH and Neon Filler. The band played gigs around Europe in 2016, beginning in Vienna and on to Germany, where they played Augsburg, Hamburg, Cologne and Berlin. In the Summer of 2016, Howard's first album with the Exeter-based label, Occultation Recordings, Across the Door Sill, was released in October 2016. In March 2018, Howard's first autobiography, Incidents Crowded With Life, was published by Fisher King Publishing (http://www.fisherkingpublishing.co.uk/ ). The book has been featured in a five-page article in Shindig! magazine, and had very positive reviews from the likes of David Quantick (in Mojo) and Charles Donovan (in Shindig). In April 2018, Howard's debut album, Kid in a Big World was released on L.P. by Spanish label, You Are The Cosmos. Issued with the same artwork as the original 1975 album, it promises to be a series of releases by Howard on the label, which is run by Pedro Vizcaino in Zaragoza. (http://www.youarethecosmos.com/) Also in April 2018, You Are The Cosmos put together and released a new collection of John Howard's rarer 1970s recordings, The Hidden Beauty 1973-1979. Featuring tracks produced by Eddie Pumer (Fairfield Parlour), Chris Rainbow and Trevor Horn, the L.P. has become the perfect companion-piece to Kid in a Big World, including tracks recorded leading up to and immediately following the release of that album. In March 2019, You Are The Cosmos released John's album, Cut The Wire, recorded at his home in Spain during 2018. In October 2019, John released the EP 'Four Piano Pieces', instrumental meditation pieces. In August 2020, John's 17th studio album, To The Left of The Moon's Reflection was released in America on Kool Kat Musik, his first release in The States in his 45-year recording career. The album was also issued in the UK on Howard's own label, 'John Howard', with copies of the CD also being available via You Are The Cosmos. In May 2021, Kool Kat Musik issued the first ever commercially released Best of John Howard, the 2-CD set 'Collected'. It was compiled by Edward Rogers (of duo Rogers & Butler) and mastered by Ian Button (drummer with John Howard & The Night Mail). In March 2022, Howard released his album LOOK - The Unknown Story of Danielle Du Bois, dedicated to and inspired by John's friend April Ashley. The album's fictitious narrative told how early 1960s pop star Daniel Wood moved to Paris and transitioned into Danielle Du Bois, who became one of society's glitterati, befriending the likes of Brigitte Bardot, Pierre Cardin and Josephine Baker. The album received wide acclaim from many music critics. There is a possibility that LOOK will be turned into a stage musical. LOOK was released by Kool Kat Musik. The same month in 2022, the third volume of Howard's memoirs, In The Eyeline of Furtherance, was published by Fisher King Publishing, who had published the first two volumes, Incidents Crowded With Life in 2018, and Illusions of Happiness in 2020. In September 2022, Howard's album From The Far Side of A Near Miss was released. It comprises just one 37-minute song, the title song, inspired by Howard's teenage heroes Roy Harper and The Incredible String Band, who also specialised in longform pieces. The album was released by Kool Kat Musik. In January 2023, Think Like A Key Music released John's 2019 album, Cut The Wire (which had only previously been available on CD). Then in April that year, Kool Kat Musik issued a double CD set of John's 1975 debut album, Kid In A Big World. The new reissue, Kid In A Big World + The Original Demos, contained on CD2 the previously unreleased demo recordings of the songs John eventually recorded at Abbey Road for the CBS LP. The demos were recorded in 1973 and early 1974 before John went into Abbey Road with producer Tony Meehan. The demos were also released as a single online album, Kid In A Big World: The Original Demos in June '23. In September 2023, John's first novel, Across My Dreams With Nets of Wonder, was published by Fisher King Publishing (who had also published the three volumes of Howard's memoirs). The book is a time-travel adventure which John wrote between March 2022 and July 2023. In January 2024, the Double 'A' side single, Safety In Numbers/In The Light of Fires Burning, was released online. The single acted as a trailer for Howard's new album, Single Return, which was issued on CD by Kool Kat Musik in March 2024. The album, which was also released online, features Howard's solo recordings of the songs he wrote with Robert Rotifer, Ian Button and Andy Lewis for the 'John Howard & The Night Mail' album in 2015. Eight of the tracks had never been released before; Small World, the only cover on the album, written by Roddy Frame, was included on the 2021 Best Of 'Collected'; Safety In Numbers and In The Light of Fires Burning had their first release the previous January on the previously mentioned Double 'A' side single. Personal lifeIn 2006, Howard and retired theatre actor and director Neil France – Howard's partner of 20 years – were united in a civil partnership ceremony in Pembrokeshire. The next year, 2007, Howard and France moved from the United Kingdom to Murcia, Spain, where they continue to live. In May 2015, following the United Kingdom's legalization of same-sex marriage in March 2014, Howard and France had their civil partnership converted to a marriage. The ceremony took place in Anglesey in Wales. DiscographyStudio albums
Reissues
Studio E.P.s
Released singles and B-sidesSolo
As Quiz (with Steve Levine)
John Howard & The Night Mail:
Collections
Live albums
Compilation appearancesOriginal songs
Cover versions
Other album contributions
Bibliography (Books Published) Incidents Crowded With Life (Autobiography), Fisher King Publishing, 2018) Illusions of Happiness (Autobiography), Fisher King Publishing, 2020) In The Eyeline of Furtherance (Autobiography), Fisher King Publishing, 2022) Across My Dreams With Nets of Wonder (Novel), Fisher King Publishing, 2023) References
External links
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