Jeannette Unite
Jeannette Unite (born 20 January 1964) is a South African artist[1] who has collected oxides, metal salts and residues from mines, heritage and industrial sites[2][3] to develop paint, pastel and glass recipes for her large scale artworks that reflect on the mining and industrial sites where humanity's contemporary world is manufactured.[4][5] Her industrial-scale mining Headgear drawings and "TERRA" paintings[6][7] were exhibited at Museum Ostwall, Dortmund, Germany[4][8][9][10][11][12] in the reconstructed building on the site of mining headquarters for the Ruhr Valley in commemoration of the final year of underground coal mining in Germany. Through 2014 and 2015, her research on Earth's stratigraphy with Department of Earth Sciences, Oxford University and Oxford University Museum, developed into a body of work exhibited at the Centre for Contemporary Art and the Natural World (CCANW),[13] Exeter University, Devon, between October 2015 and February 2016. This travelling exhibition also formed part of the United Nations' Year of Soil and the British Geological Society's Year of Mud.[14][15][16][17] ResearchUnite's works reference mining heritage sourced from archives and museums.[1][2] This includes early geological historical maps and texts that were created during the British Industrial Revolution to guide mining the coal that fueled the engines that drove modernity.[1][5][4]
Education and community workUnite graduated from Michaelis School of Fine Art in 1986, following 4 years of study. From 1987 to 1997, she taught printmaking and general art at Frank Joubert Art Centre, as well as teaching adult education drawing lessons & painting courses. During this time, she spent four years in correspondence with UNISA and provided art training to teachers in Nyanga, a local township area. From 2011 to2016, she taught the Workshops in Materiality course at Michaelis School of Fine Art, a series of workshops centered around communicating her own unique style of paint preparation and utilization to students. In 2014, she completed her MFA (Masters in Fine Arts) at Michaelis, receiving a distinction.[18] Selected exhibitionsSource:[18] 2017 MEASURING MODERNITY, Borderline Art Space, Iasi, Romania[19] COMPLICIT GEOGRAPHIES, Eclectica Contemporary, Cape Town[20] 2016 35th International Geology Congress, Invited Earth mining artist, CTICC TERRA, Museum Am Ostwall, Dortmund, Germany Mining Our Heritage | Bergbau Unser Erbe – Germany Preview, Abalone Hermanus Fynarts In Plain Sight: Social Life in South Africa and Romania before and after 1989, Aparte Gallery of George Enescu Uni of Arts, Iasi & Borderline Art Space, Iasi, Romania Out of the Fire, Into the Light, Dr Ingram Anderson, Glass exhibition, AVA, Pretoria STRATA two-woman show with Isabel Mertz at ISart, Franscchhoek Colori sotto il Visuvio (The Colours of Vesuvius), Il ramo d'oro Centre of Arts and Culture, Naples, Italy 2015 Bi-Centenary William 'Strata' Smith, Innovation Centre, University of Exeter PREVIEW Bi-Centenary William 'Strata' Smith, Jo'burg Art Fair Fringe curated by Carol Brown, Mboneng, Johannesburg LAW & ORE, Youngblood Foundation Gallery, Cape Town[21] Between Democracies curated By Judy Peter, Karen von Vey & Richard Gregor, Constitution Hill, Johannesburg Fear & Loss in the Industrial Karoo, Curator Katie Du Toit, Oliewenhuis, Bloemfontein | Pretoria Art Museum | Graaff-Rennet Blowing in the Wind, curator Carol Brown, KZNSA Gallery, Durban and University of the Orange Free State, Art Museum. Between Conceptual and Spiritual, curated by Ortrud Mulder, Abalone Gallery, part of FynArts Festival, Hermanus 2014 LAW & ORE, Abalone Gallery, Hermanus EXTRACT, Youngblood Gallery, Cape Town and Cologne, Germany COMPLICIT GEOGRAPHIES, Fine Arts master's degree exhibition, Michaelis Galleries, Cape Town (MFA with Distinction) 2013 HERE / THERE, UCT and WITS Masters students, Michaelis Galleries, Cape Town HAWK Guerrilla Video Projections on land and group Art Intervention, (curator Lien Botha) Overstrand, Western Cape 2012 Residuum: Mines & Machines Installation at the Western Cape Archives & Records Service, Old Gaol, Roeland Street, Cape Town Exhibition & Presentation: 9th IMHC International Mining History Conference, Johannesburg HAWK Group Art Intervention, (curated by Lien Botha) Overberg, Western Cape (project printed map) Return to the Archive, Museum Africa, Johannesburg 2011 Paradox of Plenty, Michaelis Galleries, University of Cape Town - Installation of mining archive & artist-in-residency Mining the African Industrial Landscape: Presentation; Conflicts & Natural Resources: African Studies Conference, AEGIS, Universidad Autónoma de Madrid, Spain Artists Visual Response to the Industrial Landscape: Presentation The Paradox of Plenty, Joburg Art Fair, September On the Surface: The Heritage of Mines and Mining; conference University Innsbruck, Austria Iizkhwepha Zhetu / Shaping our Minds, (curated by Phumzile Dlamini) Durban Art Gallery (catalogue) 3 Parts: More Harmony, South African, United Arab Emirates & Mozambique artists (curated by Phumzile Dlamini), Durban Art Gallery (catalogue) Alumni Exhibition & Auction, Michaelis School of Fine Art, University of Cape Town (catalogue) 2010 6 Meters Under, 4th Beijing International Art Biennale, China The Lie of the Land: Representations of the South African Landscape,(curated by Michael Godby), Michaelis Collection, Old Town House Museum (catalogue) TERRA: Above Below, Oliewenhuis Museum, Bloemfontein (Catalogue) Mineral Resources and Residues of Power in the African Industrial Landscape, Presentation at ICACD (3rd International Conference on African Cultural Development) Cultural Imperatives for Development: 50 Years Post Independent Africa, Kumasi, Ghana
Headgears, 9th Tashkent Biennale, Central Asia, Uzbekistan Presentation ‘The Colonial Gaze’ Scientific conference, Urban Philosophy: Anthropological Landscape’, Tashkent, Uzbekistan Earthscars: Mining the African Landscape: Presentation AngloGold Ashanti, Turbine Hall, Johannesburg Headgear, Inaugural solo exhibition, AngloGold HQ, Turbine Hall, JHB Earthscars: Mining African Landscape, XLIIIrd AICA (International Association of Art Critics) Congress, The Relations Between Art and Science: Complicity, Criticality, Knowledge, Dublin Castle, Ireland On Top of the World, (curated by Andre Vorster) (catalogue) Earthscars, 20:20 Presentation at VANSA, Spin Street, Cape Town 2008 Remembering the Future, Western Cape Archives and Records Service, Old Gaol, Roeland Street, Cape Town Re-structuring the Colonial, Group Exhibition, Thompson Gallery, Johannesburg 2007 Hot Earth, Artworks in response to travels to copper mines of Namaqualand. Thompson Gallery, Johannesburg Visions of Africa, (curated by Dirk Oegema) Pretoria Art Museum 2006 HERM: Boundaries Between the Wild and Cultivated, collaboration Cumbria Institute of Arts, Ann Bryant Art Museum, East London 2005 Gunfree South Africa, Constitution Hill Auction, Johannesburg 2004 Earthscars: A Visual Mining Exploration, William Humphreys Art Museum, Kimberley Earthscars: A Visual Mining Exploration, Mozambique National Gallery, Maputo, Mozambique Earthscars: A Visual Mining Exploration, Irma Stern Museum Gallery, University of Cape Town Surfacing, with Lynne Lomofsky, Unite Studio, Cape Town 2003 S.U.M., Bag Factory Residency Exhibition, Fordsburg Art Studios, Johannesburg (catalogue) Sentences & Gestures, Zebra II, Hampstead, London South African Artists, Old Mutual Place, London 2001 Sentences, Bell-Roberts Contemporary Gallery, Cape Town (catalogue) Heart For Art, Red Cross Fundraiser, The Foundry, Cape Town SA Today, Signature Artist, (curator Patrick Lagus), Fair Centre, Helsinki Blue Danube, animated projection, edited by Koeka Stander, concert with Sibelius Orchestra, Helsinki, Finland 2000 Sentences, art animation film, 8 minutes, edited by Koeka Stander Artichoke, Multimedia event, Sandton Civic Centre, Johannesburg 1999 Thresholds, Irma Stern Museum Gallery, University of Cape Town Inaugural Group Exhibition, National Library of South Africa, Cape Town Softserve, Public Eye Event, IZIKO South African National Gallery, Cape Town Thupela Workshop, IZIKO South African National Gallery, Cape Town 1994 Print Triennial, Musee d’Art Contemporain Internationale, Lyon, France 1993 South Africa in Black and White, Print exhibition (curated by Ray Maylen), South African National Gallery, Cape Town Aids Awareness, AVA Association for Visual Arts, Cape Town Brides, (curated by Christopher Peter), Irma Stern Museum Gallery, University of Cape Town 1992 Art Now, AVA Association for Visual Arts, Cape Town 1990 Critics’ Choice, AVA Association for Visual Arts, Cape Town 1981 Young Artists’ Exhibition, 1st Prize, Kellogg's Foundation (catalogue) Publications and texts
Awards, grants and residencies
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