Zada was born in California and moved to Hawaii when he was 10 years old.[4] His interest in video and computers started when he was a young boy. When he was 8 years old, he created short films on a Super 8 camera and programmed text adventure games on a Commodore 64personal computer.[4][5] He received a media arts education at Kalaheo High School in Kailua, Hawaii.[4] Returning to the continental US, he worked in Los Angeles and New York City before moving to San Francisco in 1993. Not a fan of organized education, Zada declined scholarships to film school, preferring to go out and learn things on his own.[4] In 1997, he and co-founder Greg Hipwell launched the website skyplane.com,[6] which was acquired by Zefer in 1999.[4]
In 2000, Zada and partner Daniel Stein co-founded the San Francisco-based digital advertising agencyEvolution Bureau (EVB). The company's growth as a full-service agency allowed him, as the firm's Executive Creative Director,[2] to direct advertising campaigns for clients for television and the internet. In 2006, Omnicom Group bought a 50% interest in the firm.[4] By 2008, EVB had grown to a 65-person company and Zada allowed Omnicom to acquire a majority stake in the company, and at the end of 2008, Zada left the company to pursue a career as a video and film director.[1] Zada signed with film production company Tool of Northern America (TNA)[7] in January 2009 and commutes between his Mill Valley home and Los Angeles.[8]
Projects
In 2006, Zada and Evolution Bureau, in collaboration with advertising company "Toy." of New York,[2][4] developed the Elf Yourselfinteractive holiday viral marketing campaign for OfficeMax. The Elf Yourself interactive website allows visitors to upload pictures of themselves, or their friends, which they can then see on the dancing elfs.[9] Originally with only one elf, the campaign was first used during the holiday season, beginning in November 2006,[2] and returned each holiday season afterwards. When first released, it was a surprise hit and exceeded production's expectations with more than 194 million views in six weeks,[10] and received the interactive involvement of more than 123 million people who uploaded photos of themselves to be seen on the Christmas elves.[11] Beginning in 2007, the site used four elves and viewers could upload different images for each one.[2]
In 2011, Zada wrote and directed Take This Lollipop as both an interactive horror short film and a Facebook application, using the Facebook Connect app to allow viewers to bring themselves into the film using pictures and messages from their own Facebook profile.[3][12] Originally intended as a social experiment, Zada admits he "threw the script together"[13] in approximately 30 minutes, and completed the project in four weeks along with developer Jason Nickel and the collaborative efforts of Tool of North America.[13] In November, 2011, "Take This Lollipop" was noted as the fastest-growing Facebook application.[13][14]
Zada TNA worked with Australia's Tourism Victoria and directed the crowdfunded "Remote Control Tourist" which, over a five-day period in October 2013, allowed potential Melbourne visitors to virtually explore the city using social media.[15] Zada stated "Hundreds of photos, videos, and data will come to life and give anyone who is thinking of visiting or is currently visiting Melbourne the coolest and most interesting way to research and explore the city."[16]
In speaking toward Elf Yourself in his book Adland: Searching for the Meaning of Life on a Branded Planet, author James P. Othmer called it "a strange, corny, yet enormously successful website."[22] He observed that while 19 other sites created for OfficeMax had modest success, it was "nothing like the level of action that came out of the Elf Yourself site,"[22] and that, as created by Zada, the site "not only transcended the online genre; it transcended advertising and became the kind of cultural event that marketers dream of".
[22]
Zada's Take This Lollipop project has been the recipient of positive media attention, receiving national publicity, such as in Adland,[23]Brandchannel,[24]CNN,[25][26]IndieWire,[3]Forbes,[27]Digital Trends,[28]Adweek,[29]The Star-Ledger,[30]GlobalPost,[31]The New York Times,[32]Advertising Age,[33] and has garnered international attention with coverage by newspapers and magazines including The Sydney Morning Herald.[12]20minutes,[34]Sky Italia,[35]Les Numeriques,[36]TendanceOuest,[37]Stern Magazine,[38]Site Oueb.[39] and International Business Times,.[40] The project has sparked discussions over how to protect children when they are using the internet, with coverage from The New Zealand Herald,[41] CNN,[26] and Persoenlich.[42] In a commentary on how parents must educate their children about the dangers inherent in a releasing of personal information about themselves to the internet, CNN reported that the film took the worst fears about posting personal information on the internet, and turned them into "two minutes of horror."[25] and later reported that "Behind the litany of frightening facts and figures (not to mention fears like those preyed upon in viral-video Take This Lollipop, an interactive horror film that incorporates text and images from your Facebook profile) lurks a disturbing truth."[26]
2013, won Bronze Award for 'Technical Achievement' at SXSW[60][61]
2014, won Gold Prix awards for 'Direct Content'[62] and for 'Branded Content & Entertainment'[63] at Singapore's Spikes Asia Festival
2014, won 'Best in Show' and two Gold Awards ('Interactive Film' and for 'Creative Innovation'), two Silver Awards ('Branded Content' and 'Digital Campaign'), and seven Bronze Awards in several 'film and video and digital' categories from the 'Australasian Writers and Art Directors Association'[64][65]
2014, won 'The Innovation Award', and award for 'Most Effective Use of Content', as well as commendations 'Art Direction', 'Branded Content', 'Data Visualisation', and for 'Digital Website & Microsites' ADMA awards from Australian Creativity & Effectiveness Awards for Marketing, Media, & Advertising[68]
2014, won Gold 'Best Content Creation Award' at C Squared Festival of Media[69]
2014, won first place 'Innovation Award' from F.I.T.C.[70]
2014, won 'Advertising Annual Award for Digital Advertising' from Communication Arts[71]
^"2014 ADMA Awards winners". Australian Creativity & Effectiveness Awards for Marketing, Media, & Advertising. Archived from the original on October 31, 2014. Retrieved October 30, 2014.