Kwan was born in 1964 in Hong Kong.[1] He studied at Pui Ying Secondary School [zh] and joined the photography club in his freshman year, which sparked his interest in cinematography.[2] Kwan moved to Japan in 1990 and attended the Tokyo College of Photography to study film production in the following year.[1] He graduated in 1993 and returned to Hong Kong, beginning to work as a freelance cinematographer.[1][3] He focused on filming advertisements and music videos, including the music video for Andy Lau's "Practice", directed by Daniel Yu [zh].[1]
Career
Early ventures and critical recognition (2004–2016)
Kwan was recommended by Daniel Yu to join the production of the 2004 Malaysian drama film Puteri Gunung Ledang, directed by Saw Teong Hin, which marked his feature film cinematographic debut.[1][4] He made his Hong Kong feature film debut with the 2005 romance film All About Love, which was also directed by Daniel Yu and starring Andy Lau.[1][5]Paul Fonoroff, writing for South China Morning Post, described Kwan's cinematography in All About Love as "truly breathtaking".[6] He went on to cinematograph the drama film My Mother Is a Belly Dancer, produced by Andy Lau, in the following year.[7] In 2010, Kwan served as the cinematographer for Pang Ho-cheung's romantic comedy film Love in a Puff, starring Shawn Yue and Miriam Yeung.[8] Russell Edwards of Variety praised the film's intimacy, which was achieved through the combination between Pang's helming and Kwan's lensing.[9] The film also marked the beginning of Kwan and Pang's close collaboration, with Pang describing that he thinks Kwan has a "keen-eyed observation of acting performances".[10][11] The same year, Kwan shot the drama film Merry-Go-Round [zh] co-directed by Yan Yan Mak and Clement Cheng,[12] which earned him a nomination for Best Cinematography in the 30th Hong Kong Film Awards,[13] as well as Raymond Yip's martial arts drama film Bruce Lee, My Brother.[14]
In 2012, Kwan returned to cinematograph the romantic comedy film Love in the Buff, the sequel to Love in a Puff, and another Pang's comedy film Vulgaria.[15][16] He also served as the cinematographer for Longman Leung [zh] and Sunny Luk [zh]'s action thriller film Cold War and Wong Jing's period drama film The Last Tycoon,[17][18] receiving two nominations for Best Cinematography in the 32nd Hong Kong Film Awards with both projects.[19] Kwan went on to film the 2013 back-to-back horror films Tales from the Dark 1 and Tales from the Dark 2,[20][21] as well as the 2014 disaster film As the Light Goes Out.[22] He was once again nominated for Best Cinematography in the 33rd Hong Kong Film Awards for As the Light Goes Out,[23] with Maggie Lee of Variety praising the film's "monumental sense of space" achieved through Kwan's wide-angle shots of the sets.[24] Kwan also cinematographed Pang's drama film Aberdeen in 2014.[25] Richard Kuipers, writing for the Chicago Tribune, acknowledged Kwan's cinematography with his "beautifully composed widescreen images" in the film.[26]
In 2015, Kwan participated in the sports comedy film Full Strike.[27] He also served as the cinematographer for Helios, another crime thriller film co-directed by Leung and Luk, in the same year.[28] James Marsh of Screen Daily praised Kwan's cinematography for capturing "the sheen and shadows of present-day Hong Kong" in Helios;[29] while Maggie Lee of Variety labelled Kwan's lensing as "solid", although occasionally featuring unnecessary and flashy aerial shots.[30] The following year, Kwan collaborated with Leung and Luk once again in the action thriller film Cold War 2, the sequel to the 2012 film,[31] which earned him another nomination for Best Cinematography in the 36th Hong Kong Film Awards.[32] Lan Tsu-wei, writing for Liberty Times, referred to Kwan as the key figure behind the scenes, whose ability to capture the actors' emotions enhanced the film's tension.[33]
Directorial debut and multi-faceted career (2017–present)
In 2017, Kwan made his directorial debut with the fantasy romance film A Nail Clipper Romance.[34][35] Starring Zhou Dongyu and Joseph Chang in lead roles, the film was adapted from Pang Ho-cheung's novella of the same name, with Pang also serving as the film's producer.[35] Edmund Lee of South China Morning Post appreciated Kwan's development of a "vibrantly coloured" film with tones of both humour and sadness;[36] while Lau Ying-tsz of HK01 noted that Kwan infused fresh romantic elements with absurdity in his debut film, resulting in an innovative and uniquely chaotic vibe.[37] He continued serving as the cinematographer for the drama film 29+1 and the Chinese fantasy action film Wu Kong.[38][39] Kwan co-directed his second feature film Chasing the Dragon alongside Wong Jing in the same year, also serving as the film's cinematographer.[40][41] Scott Clark of Starburst specifically commended Wong's choice of co-directing the film with Kwan as "a smart move", as it enhanced the film's visuals in terms of period details and action scenes through the camera work;[42] and Clarence Tsui of The Hollywood Reporter credited Kwan for the film's "lavish production design and strong camerawork".[43] Kwan won Best Cinematography in the 37th Hong Kong Film Awards with the film.[44] The following year, he took on the role of cinematographer in Felix Chong's action film Project Gutenberg,[45] for which he once again won Best Cinematography in the 38th Hong Kong Film Awards.[46] Sarah Ward of Screen Daily described Kwan's cinematography in Project Gutenberg as "glossy, purposefully faded", providing the film "a suitably twisty but energetic sheen";[47] while Elizabeth Kerr of The Hollywood Reporter acknowledged Kwan's "meticulously washed-out images".[48]
In 2019, Kwan reprised his roles in Chasing the Dragon II: Wild Wild Bunch, the standalone sequel of the 2017 film, co-directing with Wong Jing and co-cinematographing with Jimmy Kwok.[49] Edmund Lee of the South China Morning Post offered a rather critical review, panning Kwan and Wong for missing the suspense and emotional tones of the film and steering the story towards "a familiar parade of shoot-outs and car chases";[50] Richard Kuipers, writing for Variety, also noted the film's lack of suspense but praised the "slickly shot" widescreen visuals.[49] He also shot the action thriller film Line Walker 2: Invisible Spy in the same year,[51] and co-cinematographed the 2022 comedy film Chilli Laugh Story with Alan Koo.[52] Kwan made his second solo directing effort with the action film I Did It My Way, featuring Andy Lau, Gordon Lam, and Eddie Peng,[53] which was produced in 2022 and released theatrically in 2024.[54][55] Kwan received another nomination for Best Cinematography in the 42nd Hong Kong Film Awards,[56] but the film was negatively received.[57][58] Noel Wong stating in Free Malaysia Today that "as soon as bullets start flying, good camerawork goes out the window", criticising the plot, character motivations, and "stumbling" cinematography;[59] Edmund Lee of South China Morning Post bashed on the "foolish" visuals and the nonsensical script, which "turns the film into an unintended comedy";[53] while Simon Abrams of RogerEbert.com noted that Kwan shifted his usual focus on actors to deliver a "formulaic cops-and-crooks plot".[60] Kwan also shot Nick Cheung's psychological horror film Peg O' My Heart [zh], which premiered at the Far East Film Festival in the same year.[61]
^林艷虹 (10 February 2022). "培英中學 撻着學生鬥志" [Pui Ying Secondary School Encourages Students' Fighting Spirit]. Hong Kong Economic Journal (in Chinese). Archived from the original on 19 May 2024. Retrieved 19 May 2024.
^羅偉強 (19 November 2017). "電影培訓計劃簡介會 導演關智耀︰班學生一出嚟做嘢就啱手勢!" [Film Industry Mentorship Program Seminar: Director Jason Kwan: The Students Are Ready Since They Start Working!]. HK01 (in Chinese). Archived from the original on 6 August 2021. Retrieved 19 May 2024.
^Edwards, Russell (28 June 2010). "Love in a Puff". Variety. Archived from the original on 17 December 2019. Retrieved 19 May 2024.
^戴嘉達 (14 March 2017). "【影視博覽】彭浩翔轉戰電視劇 《會撒嬌的女人》望年內開拍" [[Filmart] Pang Ho-cheung Shifts to TV Dramas: Women Who Flirt Expected to Start Filming This Year]. HK01 (in Chinese). Archived from the original on 19 May 2024. Retrieved 19 May 2024.
^Tsang, Yuki (11 April 2017). "彭浩翔監製新作!周冬雨 x 張孝全《指甲刀人魔》快將上映" [Pang Ho-cheung Produces New Work! Zhou Dongyu and Joseph Chang's A Nail Clipper Romance Is Coming Soon]. Hypebeast (in Chinese). Archived from the original on 19 May 2024. Retrieved 19 May 2024.
^ abLee, Edmund (28 March 2012). "Vulgaria". Screen Daily. Archived from the original on 27 September 2021. Retrieved 19 May 2024.
^ ab"《寒戰》獲金像獎12項提名" [Cold War Receiving 12 Hong Kong Film Awards Nominations]. Hong Kong Economic Times (in Chinese). 13 April 2013. Archived from the original on 19 May 2024. Retrieved 19 May 2024.
^Lan, Tsu-wei (20 July 2016). "《藍色電影夢》寒戰2:政治權力人性" [[The Blue Movie Dream] Cold War 2: On Political Power and Human Nature]. Liberty Times (in Chinese). Archived from the original on 16 December 2018. Retrieved 19 May 2024.
^Lau, Ying-tsz (24 April 2017). "【指甲刀人魔.影評】指甲刀的愛情味道" [[A Nail Clipper Romance Film Review] The Taste of Love in a Nail Clipper]. HK01 (in Chinese). Archived from the original on 19 May 2024. Retrieved 19 May 2024.
^ ab王誦賢 (15 April 2018). "【金像獎2018】《追龍》連奪兩獎 獲頒最佳攝影及最佳剪接" [[2018 Hong Kong Film Awards] Chasing the Dragon Receives Two Awards Consecutively, Winning in Best Cinematography and Best Editing]. HK01 (in Chinese). Archived from the original on 6 August 2021. Retrieved 19 May 2024.
^ ab"張家輝讚錢嘉樂動作高水平" [Nick Cheung Praises Chin Ka-lok's High-Level Action]. Oriental Daily News (in Chinese). 3 August 2019. Archived from the original on 19 May 2024. Retrieved 19 May 2024.
^ ab葉文影 (25 July 2022). "疫情家庭 笑對辛辣" [Family During the Pandemic, Facing Spiciness with Laughter]. Yazhou Zhoukan (in Chinese). Retrieved 24 September 2024.
^羅茜 (15 January 2024). "新片|《潛行》:好戲之人齊聚 張力十足惜細節不足" [New Film: I Did It My Way: Although Capable Actors Are Gathered, [The Film Is] Full of Tension but Regretfully Lacking in Detail]. Orange News (in Chinese). Retrieved 24 September 2024.
^Tsang, Luke (15 January 2024). "【曾智華專欄】《潛行》值得入場嗎?" [[Luke Tsang's Column] Is I Did It My Way Worth Watching?]. Sing Tao Daily (in Chinese). Archived from the original on 19 May 2024. Retrieved 19 May 2024.