Joan Arden Charlat MurrayOOntFRSC (born August 12, 1943) is an American-born Canadian art historian, writer and curator.
Education and personal life
Joan Charlat was born in New York City in 1943.[1] She moved to Canada in 1959 to marry W. Ross Murray (1930–2020) and studied art history at the University of Toronto, receiving an Honours B.A. (1965). Murray completed an M.A. at Columbia University in 1966.[1][2]
Career
In 1968 she took a position as the head of education at the Art Gallery of Ontario; in 1969 she became Research Curator, and following that became the first Curator of Canadian Art (1970–1973). At the Gallery, she also served as the Acting Chief Curator (1972).[2] From 1974[3] to 1999, Murray served as Director of the Robert McLaughlin Gallery in Oshawa.[4] From 2005–2006, Murray served as the Interim Executive Director and Chief Executive Officer[5] of the McMichael Canadian Art Collection in Kleinburg, Ontario after the unexpected resignation of Vincent Varga.[6][7]
As one of only seven female art curators in Canada at the time of her AGO appointment, Murray advocated for the role of women in curatorial roles. She believed women were well-suited for these nurturing, essentially administrative roles.[2]
Writing
Murray has written extensively on the Group of Seven, particularly Tom Thomson. She has prepared a catalogue raisonné of his work, a project which took over fifty years.[8][9] She also has authored many books on the history of Canadian art,[10][11] most notably Canadian Art in the Twentieth Century (1999),[12]Northern Lights: Masterpieces of Tom Thomson and the Group of Seven (1994),[13][14]McMichael Canadian Art Collection: One Hundred Masterworks (2006), and Laura Muntz Lyall: Impressions of Women and Childhood (2012). She has published over one hundred catalogues and two hundred articles on subjects ranging from folk art to contemporary artists.[4][15] Her collection of papers and over 600 interviews with artists[16] are stored in Library and Archives Canada.[17]
——— (2002a). "Tom Thomson's Letters". In Reid, Dennis (ed.). Tom Thomson. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 297–306. ISBN978-1-55365-493-3.
——— (2002b). "Chronology". In Reid, Dennis (ed.). Tom Thomson. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 307–317. ISBN978-1-55365-493-3.
——— (2002c). Flowers: J. E. H. MacDonald, Tom Thomson and the Group of Seven. Toronto: McArthur & Co. ISBN978-1-55278-326-9.
——— (2003), Lawren Harris: An Introduction to His Life and Art, Firefly Books, ISBN978-1-55297-764-4
——— (2004). Water: Lawren Harris and the Group of Seven. Toronto: McArthur & Co. ISBN978-1-55278-457-0.
——— (2006). Rocks: Franklin Carmichael, Arthur Lismer, and the Group of Seven. Toronto: McArthur & Co. pp. 92–7. ISBN978-1-55278-616-1.
——— (2008), Michael Adamson: Open Country Paintings, vol. 1, Panda Group Canada, p. 205, ISBN978-0-9811116-0-5
^ abMurray, Joan (2003). Lawren Harris : an introduction to his life and art. Toronto, Ont. ISBN1-55297-763-3. OCLC51925178.{{cite book}}: CS1 maint: location missing publisher (link)
^"Recipients". The Governor General of Canada. June 11, 2018. Retrieved September 6, 2022.