Jennifer Angus (born 1961 in Edmonton, Alberta) is a Canadian artist, professor, and author. She is known for her site-specific installations that use large numbers of insects arranged in ornamental patterns that she has been creating since 1999.[1][2] Angus anthropomorphizes insects in the hope that she can change people's entomophobia and create an interest in the role that insects play in ecosystems.[3]
In 2005, the Textile Museum of Canada showed 'A terrible beauty',[5] a site-specific installation involving 15,000 insects organized in ornamental patterns similar to those found on wallpaper and textiles.[6] The exhibition won the 2006 Exhibition Award from the Ontario Association of Art Galleries.[7]
Bravo commissioned a short documentary called 'Touch of Weevil – The Work of Jennifer Angus' documenting one of her installations at the Tom Thomson Art Gallery in 2008.[8]
In 2015, Angus participated in the exhibition 'Wonder', that celebrated the reopening of the Smithsonian'sRenwick Gallery in Washington, D.C., with a site-specific installation called 'The Midnight Garden' that used sustainably harvested insects.[9][10]
At the 'Wonder' exhibition at the Renwick Gallery, Angus's installation consisted of about 5,000 dried insects.[11]
Work by Angus is in the collection of the Museum of Arts and Design[12] and the fibre art collection of Idea Exchange.[13]
Angus is the author of the 2013 fantasy novel, In Search of Goliathus Hercules, which tells the Victorian-era story of a young boy who discovers that he can speak to insects and sets out to find a giant insect on the Malay Peninsula.
^Beaudry, Eve-Lyne; Simon, Kim (2008-09-15). Jennifer Angus: A Terrible Beauty (First ed.). Toronto, Ont.; Traverse City, Mich.; Joliette, Québec: Textile Museum of Canada/ABC Art Books Canada. ISBN978-2-921801-40-9.